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SoumikBanerjee1996
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Jagga Jasoos (2017)
Turns into a mess in the second half!
I must praise Anurag's imaginative take and his delightfully eccentric approach; however, from a writing perspective, the plot devolves into an indefensible mess.
It is indeed disheartening, as I found myself thoroughly captivated by the first half of the film; the father-son dynamic, the vibrant visuals, and the catchy soundtrack all harmonized quite beautifully.
As I ventured into the second half, the entire premise turned upside down, transforming what began as an engaging dramedy into an overly ambitious, nearly surreal adventure feat now It is a missed opportunity, had the writing maintained rhtym and coherence, this could have blossomed into something remarkable, something mesmerizing!
Barfi! (2012)
Emphasis on Visual Storytelling!
I have a deep appreciation for filmmakers who prioritize the forgotten art of visual storytelling over mundane exposition, and Anurag Basu is certainly one of the directors I admire most in that regard.
In "Barfi," set against the stunning backdrop of Darjeeling, Basu intricately weaves a love triangle that revolves around the lives of two individuals born with disabilities. Although constrained by physical challenges, their spirits remain vibrant and unburdened by worries.
Both Ranbir and Priyanka as Barfi and Jhilmil deliver their performances with remarkable sincerity and dedication, while Ileana plays a pivotal part in their romantic journey.
I particularly appreciated how Basu skillfully balanced the distinct personalities of these three characters, ensuring that each left a lasting impression, and believe me they do, you will remember all three!
Tamasha (2015)
I was wrong the first time!
I never anticipated that revisiting a movie after nine years would evoke such profound joy and insight, particularly for a film I initially despised
What my eighteen year old self was thinking!?
"Tamasha" presents a compelling critique of societal norms and the relentless pursuit of success, which is often equated with stability and financial safeguard.
However, it raises critical questions about the well-being of our hearts and souls. What of the dreams and aspirations we hold dear? What of the passions that simmer within us?
I appreciate how the narrative articulates our most profound desires and yearning to be somebody with whom we can identify with, rather than turn into mere participants in the incessant cycle of chores and monotony.
Through the character of Ved, we are inspired, and once again, Ranbir Kapoor demonstrates why he is regarded as one of the finest actors of his generation, his brilliant portrayal of Ved contributes heavily to the story, and the same remark applies to Deepika's performance as Tara. Although the narrative does not center on her perspective, her dedication to the role is undoubtedly admirable.
P. S. The pub scene between Ved and Tara left me in tears; one of the most powerful scenes crafted in bollywood so far period.
Rockstar (2011)
A Ranbir Show through and through!
Esteemed celebrities, individuals who have transcended the ordinary in the fields of music and any other creative territories, frequently face criticism for their self-centered remarks and contentious behaviors.
While there are indeed instances where such criticism is warranted, it is often the case that these grievances are highly exaggerated and are blown out of proportions.
One may question the reason for this strange phenomenon. The answer lies in our tendency to conflate our familiarity with their artistic output with an understanding of the artists themselves, which is fundamentally nothing but a misjudgement.
We celebrate their works, derive pleasure from their creations, and may either find inspiration in or feel envy towards their opulent lifestyles.
However, we rarely delve into the complexities of their personal journeys to comprehend the sacrifices, all heartbreaks, and failures, they endured to get wherever they are right now.
Imtiaz Ali I feel, empathetically portrays these struggles faced by these artists with a sense of compassion and insight. Similarly, Ranbir's performance powerfully conveys the anguish and turmoil that is almost always an inherent aspect in any artist's life. Not to mention, the soundtrack by A. R. Rahman elevated these notions to greater heights.
Alas, it's not perfect, although I wished it was.
I do have two critiques to offer: first, regarding Nargis, who, despite her earnest efforts, did not fully embody her character, resulting in a bland performance that failed to leave the kind of impact her part needed to have.
Secondly, I found the exploration of Jordan's familial relationships rather limited, lacking in critical substance; I would have preferred a more in-depth elaboration on that particular front.
Amar Singh Chamkila (2024)
Takes a different approach!
Biographical dramas usually strive to present whitewashed iterations of the individuals they portray, more often than not positioning their characters on a pedestal of moral superiority.
"Chamkila" however takes a unique approach.
It not only honors the man's remarkable talent and his ability to connect and resonate with the masses but also audaciously critiques his self-centered and reluctant response to all the threats that ultimately cost him and his wife's precious lives.
Moreover, the narrative valiantly advocates for rights of artists and their defiant expressions; while creators may face fatal consequences, their "creations" will keep on living.
My criticism lies in the emotional disconnect I experienced with the main characters. This is not a reflection of their performances by any means, which by the way were delivered with great sincerity and commitment, it was more to do with their characterization, or the lack thereof, I expected more emotional baggage.
Highway (2014)
Alia at the age of 20, showed such incredible maturity!
"Ek Goli mein aadmi khatam ho jaata hai na?"
"Do Aadmi. Jispe chala hai aur jo chala raha hai"
I love how the writing profoundly encapsulates our innermost desires for empathy and human connection, reflecting our perpetual aspiration to attain 'freedom' and the autonomy to make our own choices, unencumbered by any and all limitations imposed by others, including those we hold dear and admire from the bottom of our hearts.
This particular theme was further elevated by the background score, composed masterfully by none other than Rahman and praiseworthy performances from both Randeep & Alia, with the latter's remarkable maturity at the age of twenty being particularly commendable and rarely witnessed in bollywood.
Kinds of Kindness (2024)
Although not as good as Lanthimos' previous, but it has its own charm!
With Lanthimos, I have reached a stage where my expectations for his works are exceedingly high, and such elevated hopes may ultimately result in disappointment.
While 'Kind of Kindness' is not an unfavorable outcome by any means, far from that remark to be honest but it did not quite measure up to his previous work, 'Poor Things', which I revered so much.
I appreciate the 'anthology format'; in fact, I commend his effort to explore new territory. However, there is a stark difference between conceptualizing a great idea and successfully bringing it to fruition.
The first story was satisfactory, as it explored 'Obedience' and 'Assertion of Dominance' with the distinctive eccentricity Lanthimos is quite known for.
As we slowly transitioned to the second tale, inspite of some imperfections, I was able to grasp the clinical and almost psychological undertones present.
However, the third one was a misfire; although it attempted to incorporate symbolism related to 'occult' practices, the overall execution felt half-baked and, for some inexplicable reason, emotionally detached and distant.
For me...
The Death of R. M. F. > R. M. F. Is flying > R. M. F. Eats a Sandwich.
Raayan (2024)
Clueless writing!
While I appreciated the artistic decisions, the stylistic action and the references to Ravana, the writing faltered heavily from a narrative standpoint, it was all over the place.
The primary issue lies in the script's ambition to encompass multiple approaches at once; it constantly oscillated between a revenge tale to a gangster drama, to a gritty crime thriller, attempting to seek every conceivable avenue to expand and grow but their efforts brought no positive outcomes!
As a result, none of these threads were able to establish robust foundations, resulting in a dearth of a strong core from which the writing could have branched out to culminate a few gratifying resolutions.
Hannibal (2001)
Underwhelming!
Amidst the ongoing global manhunt led by the FBI and Verge, one of Lecter's prized victims, the emphasis remained firmly on the intricate dynamic between Clarice and Hannibal.
Even though Hopkins and Moore elevated the banal script to commendable heights, but it was to the extent where one could argue the writing depended heavily on their equation.
Isn't it ironic that a movie about a cannibalistic serial killer missed the mark when it comes to delivering true terror; while it was undeniably creepy and graphic, especially for the scene in the climax, the execution lacked the genuine fright one would generally anticipate.
Longlegs (2024)
Effective for the most part!
Establishes a solid foundation in its initial half, ultimately culminating in a impactful resolution in the latter portion. The cinematography and sound design deserve particular recognition as they played significant roles in maintaining a pervasive sense of unease from the start to finish.
Having said that, I would have preferred more extensive exploration of its central narrative. The investigative procedure was intriguing from a practicality point of view, but it was wrapped up rather hurriedly.
This expedited treatment is also evident in the character development. Both Monroe and Nic Cage's roles possessed humongous potential; however, due to limited runtime, their time on screen were restricted within predetermined limits, something that made me disappointed as I was hoping to get more of them.
Despite complaints from my end, I thoroughly enjoyed the movie as it effectively generated an eerie atmosphere, skillfully built tension, and captivated me through its storytelling,
Perkins's finest work to date, without a doubt.
Gretel & Hansel (2020)
Writing lacked clarity and precision!
I admire filmmakers who push for aesthetically pleasing cinematography while also fostering certain mood and tonality for their narrative to flourish.
Oz Perkins is indeed one amongst them, since his "Hansel and Gretel" looks amazing, and he nails the kind of unsettling atmosphere, these enchanting tales ask for.
Now I would have been happier if Perkins had given the same attention to the writing.
Although its visual appeal lured me in, lack of precision in its storytelling frustrated me quite a bit, same remark goes for the brother-sister dynamic, which I feel should have had a much stronger base to build upon.
Des Teufels Bad (2024)
Message is good but the delivery faltered!
Although the movie succeeded in establishing a compelling atmosphere and requisite mood, shortcomings emerged deep in the narrative's structure and its broader implications!
While the critique of religious dogmatism was appreciable, which did lead to thousands of people taking their own as well as others' lives, the execution is deprived of the efficiency and impact this subject quintessentially required.
One might advocate for the performances of the cast, especially that of the lead character Agnes; however, the characterization of both her and the supporting characters resulted in a rather bleak, unsatusfying denouement.
Inside Out 2 (2024)
Not as great as the first part but...
In addition to the stunning animations and interesting characters, the script emerged as the most impressive constituent of this work.
Addressing complex themes like suppressed emotions, self-awareness requires exceptional imagination and creative energy, and I believe the writers excelled in that particular regard.
Such 'simplified' sophistication is a rarity in any narrative, much less the contemporary ones.
Having said that, I do wish the soundtrack had more in offering, as it did not quite capture the essence I hoped for. I would still prefer the first film, as that evoked deeper emotions and still remains as a 'happy memory' back in my mind.
Milyang (2007)
Didn't meet my expectations!
My recent experience with Peppermint Candy heightened my expectations quite a bit, which may have ultimately led to my disappointment.
In contrast to my earlier viewing, I struggled to form a meaningful connection with our lead protagonist and the tragedies she endures.
This striking disconnect was not attributable to the actors' performances though; rather, it stemmed from the characterization or, more specifically, the incompetent plot concerning her relationship with her son.
The same critique applies to the supporting ensemble, as many of them appeared to be underdeveloped and contributed little to the narrative.
It was particularly startling to see a renowned veteran like Kang Ho Song reduced to a minor role, despite his character having the potential for greater depth and complexity!
Bakha satang (1999)
An outstanding character study!
One of the most profound character analyses I have encountered in world cinema, let alone what Korean movies have had offered me so far.
Approaching it with minimal expectations, I found myself in a state of admiration for its exceptional craftsmanship and remarkable originality, specifically imbued in its writing.
The manner in which it examines the central character and his ever evolving personality in response to significant events taking place in his life was genuinely impressive.
What stands out even more is the narrative's unswerving neutrality; it refrained from taking sides, not for once it attempted to rationalize the protagonist's actions. Instead, it presents his life through a series of showreels, allowing us, the audience to form our own judgments.
And the juxtaposition between the reversing railroad and Yongho's journey into his past was a clever touch I must concede.
Salinjaui gieokbeob (2017)
Well written and even better executed!
"Memoir of a Murderer" presents a compelling blend of psychological drama and elements of a murder mystery thriller, establishing itself as a noteworthy addition for this particular genre
Amidst the backdrop of newly emerged dead bodies around, the ingenious portrayal of our protagonist's Alzheimer's, characterized by his ceaseless struggle to remember even the most basic stuff was particularly striking.
The utilization of the "unreliable narrator" motif was executed quite effectively, signifying the narrative's complicated nature.
As a former serial killer, the protagonist's dark past creates a sense of ambiguity regarding his involvement in the recent murders, leaving the audience questioning whether he is the perpetrator or if another individual is to blame. And the screenwriting skillfully maintains this uncertainty until the story reaches its climax.
While there are minor inconsistencies present, and I personally would have liked alternative conclusion, the film still remains as a robust example of proficient writing and impressive technical execution, making it a must watch specifically for thriller enthusiasts!
Stree 2: Sarkate Ka Aatank (2024)
An effective sequel!
Even though the underlying themes are not as prominent as the last time wherein the shrewd insinuations regarding women empowerment echoed in a clear manner, the sequel here still managed to offer effective humor and almost comicbook-inspired action, specifically in the climax.
Performances too have been top of the line, as was the case on previous occasions. The addition of Cameos (one expected and the other came across as a surprise) further enhanced my experience.
Having said that, I still missed the ingenious messaging of the first part, I wish there were something similar to cherish down here.
Dalkomhan insaeng (2005)
I prefer the Bollywood remake!
This might be an unpopular opinion, another of my infamous "hot takes", but I do prefer the Bollywood adaptation. Mind you, it's nothing to do with that being my first exposure and this being the latter, as their approaches are functionally different, despite having a comparable overall structure.
"Awarapan" focused on emotions; the dramatic weight is much superior and functions much better than the Korean Counterpart because this original material emphasised on its action and all-around stylisation.
Now some of you may argue for the subtleties present in the character development of this film and might oppose the melodramatic, more Bollywood'ish' inclinations, but I like to differ there.
While I admit the action is far more slick in 'A Bittersweet Life', owing to choreographic brilliance, Awarapan had the edge in regards to'motivating factors'; every character had a set purpose, a backstory to assist them in their path, their goals, whereas, in here, it is mostly driven by rage and ego tantrums.
Whoever had a great time watching this, I would suggest all of you to give the Bollywood film a chance. If you can keep aside the melodrama, rest assured, you're going to have a far better time over there.
Talchul: Project Silence (2023)
Fine idea but the execution couldn't deliver!
The concept underneath was fine, and it had potential too, but it did not transition into an effective finish by the climax, and I believe the writing is to be blamed!
Neither the characters nor the conversations they participate in have substantial impacts, primarily because the screenplay wandered cluelessly most of the time, failing to achieve the necessary tone and decorum!
The CGI too had its probelms, now generally I do not mind slight to moderate imperfections in visual effects, especially if the narrative is keeping me engaged, in this case however, frailties became quite apparent, to a point where they start acting as obstacles in the path of my enjoyment.
Shekhar Home (2024)
Casting Kay Kay Menon was a wise decision!
I have yet to watch the original BBC Sherlock Holmes story on which this Indian adaptation is based; therefore, I would humbly refrain from drawing any sort of comparison here.
Although I'll gladly admit I have taken a liking to the cast selection here. Kay Kay Menon as Sherlock, aka Shekhar, offbeat yet a genius persona was spot on. We all know he's a capable actor, and he did perform to his merits here.
The same remark applies for Ranbir Shorey too for he had gelled well as Shekhar's witty and inquisitive partner in investigation.
As for the format, whilst the first four episodes are treated as mini stories, with different type of crimes and their varying resolutions, last two acted as critical junctures to Shekhar's mysterious handlings in the past which led him right into a bigger conspiracy.
Suffice to say, I liked the concluding episodes better, primarily because they had more depth and material to show for.
Pradhan (2023)
The last half an hour is a mess!
Despite its notable strugglr with subplots and the predictability of character arcs, I found the core proposition to be quite heartwarming.
Sen's recent works demonstrated his ability to resonate with emotional themes even if they tend to be somewhat exaggerated and the same could be witnessed here in.
The narrative flows well, builds effectively, and prepares itself for the final act, but ultimately it all falls apart.
The last thirty minutes is a lethargic mess, and it is rather disappointing to state the same, as I genuinely adored the first two acts of the film and everything they showed during that time, especially all that political poking, however, It's in the concluding segment the film seems to grappel with delivering a satisfying outcome.
2001: A Space Odyssey (1968)
A revolutionary work in the sci-fi space!
After spending the entire night retrospecting on it, I still find myself struggling to grasp the wide range of emotions I have lived through for the two and half hours of this film.
The psychedelic imagery, expansive sets, and futuristic concepts were meticulously crafted by Kubrick nearly sixty years ago, leaving me in a state of profound admiration throughout my whole viewing.
My experience closely resembled a voyage, reminiscent of the scientific documentaries I often used to watch on televisions, taking me through the very essence of space and time, accompanied by enigmatic narration, fueled by breathtaking visual palette and provocative themes!
A revolutionary work by Kubrick indeed!
Barry Lyndon (1975)
Had my fair share of issues!
The problem I have with Barry Lyndon is the same as I previously encountered in Full Metal Jacket, i.e., a great first half and an almost lethargic and inefficient latter segment.
While I adored the art direction and the overall approach of the storytelling here, I feel a little more urgency on the writing front would have better benefited the proposition as a whole!
Furthermore, I found myself struggling to root for any of the characters, perhaps because of their staunch cynicism or lack of a few inciting events involving the individuals in question. I wish there were better avenues chosen.
Paths of Glory (1957)
A lesson from Kubrick
In the midst of baleful wars, we often tend to forget the first and foremost duty of a soldier, which is to 'protect,' and a leader's duty is to ensure his/her men or women are safe from harm.
More than the order to kill the enemies, it's far more respectable and idealistic to safeguard the interests of the innocents. However, due to corruptive power at the helm, superiors with their superiority complexes, lines get blurred between cowardship and bravery!
I love how Kubrick showcases that dilemma in here with such precision and understanding. I wish it was longer in length and delved much deeper into the narrative.
Deadpool & Wolverine (2024)
Fun and Entertaining!
Is this the best Deadpool movie? No
Is this the funniest one? Yeah
Is this the best Marvel has offered in recent times? Heck yeah!
Oh! Yes, I've made it, finally saw it in the theaters, and I have had a fun time. The quirkiest, R-rated (from both a visual and literary standpoint) comicbook movie ever!
It's true the execution relies heavily on self-referential jokes and cameos and that there's no strong narrative here, but it was engrossing, entertaining, and filled with meta humor. For someone like me who appreciate self-aware scripts, this was no less than a treat!
The combo of Deadpool and Wolverine hits differently, and it slaps hard!
Having said that, I wish a stronger villain pitted against them. Nothing against Emma Corrin as 'Casandra', as I did find her to be quite befitting for an antagonist; I just despised the way her potential is wasted, or rather, her character as a whole, writing on her part should have been better!