In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
- Nominated for 2 Oscars
- 1 win & 15 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe guitar that Emmet Ray (Sean Penn) plays in the movie is a Selmer Maccaferri of about 1932, though it seems likely that it's a reproduction of the rare instrument and not an original. This is the same kind of guitar played and made famous by Django Reinhardt.
- GoofsEmmett's guitar playing is completely mis-matched with what is heard on the soundtrack. He plays the wrong chords, doesn't position his hands properly for the chords he does play, and is often strumming when he should be plucking (and vice versa).
- ConnectionsFeatured in Siskel & Ebert: American Beauty/Blue Streak/For Love of the Game (1999)
- SoundtracksWhen Day Is Done
Written by Buddy G. DeSylva (as Buddy DeSylva) and Robert Katscher
Performed by Django Reinhardt
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Music Special Markets
Featured review
Wonderful
A slow, rich movie. Though it lags in places, the three lead performances are indelibly written in my memory. And the great jazz soundtrack and warm colors made this movie go down like a glass of bourbon.
Embodying the archetypal difficult genius, Emmet Ray is an almost cartoonishly dislikable guy. But Sean Penn keeps him just this side of sympathetic; we loathe his actions, we curse his self-destructiveness, and yet we're compelled to keep watching in the increasingly futile hope he'll turn himself around. His last scenes are heartrending.
As Hattie, Samantha Morton strikes a perfect, almost Chaplinesque, balance of comedy and tragedy. The line separating the two is razor-thin; she dances gracefully upon it. I could say more, but perhaps appropriately, it's difficult to find words that capture the beauty of her silent performance. Half the joy is in watching her reactions naturally unfold anyway.
Like Penn, Uma Thurman portrays a pretty unlikeable character. Her Blanche is overly intellectual, questions incessantly and is in some ways just as emotionally alienated as Emmett. Though her character is grating at first (particularly in contrast to Morton), Thurman does not shrink from the less flattering aspects of her character. It's a brave performance in a thankless role.
Woody Allen has constructed a thoughtful meditation on the nature of artistry. Not on celebrity -- we all know how that film turned out -- but on the rights and responsibilities of the true artist. Emmett, Hattie and Blanche represent the axis of artists, fans and critics respectively. As their relationships play out -- naturally, inexorably and poignantly -- the viewer gets a rare treat: a film that plucks at the mind and at the heart as gracefully as Emmett picking his guitar strings.
Embodying the archetypal difficult genius, Emmet Ray is an almost cartoonishly dislikable guy. But Sean Penn keeps him just this side of sympathetic; we loathe his actions, we curse his self-destructiveness, and yet we're compelled to keep watching in the increasingly futile hope he'll turn himself around. His last scenes are heartrending.
As Hattie, Samantha Morton strikes a perfect, almost Chaplinesque, balance of comedy and tragedy. The line separating the two is razor-thin; she dances gracefully upon it. I could say more, but perhaps appropriately, it's difficult to find words that capture the beauty of her silent performance. Half the joy is in watching her reactions naturally unfold anyway.
Like Penn, Uma Thurman portrays a pretty unlikeable character. Her Blanche is overly intellectual, questions incessantly and is in some ways just as emotionally alienated as Emmett. Though her character is grating at first (particularly in contrast to Morton), Thurman does not shrink from the less flattering aspects of her character. It's a brave performance in a thankless role.
Woody Allen has constructed a thoughtful meditation on the nature of artistry. Not on celebrity -- we all know how that film turned out -- but on the rights and responsibilities of the true artist. Emmett, Hattie and Blanche represent the axis of artists, fans and critics respectively. As their relationships play out -- naturally, inexorably and poignantly -- the viewer gets a rare treat: a film that plucks at the mind and at the heart as gracefully as Emmett picking his guitar strings.
helpful•641
- bijin_chick
- May 7, 2005
Details
- Release date
- Country of origin
- Language
- Also known as
- Woody Allen Fall Project 1998
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $29,750,000 (estimated)
- Gross US & Canada
- $4,197,015
- Opening weekend US & Canada
- $94,686
- Dec 5, 1999
- Gross worldwide
- $4,525,794
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.85 : 1
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