Eight anti-war protesters go on trial for conspiring to cause riots at the 1968 Democratic National Convention in Chicago.Eight anti-war protesters go on trial for conspiring to cause riots at the 1968 Democratic National Convention in Chicago.Eight anti-war protesters go on trial for conspiring to cause riots at the 1968 Democratic National Convention in Chicago.
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Did you know
- TriviaAt a certain point the character played by Steven Culp quotes Bobby Kennedy while addressing to the jury. Culp played Bobby years earlier in Thirteen Days (2000).
- Quotes
[repeated line]
Abbie Hoffman: Yippie!
- ConnectionsReferenced in Who Wants to Be a Millionaire: Episode #8.140 (2010)
Featured review
Bad film making
I don't know how true this movie is to the events of the trial. I do know that this is badly made by Pinchas Perry. The trial may be significant and the events important. But that just means that this subject should be done by someone much better skilled. Although the story is compelling enough to watch. By no means did I finish the film for its artistry.
In a rare instant, Philip Baker Hall overacts as an angry frustrated judge. Even if they're operating from the actual transcripts, I doubt that the judge would be raving like a rabid dog. And even if he was a rabid dog, it plays like overacting on the screen. It's a rare moment when I dislike PBH's acting. This movie is that rare moment.
The whole thing is a diatribe against the government prosecution. But it rarely gives any credence to the other side. If anything, the jury is treated like idiots who just want to go home. If they ease up, they could actually create compelling characters.
The trial has all the best scenes. Most everything else is weak. It should enlighten the audience to the times, but it does little more than stereotypes and stock news footage. The film should restrict itself to the trial until they could figure out how to make a movie.
And the split screen style is a big fail. It puts a big sign pointing to how the director has no idea how to cut a movie to maximize tension. It's a gimmick that doesn't fit and makes no sense here.
The last third lost it energizer bunny, Bobby Seale. The energy is noticeably diminished, and the movie desperately wants to have a scene with Bobby Seale in that section. Instead of a compelling climax, it fizzles in a haze of political preaching.
I'm barely recommending this only for people to learn something and hopefully do their own research on that era.
In a rare instant, Philip Baker Hall overacts as an angry frustrated judge. Even if they're operating from the actual transcripts, I doubt that the judge would be raving like a rabid dog. And even if he was a rabid dog, it plays like overacting on the screen. It's a rare moment when I dislike PBH's acting. This movie is that rare moment.
The whole thing is a diatribe against the government prosecution. But it rarely gives any credence to the other side. If anything, the jury is treated like idiots who just want to go home. If they ease up, they could actually create compelling characters.
The trial has all the best scenes. Most everything else is weak. It should enlighten the audience to the times, but it does little more than stereotypes and stock news footage. The film should restrict itself to the trial until they could figure out how to make a movie.
And the split screen style is a big fail. It puts a big sign pointing to how the director has no idea how to cut a movie to maximize tension. It's a gimmick that doesn't fit and makes no sense here.
The last third lost it energizer bunny, Bobby Seale. The energy is noticeably diminished, and the movie desperately wants to have a scene with Bobby Seale in that section. Instead of a compelling climax, it fizzles in a haze of political preaching.
I'm barely recommending this only for people to learn something and hopefully do their own research on that era.
Helpful•21
- SnoopyStyle
- Oct 22, 2013
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