Zack Sharf
Zack Sharf is the New York–based News Editor at IndieWire, where he is responsible for running the site’s daily news flow, in addition to crafting larger editorial pieces and covering special events. Prior to joining IndieWire, he received his B.A. in Media Studies from Emerson College, where he worked the Boston press circuit for three years as Managing Editor of the school’s film organization, Reel Reactions. Zack has also worked in the web and editorial department of NYC’s leading news station, WABC-TV. He has a sweet spot for “Before Sunset,” black labs, Julianne Moore, and “The Iron Giant.” Follow him @ZSharf.
Latest by Zack Sharf
From "Kwaidan" to "Cloverfield," Nicolas Winding Refn's favorite movies are as eclectic as you'd think.
Lily James, Jessica Chastain, and Jared Leto have all recently undergone dramatic transformations for roles.
From "Bottle Rocket" to "Asteroid City," these are the shots that define the collaborations of Anderson and cinematographer Robert Yeoman.
With one project left before Quentin Tarantino says goodbye to feature filmmaker, IndieWire looks back at the many unmade ideas the director has cooked up over the years.
From actor Michael Caine to cinematographer Wally Pfister, composer Hans Zimmer, and more, these are the collaborations that define Nolan's career.
From Jim Carrey, Jake Gyllenhaal, and Alec Guinness to Jamie Lee Curtis, Viola Davis, Nicole Kidman, and more, these actors and actresses got brutally honest about the acting they dislike most.
From "Seven Samurai" and "Dead Ringers" to "Under the Skin" and "The Fabelmans," here's a guide to the "Dune" filmmaker's favorite movies.
Ari Aster on "Kwaidan," Guillermo del Toro on "Eyes Without a Face," Bo Burnham on "Raw," and so much more.
Anya Taylor-Joy steps into Charlize Theron's war rig for a new kind of "Mad Max" movie.
From "The Night House" to "Cryptozoo," these are the 2021 indies that deserve way more attention.
Johnny Depp is out. Mads Mikkelsen is in.
"Why isn’t there any good sex in film anymore?" asks Olivia Wilde. Her new movie aims to correct that.
