A groundbreaking gay adult drama which chronicles the lives of Stuart and Vince, as well as 15-year-old Nathan, who is in love with Stuart.A groundbreaking gay adult drama which chronicles the lives of Stuart and Vince, as well as 15-year-old Nathan, who is in love with Stuart.A groundbreaking gay adult drama which chronicles the lives of Stuart and Vince, as well as 15-year-old Nathan, who is in love with Stuart.
- Nominated for 4 BAFTA Awards
- 7 wins & 6 nominations total
Browse episodes
Storyline
Did you know
- TriviaRussell T. Davies originally wanted Christopher Eccleston for Stuart Alan Jones after seeing Our Friends in the North (1996). Eccleston auditioned, but ultimately declined the role, saying he felt he was "too old" for the part. When he withdrew, he recommended they audition Aidan Gillen. Ecclestone did work with Davies on The Second Coming (2003) and the first season of Doctor Who (2005).
- Quotes
[Roy has just rammed Stuart's car after spotting him kissing his son]
Stuart Alan Jones: What the fuck are you doing?
Roy Maloney: Fifteen! That boy is fifteen!
Stuart Alan Jones: So? The car is only six months old and you've still buggered it.
- ConnectionsFeatured in SexTV: Glam Rock/Queer as Folk (1999)
Featured review
Original Version Shines
It's easy to see where this original British version of "Queer as Folk" generated talk when it debuted in the UK. Its liberated tone and sassy manner flings itself at the viewer with uninhibited abandonment.
It's certainly time for more honest depiction of alterative lifestyles, even though these characters may represent a cultural minority. Russel T. Davies' script is pointed and efficient, and Charles McDougal's and Sarah Harding's direction (of episodes 1-4 and 5-8, respectively) keeps the action moving and the dialogue sparkling.
Harding's direction is particularly effective, as Davies escalates character development as the series moves toward the end. The viewer begins to understand the selfish arrogance of Stuart, and the dependent relationship of Vince, to the viewer's dismay. Even the young Nathan emerges as a bit of a disappointment in the ethical department.
The driving rock beat of the score adds a flippant touch to these characters whose lives are closely attached to the flashy bar scene and superficial materialism. One night shagging, drug taking, and regular boozing complete a pretty empty portrait.
Selfish, self-centered, and immature, these characters are more to be pitied than censured as they engage in "La Ronde"-type laisons several nights a week. There's very little Canal Street has to offer, other than elaborate distraction, and these fellows play into its fold with addictive verve.
Turn up the volume, spin the crystal, boogie til dawn . . . it's all part of the escapist route-of-no-return. No matter that a mate ODed on heroine, as a result of a quick, irresponsible pickup. The funeral is as routine and unfeeling as as the last relationship. A stark and thought-provoking drama has been fashion by Davies, and played up a storm by a highly talented cast, headed by Aidan Gillen, Craig Kelly and Charlie Hunnam.
Gillen's work seems particularly reminiscent of Gary Oldman's in "Prick Up Your Ears." It's a highly detailed characterization that seems to come from the inside out. Both Kelly and Hunnam are seasoned professionals, and provide skillful insight to their presentations.
If anyone thought the cockney in "Beautiful Thing" was difficult to understand, give a listen to the dialect here. It can be uniformly cut with a knife, yet it also adds to the authenticity of its blue collar setting.
"Queer as Folk" certainly did what it set out to do: set a genuine precedent in mature and intelligent television filmmaking.
It's certainly time for more honest depiction of alterative lifestyles, even though these characters may represent a cultural minority. Russel T. Davies' script is pointed and efficient, and Charles McDougal's and Sarah Harding's direction (of episodes 1-4 and 5-8, respectively) keeps the action moving and the dialogue sparkling.
Harding's direction is particularly effective, as Davies escalates character development as the series moves toward the end. The viewer begins to understand the selfish arrogance of Stuart, and the dependent relationship of Vince, to the viewer's dismay. Even the young Nathan emerges as a bit of a disappointment in the ethical department.
The driving rock beat of the score adds a flippant touch to these characters whose lives are closely attached to the flashy bar scene and superficial materialism. One night shagging, drug taking, and regular boozing complete a pretty empty portrait.
Selfish, self-centered, and immature, these characters are more to be pitied than censured as they engage in "La Ronde"-type laisons several nights a week. There's very little Canal Street has to offer, other than elaborate distraction, and these fellows play into its fold with addictive verve.
Turn up the volume, spin the crystal, boogie til dawn . . . it's all part of the escapist route-of-no-return. No matter that a mate ODed on heroine, as a result of a quick, irresponsible pickup. The funeral is as routine and unfeeling as as the last relationship. A stark and thought-provoking drama has been fashion by Davies, and played up a storm by a highly talented cast, headed by Aidan Gillen, Craig Kelly and Charlie Hunnam.
Gillen's work seems particularly reminiscent of Gary Oldman's in "Prick Up Your Ears." It's a highly detailed characterization that seems to come from the inside out. Both Kelly and Hunnam are seasoned professionals, and provide skillful insight to their presentations.
If anyone thought the cockney in "Beautiful Thing" was difficult to understand, give a listen to the dialect here. It can be uniformly cut with a knife, yet it also adds to the authenticity of its blue collar setting.
"Queer as Folk" certainly did what it set out to do: set a genuine precedent in mature and intelligent television filmmaking.
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- Release date
- Country of origin
- Language
- Also known as
- 同志亦凡人
- Filming locations
- ASDA, Princess Road, Hulme, Greater Manchester, England, UK(Vince's Supermarket)
- See more company credits at IMDbPro
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