A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams.A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams.A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams.
- Nominated for 2 Oscars
- 9 wins & 6 nominations total
Storyline
Did you know
- TriviaTerry Gilliam was asked to do a film class during the filming of this movie at the University of Southern California. Terry agreed, and took advantage of the situation by preparing to bring an "audio visual aid", which was his cut of the movie, which would have been allowed. Unfortunately, two days before the event, students advertised a free screening of the movie. When he arrived, it was announced that Universal Pictures would not allow him to show it. During his speech to the class, he was interrupted by studio executives' phone calls. They eventually allowed him to show a clip. He showed the entire movie, and repeated the screenings for over two weeks. It was during one of these screenings, that Los Angeles, California movie critics saw it, and awarded it the Best Picture of the Year award, which was responsible for getting it released the way Gilliam wanted it.
- GoofsWhen Harry Tuttle escapes from Sam Lowry's flat, he is wearing a hood covering his head. When Harry starts to zip-line off the precipice, he is replaced by a stunt double wearing a baseball cap.
- Quotes
Jill Layton: Care for a little necrophilia? Hmmm?
- Crazy creditsThe only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format.
- Alternate versionsThere are at least three different versions of Brazil. The original 142 minutes European release, a shorter 132-minutes prepared by Gilliam for the American release and another different version, nicknamed the Sheinberg Edit or 'Love Conquers All' version, from Universal's then boss Sid Sheinberg, against whom Terry Gilliam had to fight to have his version released.
- ConnectionsFeatured in What Is Brazil? (1985)
- SoundtracksHava Nagila
(played after the restaurant bombing)
Featured review
An extraordinary movie, original, funny and frightening. Terry Gilliam's masterpiece.
I really can't tell you how much my first viewing of this movie knocked me out. Nearly twenty years ago, before Terry Gilliam's reputation is what it is today, seeing this in a cinema without knowing ANYTHING about it, it was one of the most unforgettable movie experiences of my life! Still is. I was a Python fan since childhood and well aware of Gilliam's animation work, but nothing could prepare you for just how bizarre, funny, scary and disturbing 'Brazil' is. It's still one of the most original and inventive science fiction movies ever made, with a surreal, retro future quite unlike anything seen on a movie screen before or since. Gilliam mixes Python's anarchic, intellectual humour with Orwell, Kafka and Theatre Of The Absurd elements and comes up with something really special. John Sladek kinda sorta wrote some stories in a similar territory before this, and Dean Motter has written some comics since, but 'Brazil' is really in a world of its own! Jonathan Pryce was fairly obscure at the time and an odd choice to play the leading role, but is perfectly cast, and it's hard to think of an actor who would have been as convincing and sympathetic. The rest of the cast includes an amusing cameo from Robert De Niro, Kim Greist (only her second movie, after 'C.H.U.D.' of all things!) as Pryce's love interest, Python's Michael Palin, and a bunch of excellent Brit character actors - Bob Hoskins, Ian Richardson, Ian Holm, Jim Broadbent, etc.etc. It goes without saying that when I praise 'Brazil' I am ONLY referring to Gilliam's cut. This is still an utterly brilliant movie, one of the very best of the last twenty-five years. I can't recommend this movie highly enough, it is a masterpiece pure and simple.
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Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $9,929,135
- Opening weekend US & Canada
- $30,099
- Dec 22, 1985
- Gross worldwide
- $9,949,953
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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