Top of the Line
Some of television's top casting directors tell IndieWire which have been the best cast series of the past season.
Filmmaker Toolkit Podcast
Production designer Yong Ok Lee had to bring back to life 2014 Hong Kong on both sides of the Pacific — and find 500 umbrellas.
The IndieWire craft team celebrates the cinematography of nine series that premiered this year, including "Ripley" and "Shōgun."
Gus's Wild Ride
Showrunner Jim Mickle and production designer Nicholas Bassett tell IndieWire about executing a chase sequence in the Netflix show's finale.
The Longest Day
Producers may have overcorrected: The HBO franchise now risks looking like everything else on TV.
Feature
The movie that ruined Michael Powell's career but made his reputation for an entire generation of cinephiles is newly available from Criterion.
Editors Jake Hostetter and Robert A. Martinez talk about the pleasures and challenges of telling the iconic band's story in the new Disney+ documentary "The Beach Boys."
Making Up Is Hard To Do
Hair and makeup designer Niamh Morrison tells IndieWire about getting to do everything from blood to high fashion in the Guy Ritchie Netflix series.
Craft Considerations
Watch how cinematography, costumes, and hair and makeup helped turn a true story into a ravishing period piece.
Filmmaker Toolkit Podcast
Director Lucia Aniello tells IndieWire about the changing power dynamics between Deborah and Ava that pushed the look of the Max series.
Representatives from Martin Scorsese's Film Foundation and Warner Bros. talk about their collaboration on the new restoration set to screen at Tribeca.
The Finals Cut
Director Jeff Fine and lead editor Trevor MacKinnon discuss embedding with the Boston Celtics and turning around footage as fast as they carved through the Eastern Conference.
