“The Return” is a new mythic historical feature, directed by Uberto Pasolini, starring Ralph Fiennes, Charlie Plummer, Juliette Binoche, Edward Bond and John Collee, releasing September 27, 2024 in select theaters:
“…20 years after being washed up on the shores of Ithaca, ‘Odysseus’ finally returns home. But much has changed for this King’s kingdom since he left to fight in the ‘Trojan War’.
“His beloved wife ‘Penelope’ is now a prisoner in her own home, hounded by her many ambitious suitors to choose a new husband, a new king…”
Click the images to enlarge…...
“…20 years after being washed up on the shores of Ithaca, ‘Odysseus’ finally returns home. But much has changed for this King’s kingdom since he left to fight in the ‘Trojan War’.
“His beloved wife ‘Penelope’ is now a prisoner in her own home, hounded by her many ambitious suitors to choose a new husband, a new king…”
Click the images to enlarge…...
- 6/2/2024
- by Unknown
- SneakPeek
David Lynch is undoubtedly one of Hollywood’s biggest visionaries and an author who will forever be remembered in history among the names that have changed movies for the better. The filmmaker has left us with numerous memorable works such as Blue Velvet, Eraserhead, The Elephant Man, and Mulholland Drive, but his arguably best and most famous work is the Twin Peaks television series, which became a cult classic of the mystery genre. He is known for his unique and surreal, sometimes quirky and weird, approach to his stories, and that is something that his fans love about him.
Lynch has been an uncompromising figure in the world of cinema and it’s been a while now that we’ve seen a new project of his come to light, although a recent interview we reported on indicated that Lynch had not given up on cinema. Today, in his unique way,...
Lynch has been an uncompromising figure in the world of cinema and it’s been a while now that we’ve seen a new project of his come to light, although a recent interview we reported on indicated that Lynch had not given up on cinema. Today, in his unique way,...
- 5/28/2024
- by Arthur S. Poe
- Fiction Horizon
Andrea Scrosati, Fremantle’s group COO and CEO for continental Europe, is understandably proud that the company has landed five titles in the Cannes official selection, three of which – “Kinds of Kindness,” by Yorgos Lanthimos, Paolo Sorrentino’s “Parthenope” and Russian director Kirill Serebrennikov’s “Limonov” — are in competition.
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
- 5/16/2024
- by Nick Vivarelli
- Variety Film + TV
David Lynch is one of the biggest creative geniuses of our time. The filmmaker has left us with numerous memorable works such as Blue Velvet, Eraserhead, The Elephant Man, and Mulholland Drive, but his arguably best and most famous work is the Twin Peaks television series, which became a cult classic of the mystery genre. Some years ago, the series returned with an epic third season which, in Lynch’s usual manner, ended on a cliffhanger. And while the director has said that there are some “calls” for another season, no work has been done.
But, producer Sabrina Sutherland recently had a talk with the guys at Tulpa Forums and has agreed to answer fan questions about Twin Peaks, as well as her other collaborations with Lynch, as she has worked with him on several projects. In this article, we are going to bring you the most interesting details from this exciting Q&a,...
But, producer Sabrina Sutherland recently had a talk with the guys at Tulpa Forums and has agreed to answer fan questions about Twin Peaks, as well as her other collaborations with Lynch, as she has worked with him on several projects. In this article, we are going to bring you the most interesting details from this exciting Q&a,...
- 5/5/2024
- by Arthur S. Poe
- Fiction Horizon
David Lynch hasn’t taken on a feature film or TV project since releasing his groundbreaking “Twin Peaks: The Return” in 2017, but it hasn’t been for lack of trying. First, it was reported back in April that Netflix rejected his pitch for an animated film called “Snootworld.” And now his longtime producer Sabrina Sutherland has shed some light on “Unrecorded Night,” his planned Netflix series that was scrapped during the Covid-19 pandemic.
Loyal Lynch fans will recall that rumors began to circulate in 2020 that the auteur was planning to direct a new series that was developed under the working titles “Wisteria” and “Unrecorded Night.” Many regular Lynch collaborators, including Kyle MacLachlan and Mark Frost, went on to cryptically post images of wisteria flowers on their social media accounts, fueling speculation that Lynch was getting the band back together. Some even speculated that the show would be a Texas-set series...
Loyal Lynch fans will recall that rumors began to circulate in 2020 that the auteur was planning to direct a new series that was developed under the working titles “Wisteria” and “Unrecorded Night.” Many regular Lynch collaborators, including Kyle MacLachlan and Mark Frost, went on to cryptically post images of wisteria flowers on their social media accounts, fueling speculation that Lynch was getting the band back together. Some even speculated that the show would be a Texas-set series...
- 5/4/2024
- by Harrison Richlin
- Indiewire
Seven years after the premiere of “Twin Peaks: The Return,” and the third season of David Lynch’s small-town-turned-cosmic nightmare is still reverberating for a new generation of filmmakers.
So it’s apt that Jane Schoenbrun’s “I Saw the TV Glow,” a suburban lucid dream of a movie about how the media we consume can then consume us, feels like the first film to truly capture the dread and dissonance of Lynch’s reinvention — a series that was itself a comment on how you can truly never go home again, and how rose-colored memories become warped and monstrous by the passage of time.
“I Saw the TV Glow” follows Owen (Justice Smith), a gloomy New Jersey teen obsessed with a YA TV series called “The Pink Opaque,” about two physically apart teen girls who share a psychic connection that could help them defeat a moon-faced monster called Mr. Melancholy.
So it’s apt that Jane Schoenbrun’s “I Saw the TV Glow,” a suburban lucid dream of a movie about how the media we consume can then consume us, feels like the first film to truly capture the dread and dissonance of Lynch’s reinvention — a series that was itself a comment on how you can truly never go home again, and how rose-colored memories become warped and monstrous by the passage of time.
“I Saw the TV Glow” follows Owen (Justice Smith), a gloomy New Jersey teen obsessed with a YA TV series called “The Pink Opaque,” about two physically apart teen girls who share a psychic connection that could help them defeat a moon-faced monster called Mr. Melancholy.
- 4/29/2024
- by Ryan Lattanzio
- Indiewire
A TV documentary titled Barbie Uncovered and an adaptation of Homer’s classic The Odyssey starring Ralph Fiennes and Juliette Binoche are among the titles to receive cash during the latest round of U.K. Global Screen Fund awards.
Financed through the UK government’s Department for Culture, Media and Sport (Dcms), the latest round handed out over £1.2 million in cash awards through the fund’s International Co-production strand, supporting UK producers to work as partners on international co-productions. To date, the strand has now awarded over £5 million to 33 co-productions.
This latest round of awards sees the UK co-producing with 12 territories and will be the first time the fund has supported collaborations with India and Finland. The funding will also support partnerships with Belgium, Denmark, Sweden, France, Italy, Greece, Germany, Ireland, Canada, and New Zealand.
TV doc Barbie Uncovered is an unofficial majority UK co-production with New Zealand. The UK...
Financed through the UK government’s Department for Culture, Media and Sport (Dcms), the latest round handed out over £1.2 million in cash awards through the fund’s International Co-production strand, supporting UK producers to work as partners on international co-productions. To date, the strand has now awarded over £5 million to 33 co-productions.
This latest round of awards sees the UK co-producing with 12 territories and will be the first time the fund has supported collaborations with India and Finland. The funding will also support partnerships with Belgium, Denmark, Sweden, France, Italy, Greece, Germany, Ireland, Canada, and New Zealand.
TV doc Barbie Uncovered is an unofficial majority UK co-production with New Zealand. The UK...
- 7/25/2023
- by Zac Ntim
- Deadline Film + TV
Ariane Labed’s ’Sisters’ and Uberto Pasolini’s ’The Return’, starring Ralph Fiennes and Juliette Binoche, have also received backing.
Documentaries Barbie Uncovered, Justice For Magdalenes and Beast are among the nine titles to receive funding from the British Film Institute (BFI) through the UK Global Screen Fund, via the fund’s international co-production strand.
It is financed through the UK government’s Department for Culture, Media and Sport (Dcms). This round, the awards allocate over £1.2m to support UK producers to work as partners on international co-productions. To date the strand has now awarded over £5m to 33 co-productions.
The awards,...
Documentaries Barbie Uncovered, Justice For Magdalenes and Beast are among the nine titles to receive funding from the British Film Institute (BFI) through the UK Global Screen Fund, via the fund’s international co-production strand.
It is financed through the UK government’s Department for Culture, Media and Sport (Dcms). This round, the awards allocate over £1.2m to support UK producers to work as partners on international co-productions. To date the strand has now awarded over £5m to 33 co-productions.
The awards,...
- 7/25/2023
- by Mona Tabbara
- ScreenDaily
TV documentary “Barbie Uncovered” and an adaptation of Homer’s “The Odyssey” starring Ralph Fiennes and Juliette Binoche are among the latest projects awarded by the U.K. Global Screen Fund.
On “Barbie Uncovered,” an unofficial majority U.K. co-production with New Zealand, the U.K. producers are Ross Wilson from Rw Productions and Alan Clements from Two Media Rivers who will co-produce with New Zealand’s Daniel Story and Cass Avery from Augusto. It will be directed by Eddie Hutton-Mills and focuses on the unknown history of the global icon Barbie and the dramatic and dark story behind the creation of the world’s most famous doll.
On “The Odyssey” adaptation “The Return,” a minority U.K. co-production with Italy, Greece and France made under the European Convention, the U.K. producers are James Clayton and Uberto Pasolini from Red Wave Films who will co‐produce with Italy’s...
On “Barbie Uncovered,” an unofficial majority U.K. co-production with New Zealand, the U.K. producers are Ross Wilson from Rw Productions and Alan Clements from Two Media Rivers who will co-produce with New Zealand’s Daniel Story and Cass Avery from Augusto. It will be directed by Eddie Hutton-Mills and focuses on the unknown history of the global icon Barbie and the dramatic and dark story behind the creation of the world’s most famous doll.
On “The Odyssey” adaptation “The Return,” a minority U.K. co-production with Italy, Greece and France made under the European Convention, the U.K. producers are James Clayton and Uberto Pasolini from Red Wave Films who will co‐produce with Italy’s...
- 7/25/2023
- by Naman Ramachandran
- Variety Film + TV
HanWay Films handles sales at EFM.
Bleecker Street has acquired North American rights from HanWay Films to historical epic The Return, a retelling of Homer’s The Odyssey which reunites Ralph Fiennes and Juliette Binoche 25 years after The English Patient.
HanWay continues international sales at the EFM and has licensed Benelux (The Searchers), Portugal (Nos Lusomundo), Turkey (Mars), Poland (Monolith), former Yugoslavia (Cinemania), Baltics (Gpi), the Middle East (Front Row), South Africa (Filmfinity), and Singapore (Shaw). Cinesky has exclusive airline rights.
Uberto Pasolini (Nowhere Special) will direct from a screenplay he co-wrote with Edward Bond and John Collee (Master And Commander: The Far Side Of The World...
Bleecker Street has acquired North American rights from HanWay Films to historical epic The Return, a retelling of Homer’s The Odyssey which reunites Ralph Fiennes and Juliette Binoche 25 years after The English Patient.
HanWay continues international sales at the EFM and has licensed Benelux (The Searchers), Portugal (Nos Lusomundo), Turkey (Mars), Poland (Monolith), former Yugoslavia (Cinemania), Baltics (Gpi), the Middle East (Front Row), South Africa (Filmfinity), and Singapore (Shaw). Cinesky has exclusive airline rights.
Uberto Pasolini (Nowhere Special) will direct from a screenplay he co-wrote with Edward Bond and John Collee (Master And Commander: The Far Side Of The World...
- 2/16/2023
- by Jeremy Kay
- ScreenDaily
For any “Twin Peaks” fan whose head is still spinning after Part 18 of “The Return,” consider Mark Frost’s new novel, “Twin Peaks: The Final Dossier,” an essential purchase. The new book is considered canon and helps fill in the 25-year gap between the Season 2 finale and Showtime’s event series. Frost provides some of the answers David Lynch did not, such as what actually happened to Audrey Horne, and the co-writer even goes a step further in setting the final chapter of his book after the events of Part 18.
David Lynch ended “Twin Peaks: The Return” with a baffling final hour that expanded the mythology of the show by raising a hundred new questions. Agent Dale Cooper was granted entry way into the past by Phillip Jeffries to prevent the death of Laura Palmer. Cooper succeeded in preventing Laura from making it to the railroad cart where she was murdered,...
David Lynch ended “Twin Peaks: The Return” with a baffling final hour that expanded the mythology of the show by raising a hundred new questions. Agent Dale Cooper was granted entry way into the past by Phillip Jeffries to prevent the death of Laura Palmer. Cooper succeeded in preventing Laura from making it to the railroad cart where she was murdered,...
- 10/31/2017
- by Zack Sharf
- Indiewire
[Editor’s Note: The following article contains spoilers for “Twin Peaks: The Return” up until the finale.]
With only two hours left in “Twin Peaks,” there are still a lot of questions to be answered. Of course, anyone who’s seen all 16 hours of “The Return” knows it’s a fool’s errand to expect explicit clarification on everything. Some events are random. Some illustrate a tonal shift. Some are purposefully ambiguous.
But there are a few pertinent tidbits which could benefit from further exploration. Below, IndieWire has collected a batch of questions we wouldn’t mind having David Lynch and Mark Frost address — via their expressionist ideals — in what everyone expects to be a damn good finale.
Why is Laura “the one”?
In one message for Hawk (Michael Horse), the Log Lady (Catherine Coulson) said, “Watch and listen to the dream of time and space. It all comes out now, flowing like a river. That which is and is not.
With only two hours left in “Twin Peaks,” there are still a lot of questions to be answered. Of course, anyone who’s seen all 16 hours of “The Return” knows it’s a fool’s errand to expect explicit clarification on everything. Some events are random. Some illustrate a tonal shift. Some are purposefully ambiguous.
But there are a few pertinent tidbits which could benefit from further exploration. Below, IndieWire has collected a batch of questions we wouldn’t mind having David Lynch and Mark Frost address — via their expressionist ideals — in what everyone expects to be a damn good finale.
Why is Laura “the one”?
In one message for Hawk (Michael Horse), the Log Lady (Catherine Coulson) said, “Watch and listen to the dream of time and space. It all comes out now, flowing like a river. That which is and is not.
- 9/1/2017
- by Ben Travers and Hanh Nguyen
- Indiewire
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