Top of the Line
The Fullest Possible Use
Rashida Jones' best friend in the new thriller is a home assistant — one who has a Japanese game show-inspired hallucination in Episode 9.
Widescreen Cinema
Christopher Nolan shot the entirety of "Oppenheimer" using 65/70mm film stock, which is one of Hollywood's grandest traditions.
Going Ape
Director Wes Ball, editor Dan Zimmerman, and production VFX supervisor Erik Winquist comment on a split-screen comparison between the unfinished and finished movie in Blu-ray extra.
Not a Self-Tape
Casting director Chloë Curran tells IndieWire about trying to bridge the divide between actors and up-and-coming indie filmmakers.
Interview
Not only did the nominations herald a breakthrough for "The Boulet Brothers' Dragula," but the titular multihyphenates were recognized for their exact aesthetic.
The Second
Taylor Ramos and Tony Zhou gift YouTube — and cinephiles — with a limited series of explainers on the art of filmmaking and a new short film.
Ink Masters
Doing characterization through tattoos is a trick even older than the original "The Crow," but the 2024 reimagining uses it to dramatic effect.
IndieWire asked Emmy-nominated production designers to lay out some of the lessons that helped them design the worlds we see on TV.
Like a Virgin
Driver tells IndieWire about the climactic confrontation between Elizabeth and Catherine on Episode 7 of the Starz drama.
IndieWire asked Emmy-nominated TV editors to construct a flashback to earlier in their careers and point to lessons that helped them assemble incredible stories this year.
B'nai Mitzvah
Writer C. Mason Wells tells IndieWire about embracing a different script format that allowed Carol Kane and Jason Schwartzman new acting freedom.
Ready. Set. Go.
Production designer Shayne Fox tells IndieWire about how the world of Vampire Staten Island is still transforming into its best maximalist self in Season 5.
