User Reviews

I have watched this film for many years with my family. Each year we follow the life of Jesus through Holy Week and Easter Sunday. The director has made this a film that is understandable for all ages and makes the realism unique. I would highly recommend this film for families. Even though I loved "The Passion of the Christ," I found this film easier to view for the family. Maybe we'll watch in earnest when the kids are a little older, teens perhaps. All in all this film takes you through an understanding of life as it would have been seen through the eyes of the common person. Perhaps it is this reality that allows people to gravitate toward a love for the film and a commitment to making the viewing of it each year and family tradition. Looking for a great family movie to help teach the faith, this is it.

Unfortunately, it's been some years since I saw this mini series, but remember the experience being tremendously moving and uplifting back when I watched it. There are a few embellishments and minor deviations from Scripture, but only one (discussed later) that I remember these many years later as giving me pause. Of course I would advise anyone seeking strict accuracy to go to the true and best source, the Bible itself, and not rely on anything from the cinematic world. However, I believe this mini series would give a very positive spiritual enrichment to any Christian, whether Catholic, Protestant, or Orthodox. Watching it brought for me a closer relationship with the Lord.

Robert Powell is magnificent in a role that is of course absolutely impossible for any actor to adequately fill, that of Jesus. Powell has the classic appearance people often imagine as Christ like. I note a great deal of discussion as to his blue eyes, but feel it's all much ado. True, Powell is not Jewish, so perhaps a Jewish actor might have given a more realistic appearance, but it seems minor in relation to his overall powerful portrayal. I agree with others' comments that looking at Powell here, one sees not the actor, but Jesus.

The beautiful Olivia Hussey, who played Juliet in Zeffirelli's Romeo and Juliet, is perfectly cast in the role of the Virgin Mary. James Farentino gives a compelling portrait of Simon Peter, the sinful ordinary fisherman to whom Jesus eventually gives the keys to the Kingdom. The cast includes many other famous stars, such as Peter Ustinov (Herod the Great), Michael York (John the Baptist), Ernest Borgnine (the Centurion), Claudia Cardinale (the Adulteress), Ian McShane (Judas Iscariot), Anne Bancroft (Mary Magdalene), Lawrence Olivier (Nichodemus), James Mason (Joseph of Arimathea), Stacey Keach (Barrabbas), Anthony Quinn (Caiaphas), and Christopher Plummer (Herod Antipas). Although easily recognized & famous actors, they all seem credible in their roles, in addition to the lesser known cast members such as Yorgo Voyagis who is perfect as Joseph.

Jesus's humble stable birth is eloquently captured. Also, the series brings vividly to life the miracles, parables, teachings, and especially passion & death of Christ. I found particularly compelling the depiction of the miraculous catch of fish, the calling of the tax collector Matthew as an apostle, and Peter's denial of Christ.

Some events may have been omitted, one reviewer citing the marriage feast at Cana where Jesus changes the water into wine. I read from another reviewer that the series is based on the synoptic gospels (Matthew, Mark, & Luke), while the wedding at Cana is found only in the Gospel of John so that would explain its omission. In any case, it would be difficult to include everything, and I doubt that malice was intended here. One reviewer complained that the resurrection is not well portrayed. If that is the case, it did not upset me enough that I recall it these years later. However, I did find rather troubling the fictional sub-plot about the zealots and Judas trying to arrange for Jesus to meet with the Sanhedrin. His betrayal should have been depicted exactly according to Scripture.

Nevertheless, Jesus of Nazareth is a captivating, reverent, & moving portrayal of the life of Jesus. It depicts Him as both fully human & fully divine, and shows at every turn His love for sinners. Despite perhaps minor flaws, it is true to both the message & spirit of Christianity. It is definitely a series I would recommend for viewing by any Christian and personally, I would love to watch it again myself.

Among the numerous adaptations of the biblical Gospel accounts, Jesus of Nazareth is among the most superior.

The acting is exemplary, with an all star cast that bring urgency and reverence to their roles. Robert Powell's inspirational portrayal of Jesus acknowledges his restrained power, and leads the fine cast well. Every character is played with the right temperament and fervor to capture that individual's role in the unfolding political and spiritual events of the day. Perhaps best of all is Olivia Hussey as Mary, the mother of Jesus. The most emotional and memorable scene of the entire film is the image of Mary holding the broken and lifeless body of her son at the foot of the cross. It is a beautiful and moving enactment of the Pieta, and Mary's agonized cries are genuine and heart wrenching.

Because it takes on so much material, the story often condenses two or more events that occurred separately into the same scene. This is effectively composed to maintain the proper context and meaning of each of the events. However, the film still clocks in at just over four hours, so is best watched at more than one sitting (it was originally shown on TV over several nights).

The film takes some small poetic license in speculating on the interaction of some of the principals who may or may not have actually known each other; most notably, Jesus and Barabbas. These encounters are not represented as historic fact; instead, they serve as dramatic foundation to compare and contrast the different attitudes and belief systems of those involved.

A fine production, which offers a well-rounded vista of the material it's analyzing.

There has been no other biblical film that touched me like this one. Dispite all the little details that have been criticized and pointed out, these should be of no consequence. The illustration of Jesus' life story in this film was rich. Not only can you feel the strong presence of Christ through Robert Powell, but you also can get a taste of the times in which he lived.

Although the film, like many biblical films, tries to clearly depict the spiritual nature of Christianity, this one goes beyond that. It gives you a glimpse into the politics, social/religious hierarch, economics, and the mindstate of the Jewish and Roman communities throughout the era. It's more than just your typical Christ film. It's gives you a broader view and a complete understanding of what it was like to live in the times of Jesus Christ.

Besides being a historical landmark and the great religous story that it is, this film also takes you through the ups and downs. The doubts, the hardships, the miracles, and the uprising. A very 3 Dimensional drama.

I am a Christian, and while I might not be as devout as some, my faith is strong and this film re-enforced that spirituality. It was very moving to hear the lessons and wise preachings of Jesus in a similar setting to the one where he once stood. To see the dramas first hand, from an unbiased point of view.

I would advise everyone to see this movie atleast once. No matter if your a Christian or not. The morals and lessons taught by Jesus Christ can be appreciated by anyone. Not just as the Son Of God, but as a Man who strongly believed in Love and goodwill towards his fellow Man. Not only as a religious icon, but as a mentor, moral activist, and humanitarian to his people. His words are universal. What he stood for is greater than any man that ever walked the face of this Earth. This film gives you that insight. It goes farther than showing you a religious belief...it gives you the reason why it's worth believing in.

I give this film 9/10. Powerful, Enlightening, and Emotionally driven. The Greatest Story Ever Told dramatized for all to enjoy time and time again.

If you liked this film, I also recommend "The Robe (1953)" and "The Ten Commandments (1956)"

"Jesus of Nazareth" is by far the most detailed movie on the life of Christ. I remember when it first aired on TV back in April of 1977. That was the week of my wedding and I remember watching it with my new bride on our honeymoon. Because of it's length and as a mini series it was able to cover most all the events in Jesus's life. There are many scenes and which I would say are some of my favorites but by far the best scene in the whole movie is when Earnest Borgnine, playing a Roman Centurian, approaches Jesus with a request that he heal a servant of his. A servant he loves as a son. Jesus says he will go to his home. The Centurian says that it won't be necessary since Jesus is a Jew and can't come into a Gentiles home. All Jesus has to do is give the word and he knows that Jesus would heal his servant. Jesus says that he has found no greater faith in all Israel than that of this Centurian. Although there were some artistic interpretations in the movie, they are so very few it isn't worth mentioning. I have seen the "Passion of the Christ" and I feel it is a very powerful movie on the last week of Christ, but it is so intense. I have to give "Jesus of Nazareth" the highest rating possible

Was Jesus the Divine Son of God or simply a daring revolutionary? There have always been questions concerning Jesus and who He really was, and therefore, there will probably always be films about Him and His ministry on Earth. Whether or not Jesus was who He claimed to be, the Savior of the world, one thing is certain: He is alive in the hearts of millions, and this film helped capture the spirit of the Christian beliefs, making Jesus not so much an icon but a living, breathing Son of God, perfect in every way, Who loved us enough to die for our sins.

There have been many versions of the life of Christ, and many actors who have brought their own personalities to the part. William Defoe was a fearless leader in "The Last Temptation of Christ." Brian Deacon was friendly and cheerful in "Jesus." Max Von Sydow spoke with authority and passion in "The Greatest Story Ever Told." Jurgen Prochnow was cold and mysterious in "The Seventh Sign." Jeffrey Hunter was untouchable and almost with little personality except to complete the mission assigned to him in "King of Kings." All of these men have contributed, but I would have to say that none of them were truly convincing, just because there are so many aspects to Jesus, and, being human, they were unable to really portray the Son of God affectively.

Enter Robert Powell. This man looks as if he were born to play Jesus, from the physical features to the very heart and soul of the Son of Man. He manages to combine the elements of his peers who attempted the role, and you don't see the actor....you see Jesus Christ. You can sence the love and the passion flowing through Him, and at the same time, you can see His authority and discipline. For the first time, we have a Jesus who is "one hundred percent man and one hundred percent God."

This is also possibly the longest movie I've ever sat through, but it held my attention, nevertheless. Zeffirelli manages to keep it captivating, with a powerful soundtract and a cast of famous actors that are jam-packed but never overused. Not only do you see an affective Jesus, but you also see a wonderful group of people who were affected by Him. If the real Jesus was anything like the way Robert Powell portrayed Him, then I don't have any problem wondering how Christianity has managed to grow and be spread, impacting countless lives....including mine.

"Jesus of Nazareth"....you do your title-name proud. Truly this Man WAS the Son of God.

With Franco Zeffirelli's 1977 made for television masterpiece and Anthony Burgess' screenplay, religious film simply does not get any better than this. Much as I admire Mel Gibson's monumental depiction of the last 12 hours of Jesus' life in "The Passion of the Christ", I still believe that the yardstick by which all 'passion play' genre films will be judged in future generations will be "Jesus of Nazareth".

After completing "Brother Son, Sister Moon", Zeffirelli turned (the Jewish) Sir Lew Grade down flat for this project, stubbornly refusing to engage on the project for a year and a half. As his other stage and screen projects turned to dust, however, he finally accepted the task. What finally convinced him was his conviction that the film could be compassionate towards the Jews, and thus could help undo some of the past hatred for which Christianity was renowned.

Burgess and Zeffirelli was a match made in heaven: Burgess turned in a script that took great liberties with the sacred text. Zeffirelli was uneasy with his liberalism, and sought to bring the script back to a more faithful rendition; yet Burgess' awesomely effective dramatic structure remains. Interestingly, Ingmar Bergman had already been asked to turn in a treatment, apparently before Zeffirelli was ever approached. However, the Roman Catholics who had been the original driving force for the project strongly objected to Bergman's idea of a series of mini lives of Jesus, as seen from the viewpoint of different characters.

Bergman was dismissive of the final Zeffirelli project, and it is certain that it would have been an entirely different film had he been asked to direct. While there is much to respect about Bergman, he would have been totally incapable of producing the beauty, purity and meaning in the hidden text that is so apparent in the final film.

Less than seven years later, Zeffirelli estimated that 750,000 people had seen the film. I saw the original transmission on American television in 1977, (it was aired nationwide at least twice in two years), and I also have an original and ageing VHS (PAL) copy. I plan a London revival of the series during Lent 2007, to mark the film's 30th anniversary. Back in 1977, it was the talk of the nation - in St. Louis, I heard of one lady who was instantly healed of cancer as she watched the crucifixion scene.

Interestingly, the resurrection scene nearly never got filmed. In fact, what we do see on screen is simply screen test material rescued from the editing bin at the final hour! The information above is documented in Franco Zeffirelli book, "Jesus: a Spiritual Diary" (1984: NY. Harper & Row) and Ingmar Bergman's "The Magic Lantern" (1988: London: Hamish Hamilton). However, there is no substitute for watching this masterpiece: in a word, it's awesome!

This movie is SO awesome! I've seen it so many times that I can quote most of the dialog! If you want the ultimate portrayal of Jesus, watch this movie. If you want to see the best church sermon ever, watch this movie. If you want God in your life and don't know how to go about it, watch this movie! Anyone who isn't touched by this movie definitely has a heart of stone.

At the scene where Jesus raises Lazarus from the dead, the camera pans out and you see the countryside and Jesus from the back with his arms out and the tomb. Pay attention, after Lazarus walks out and the music gets dramatic, you see a huge shadow pass over the land that literally looks like God himself waved his arm over the earth. I wouldn't be surprised if He really did; showing us that He's pleased at what He was seeing! ;)

A film with a prodigious baroque photography, a true homage to sacred art works in line of catholic tradition. Also this film is a personal view of Zeffirelli, who presents a Christ very human, although sometimes in mystical ecstasy but probably like must be a man who thinks that is a God. Zeffirelli message is than exceptical like Pasolini. Jesus Miracles are simple and criptical and can considered it. In this film there is philosophical conversation, in Pasolini only there a translation of "evangelio secondi di mateo" texts, like says the title. Dramatically is very better that Passolini. Robert Powell is incredible. The cinematography and illumination is the key for achieve that scenes that mix light and darkness. Atrezzo is totally realistic. Virtuoso and majesty. Perfect 10/10

My English is poor, I know it.

At 382 minutes, you could say this film is a bit drawn out and a little too long. What makes it tough to watch is that the first segment is the most tedious, but I stuck with it the whole way and am still glad I watched it, and I would recommend to anyone to stay with it. Robert Powell is very good as Jesus Christ and has a memorable, haunting look to him. Director Franco Zeffirelli does an admirable job directing this made-for-TV mini-series that was filmed 30 years ago.

The movie certainly sports an interesting, international cast. Just look at some of those names: there are a lot of famous actors from numerous countries. It's really an awesome lineup of actors, but the one you can't forget is Powell. To this day, and I think I've seen all the films about Christ, Powell's face comes the closest to how I would want Jesus to look. It's hard to explain, but Powell - perhaps the least known in this cast - puts on a memorable performance, with his face alone! However, having said that, one complaint is that the camera focuses too much on the icy stare of Jesus and anyone who has read or studied the Gospels know Christ was about as warm and loving as you could find and Powell doesn't illuminate that warmth. For those unfamiliar with Jesus except for this film, trust me: he loves people and had plenty of smiles and warmth when He walked this earth. The film did not do a good job in that area.

However, I really don't want to nitpick because I could find a number of things. At least the length of the film actually does the Man justice because it can provide more of His life nd the incredible things He did, obviously, than a two or three-hour film. Another appeal of this film is that Christians and non-Christians alike can be moved by it. It is neither overly preachy nor blasphemous, just a good story of God being placed on Earth in human form and showing us how to live our lives....and what's wrong with that?

I haven't seen every single Hollywood and television interpretation of Jesus's life, but I have seen quite a few of them, and by far away Jesus of Nazareth, the six-and-a-half hour miniseries from 1977, is my favorite. I don't think it's possible to cast a more believable, more trustworthy, more authentic-looking lead than Robert Powell. He truly emits a spiritual aura, and his multi-layered emotional performance is incredibly moving. Pain, hope, trust, acceptance, and above all, love, are constantly visible in his beautifully expressive eyes. It's a wonder anyone even bothered to make another Jesus movie after Franco Zeffirelli's masterpiece.

Much like Roots and The Thorn Birds, countless A-list actors flocked to be a part of this fantastic miniseries. With Olivia Hussey as Mary, Ian McShane as Judas, Laurence Olivier as Nicodemus, Anne Bancroft as Mary Magdalene, Christopher Plummer as Herod, Rod Steiger as Pontius Pilate, Michael York as John the Baptist, Anthony Quinn as Caiaphas, James Mason as Joseph of Aramathea, James Earl Jones as Balthazar, Stacey Keach as Barabbas, Ernest Borgnine, James Farentino, Peter Ustinov, Claudia Cardinale, John Duttine, Ralph Richardson, Valentina Cortese, Ian Holm, Ian Bannen, Nikki Van der Zyl, Donald Pleasence, and Cyril Cusack, every scene is well acted and filled with star presence.

Jesus of Nazareth holds a special place in my family's heart. It was this miniseries-and I'm sure Robert Powell's performance in particular-that inspired my dad to become a Christian, so if you have a different favorite film version, I'm sure you'll understand why this version will always get my most heartfelt praise. Also, in an incredible coincidence, my brother happens to look exactly like Robert Powell-particularly in this program, as he chooses to sport long hair and a beard-so whenever we watch Jesus of Nazareth, it's as if my brother is speaking to us from the television set.

Chances are, if you like to watch biblical movies, you've probably seen this one. If you haven't, or if you're wondering which would be the best to start with, rent this version over Easter weekend and split it up over two or three days. Even if Robert Powell doesn't look like your brother, it's still powerful, emotional, and inspiring

I'm surprised that almost everyone agrees that this is the greatest movie about Jesus Christ's life. I've seen the wonderful Pasolini's Il Vangelo Secondo Matteo and the very good Rossellini's Messia, and this Zeffirelli "masterpiece" really can't compare to any of these two. Anyway, this is one out of two or three Zeffirelli films I can watch, the rest to me is trash, including Fratello Sole Sorella Luna. 6/10.

This film is rather rocky.

First, acting. Powell's Jesus is so out of it he seems to be on drugs or something. He is always looking like he is "holy" and he never gets real (except briefly in one scene). Jesus Christ was God, but also a human being, not just this Godlike character that Powell portrays. Some of the other star turns, such as Anthony Quinn and Lawrence Olivier are also strangely bad. They don't seem to have any concept of what their characters really are like. The guy who plays Peter is always reacting the same way to everything that happens.

The story is beefed up, and changed slightly. This happens all the time, but is really unnecessary. They also botch the resurection. This is likely because the filmakers don't really believe it.

Overall, the film isn't powerful enough because the filmakers don't understand this man who literally changed the world.

That said, the cinematography is excellent. Particularly the shot when Pilate calls Jesus in after he has been flogged, and you see Jesus framed in the doorway with intense backlighting. Beautiful.

Some acting is great. Rod Steiger as Pilate is superb. He catches the character, but doesn't overplay him. His Pilate is more caught in what happens than intentionally vindictive (read the account in the Gospels, right on portrayal).

So, in all, a very rocky film. Better than many "Jesus" films, but not close to the power of the real account. This man changed the world. We measure time in relation to his birth. You wouldn't get that from this film.

Over the years, numerous attempts have been made to transfer the life of Christ to the screen, and one that succeeds is Franco Zefirelli's JESUS OF NAZARETH. The story is a straighforward retelling of the synoptic gospels(Matthew, Mark, and Luke), starting with the divine revelations to Mary and Joseph of their roles as Jesus's earthly parents on the the Resurrection. The score is beautific and reverent, and the big name actors who populate the film are well-cast(no Shelley Winters or John Wayne, thankfully). Also, British actor Robert Powell gives Jesus the proper reverence and poise. Zefirelli was correct to cast him; with his angular features, wavy brown hair and light eyes, this Jesus looks like every church icon and Sunday School picture I've ever seen, something Zefirelli was aware of and used to great effect. While he passes on accuracy for effect with Jesus, the apostles, it must be noted, all resemble the Hebrew peasants, publicans, and sinners they most certainly were. The length is tolerable, primarily because Zefirelli doesn't waste film on needless, arty panoramas or slow-moving dialogue. Zefirelli does keep the action moving, but one annoying technique he employs is the now dated-looking zoom close-up, but this happens infrequently. Highly recommended.

It is such a powerful series that it probably will never be matched in accuracies and presentation. I just can't see a remake that can even come close to this. Many have tried... all have failed. I believe This is by far the best representation you will ever see on the life of Christ. The Passion is about the death of Christ. This series is about how He lived. Robert Powell is simply perfect in this role and is simply outstanding. This series will never become outdated or irrelevant and will always stand the test of time... A true classic...

Am not a Christian by birth but this is certainly the most powerful and enlightening films I've ever seen. I recommend it to anyone of any religion and faith. I have not seen the stand alone film and have instead seen the whole 7 part series years ago and am not quite sure of the exact content here. However, since the title reflects the same series ie all 7 parts, it should be fair to give an opinion of the same. This film, based on true events, is a must see, especially for children although under parental supervision. It is most surprising to see such an amazing and accurate film being done so many years ago. 10/10 stars.

Christian or whatever, the movie is divine. I watch it at least twice-a-month. Those people who wrote spoilers are judging it as entertainment, rather than inspiration. None of the past versions of Jesus' life-story affects my judgment: I've seen most of them, they were nothing compared to this film, and I haven't seen the uncut version. I, too, know most of the dialog - I don't even consider watching "Passion" - I know how Jesus suffered, I don't need it in graphic-surround-sound. I am content to experience the gentility of this film - it is totally believable. To those who complain about the English accents: it was made for British TV ! A few American actors appeared in this series; although their work fulfilled the role, one wonders why they were chosen for this totally British production.

I have come back (5/26/06) to edit this commentary: although Rod Stieger played a powerful role into Pontius Pilate, I think his character should have put some mention to his wife's admonishing him to make no judgment upon Jesus (Matthew 27:19). She was ONLY Emperor Tiberius' daughter!; and, Pilate clearly washed his hands of the judgment (Matthew 27:24). Of course, Pilate could make no intervention in God's will.

I would love to read about the difficulties and rewards, the technical obstacles overcome to get this film made. I find it amazing that Lew Grade's wife could see what casting-agents did not see: Robert Powell WAS the perfect Jesus. I've changed my mind; this film deserves a "15". Tears? They never end while I'm watching; I watched the third cassette tonight: every viewing is a new experience, both for the sincerity and power of the actors and the authenticity of that era. To me, Robert Powell is as close an embodiment to Christ as is possible, so far as we know. Nit-picking is not an option: I want to believe Judas was portrayed sympathetically, although The Book of John claims to be written by "the one whom he loved". Faith is the theme of this film: I have faith it will never be matched.

Ten is not enough I would give 100 stars! The best ever film made for Jesus life! A must seen and also owned! I am watching it every Easter since I was kid!

Jesus of Nazareth is such an incredible movie. Robert Powell, who plays the role of Jesus Christ, is a remarkable actor. He plays Jesus so well that you feel it is really Jesus at times. His performance as well as his looks are so realistic and sensational that it's unbelievable. Powell is such a gifted actor that if he were to do films in Hollywood, he would most likely win an Oscar. I recommend this movie to anybody who would love to truly understand what Jesus Christ went through from his birth to resurrection. Not to mention, an amazing cast of Academy Award winners of the time. Overall, 10 out of 10!!!!

This two-part mini-series covers the life of Jesus even before the beginning. It's long, but holds your interest to the end, and some passages are absolutely riveting, although there is no way that such a telling could avoid controversy.

It shows how powerful the story can be in the hands of gifted writers, Anthony Burgess among others, and an inspired director, Franco Zeffirelli.

With that said though, this is probably the least spectacular of the three big productions that tell the traditional life of Jesus; the others being Nicholas Ray's epic "King of Kings" and George Steven's measured "The Greatest Story Ever Told". "Jesus of Nazareth" is photographed in a no frills manner, and avoids conventional depictions of many of the events, especially the crucifixion.

Maurice Jarre's effective score has a crisp sound, halfway between the symphonic scores for "King of Kings" and "Greatest Story", and Peter Gabriel's new-age opus for "The Last Temptation of Christ".

The film has major stars in many of the roles big and small, as did Steven's "Greatest Story". Zeffirelli's film seems more successful in fitting the big names into their characters although Peter Ustinov was such a distinctive personality that his Herod seems rather tongue-in-cheek, even when he is ordering something as horrendous as the slaughter of the innocents.

However, Robert Powell's performance is fascinating. How does any actor interpret Jesus? There are no acknowledged physical descriptions of the historical Jesus so who is to say that he didn't have auburn hair and blue eyes? Unlikely of course, but beyond appearance, Powell and Zeffirelli saw him as an ethereal being, as though he is constantly aware of the fate that awaits him.

Most portrayals of Jesus tend to do that, and you could argue that it is too obvious an approach, but it probably captures the way his disciples and followers must have seen him - a unique man seemingly existing on a higher plane. Otherwise, why would they have followed him when it was so dangerous to do so?

Although some characters were invented for the purposes of the drama, I think the series as a whole presented the story of the Gospels in an honest and accessible way, but obviously made by a director with a deep faith.

Of course, it's such a powerful story with a massive influence on the history of mankind, that the door is always open for another interpretation.

This is a beautiful Movie! One of the best films done on the Lord! Powell Never blinks throughout the movie! Star studded cast! It is pretty accurate with minor extra dramatization and non-Biblical story lines. However overall a great movie. I truly enjoyed watching over and over again. Actually I enjoyed it so much that I am trying to find see more of it. I am trying to find the original mini-series in order to see the deleted scenes. Does anyone know where I can view the deleted scenes from this movie? I hear that there is a scene of the Temptation of the Lord immediately following the Baptism, as well as a few other scenes? I have never seen a DVD with these deleted scenes. Please help if you can.

I think this is the best Jesus movie I've ever seen even if I don't agree with all the facts shown. I love long movies and I wish my church would come out with a long dramatization of Jesus's life and work. I love this movie. I try to watch it every year at easter like I did when I was little. Other movies I'd recommend are the "Ten Comandments" (1956), "The Testaments" (put out by The Church of Jesus Christ of Latter Day Saints, not yet available on video at this time but seen at a temple visitor's center), "Finding Faith in Christ" (Though it is too short, also put out by The Church of Jesus Christ Of Latter Day Saints), "The Restoration" (by the Church of Jesus Christ Of Latter Day Saints).

The main thing this miniseries can be applauded for is the effort taken to try and recreate a palpable sense of the historical settings and the cultural milieu. I also applaud the director for the Classical, British style of acting and delivery which is infinitely greater than the more modern, 'method' kind of American Acting that has cheapened Cinema and TV over the decades.

However, the biggest problem here is the WRITING/SCRIPT. What they chose to portray from the Biblical accounts and what they chose to ADD as well as SUBTRACT is completely unwieldy and sometimes absolutely perplexing!! There is also NO COGENT SENSE of the narrative. The miniseries is called "Jesus of Nazareth" and yet there is so much time spent on Joseph, the husband of Mary in the beginning, for instance, that when he dies, the rest of the show NEVER feels the same again because the audience was so heavily invested in Joseph as a primary character. Robert Powell is a terrific actor, but he lacks the warmth of the actor who played Joseph, and so Joseph emerges as a more likeable and sympathetic protagonist than Robert Powell's version of Jesus, which should not have happened.

It was very unnecessary to make up a fictional "backstory" for Mary and Joseph, as if they were an amorous couple from 'Fiddler on the Roof', when this goes against the traditional understanding of Jesus's mother and foster father, and then Mary is reduced to a sober widow as the story progresses. They go to great lengths to portray how joyous and festive Mary and Joseph's betrothal and wedding were, but then they make the MOST BAFFLING DECISION of omitting the entire WEDDING OF CANA later in the miniseries, which is one of the most well-known episodes from the New Testament - it was actually the First Miracle that Jesus performed in public, at Mary's behest. It makes zero sense to leave such a significant and beloved story out of this screen adaptation! In fact, I don't think Mary and Jesus ever even speak to each other here after Jesus becomes an adult, except when He is on the cross. Very bizarre, and makes no sense at all in light of the great lengths taken by Franco Zeffirelli to depict how Mary and Joseph became a family in the first place (above and beyond what the Bible tells us).

Mary Magdalene is introduced as a formidable character, but we barely see her with Jesus either except in one scene. We don't even see Jesus casting the seven demons out of her. What drew her to Jesus in the first place after living the kind of lifestyle she did is only hinted at, and there is NO TIME spent showing her integration into the community of Disciples. Hence, her last scene with the Apostles seems very discordant and strange - the director seems to want to make the point that the Apostles were misogynistic and didn't take her seriously, but it could have been depicted in a more nuanced and polished way. When Mary Magdalene storms out in anger at the end, it completely undermines the whole message of love and forgiveness that Jesus had spent so much time preaching! It's as if the director prioritized making some Unbiblical, Angry Feminist statement, over what would make logical sense in the context of the actual narrative. If most other things about Jesus and the Disciples were not portrayed in a modern revisionist kind of way, it makes no sense to take a modern revisionist position with Mary Magdalene at the end.

Also, Anne Bancroft's performance begins brilliantly, but becomes weak and amateurish as the story reaches its conclusion. Mary Magdalene definitely wouldn't have smiled EVEN ONCE at the foot of the Cross, whereas here they concoct some ridiculous moment where she is ALL CHUFFED that the Roman soldiers' attempts to keep her away are thwarted by the Virgin Mary 'agreeing' that she is Family. Anne Bancroft looks more like a child who managed to get ahead of the queque at a lemonade stand in that scene. And the scene where she relays the Resurrection to the Apostles is enacted in a way that can only be described as COMICAL. Perhaps she was trying to be all grand and Shakespearean, but it makes her look so ridiculous that you can't blame the Apostles for not taking her seriously.

They clearly dubbed Olivia Hussey when she is shown crying and wailing over the Body of Jesus after he dies. That does not sound like her voice, and it's also not synced with her mouth at all. The fact that Mary would break down like that AFTER Jesus died also doesn't make sense, when the director depicts her in a more stoic manner in the moments leading UP to his death for the most part. The Virgin Mary of all people would have known about the Resurrection of Jesus, but here she acts as if she will never see him again. Doesn't fit the portrayal of Mary up until that point, who understands the message of Jesus so well, that in this miniseries it is SHE who says that anyone who does the will of God is the brother, sister or mother of Jesus (which is something that Jesus himself says in the Bible). So again, very unwieldly and incoherent.

The series is ALL OVER THE PLACE in the end. I can go on and on, but you should get the idea. Even the RESURRECTION OF JESUS is very ambiguously depicted at first, and then suddenly there's a brief concluding scene of the Risen Jesus talking to the Apostles which feels like it was just tacked on at the last minute and is ANTI-CLIMACTIC. It also feels like He sent Mary Magdalene to tell the others He was risen for nothing, because we don't see Peter and John run to the Tomb after what Mary says, as presented in the Bible!! Instead, here the viewer is left with the erroneous and totally inexplicable sense that Jesus sent Mary to tell them what she saw - they don't believe her, she gets angry and storms off - only for Jesus to just appear there later on, and completely ignore the frustration that Mary Magdalene had just undergone a little while ago (for no reason apparently). Again, this is not what happens in the Bible. John and Peter confirm that the Tomb is empty THEMSELVES in the Bible, having taken what Mary Magdalene said to heart.

The MUSIC/SCORE is not only repetitive and quite grating after a while, but it's also SO OMINOUS AND EERIE more often than not, that it totally undermines the fact that Jesus came to spread *GOOD NEWS*. The Gospel literally means Good News, and this is supposed to be the Gospel story here, because Jesus of Nazareth and the Gospel/Good News are synonymous, but the music score here makes you feel like this is only a few steps away from being a HORROR story. Even Mel Gibson's "Passion of the Christ" proves to be much more spiritually uplifting than this!!

The 'horror' element is also unfortunately present in the depiction of Jesus Himself from childhood to adulthood. As a child, he just stands around SILENTLY AND CREEPILY as if he were Damien the Demon Child from THE OMEN - which makes zero sense. In the Bible, it's JOSEPH of Nazareth who doesn't actually say a word, but instead here we get an INCESSANTLY TALKATIVE Joseph from the beginning all the way through his death scene, while the Boy Jesus doesn't speak one word except in the Temple. The director was clearly aiming to evoke a sense of REALITY and *VERISIMILITUDE* in this miniseries, so having a creepily mute Boy Jesus for so long only generates the effect of a VERY DISCONCERTING HORROR-STORY-IN-THE-MAKING.

Robert Powell himself - again, despite his prowess as an actor - does not exude the LOVING, HEAVENLY persona that Jim Caviezel embodied to PERFECTION in all the flashback scenes in 'The Passion of the Christ'. While Powell has his moments, they seem to be few and far between, because he either enacts Jesus as some mysterious, practically ominous otherworldly being/Angel of Death type of figure......inexplicably staring into space and acting like he is in a trance (whereas Jesus in the Bible went away from everyone to PRAY ALONE when he needed to commune with God the Father).....or he goes the complete opposite direction and acts like a British Bonvivant from the modern era, such as in the scene where he is eating and drinking with the Pharisees. The way he contrasts himself with the ascetic John the Baptist there also seems to completely miss the mark - Robert Powell acting like he's suddenly unleashing his INNER PARTY BOY and as if he almost PITIES John the Baptist for having been so austere, whereas in the Bible, Jesus is simply calling out his opponents for their "damned if one does and damned if one doesn't" attitude.

I really don't want to go on and on, because it would be very easy to do so, but although it's worth seeing this once through, it is *A FAR CRY* from the definitive screen adaptation of Jesus of Nazareth. NOT EVEN CLOSE!!!! It seems to be a strange attempt to merge the secular with the spiritual, accomplishing neither one nor the other in the last analysis, and the effort to try and make it seem like Pontius Pilate was the ultimate, villainous arbiter of Jesus's Crucifixion is also BLATANTLY FALSE in light of what the Gospels present. The director tries to be a Historical Revisionist at some points, while also trying desperately to maintain fidelity to the King James Version of the Bible in his next breath, resulting in a DISJOINTED DEPICTION of the narrative.

Please also watch the late 1920s silent film version 'King of Kings' (Cecile B. DeMille) and 'The Passion of the Christ' etc, if you watch this. They are far from perfect, but they flesh out a lot of things which this miniseries only glosses over, despite arriving at such a BLOATED LENGTH of over 6 hours. If a miniseries is going to be as long as this, one must be EXTREMELY JUDICIOUS about what is portrayed and what is not - but those decisions seem to have been made in a THOROUGHLY HAPHAZARD AND ARBITRARY way here. We barely even get a sense of the extent of the Suffering that Jesus underwent on the way to the Cross and on the Cross.