Company 3

The Venice International Film Festival is wrapping up this week, and Company 3 is delighted to have provided post-production services to five films premiering at this year's festival, including one of the year's most anticipated films, Joker: Folie à Deux, graded by Senior Colorist Jill Bogdanowicz, which premiered Wednesday to an 11-minute standing ovation. 👏   Check out our full lineup: https://lnkd.in/eJC3JT3p   Joker: Folie à Deux | Jill Bogdanowicz The Order | Tom Poole Three Keenings | Patrick Devine King Ivory | Joseph Bicknell Happyend | Tim Masick

In September our company cultural calendar highlights Indigenous, Native, and First Nations Heritage – reminding us of the significant influences these communities have had, and continue to have, on our industry. Pictured: 1) San Gabriel Mountains - historic lands of the Gabrielino-Tongva in the area also known as Los Angeles County 2) Credit River in the traditional territory of the Mississaugas of the Credit First Nation in the area also known as Ontario 3) Etowah Mounds historic site of the Muscogee (Creek) Nation in the area also known as Georgia 4) Shawangunk Grasslands in the traditional territory of the Lenape in the area also known as New York 5) Traditional territory of the Tsleil-Waututh, Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) and Musqueam Nations in the area also known as Stanley Park in Vancouver, BC.

Wishing our teams in the US and Canada a happy and safe Labor/Labour Day!

'The Crow' Director Rupert Sanders' modern reimagining of #TheCrow, based on the iconic graphic novel by James O'Barr and graded by Senior Colorist Greg Fisher in the quiet darkness of Company 3 London, is now playing in theaters. Color | Greg Fisher Additional Color | James Slattery Finishing Editor | Stuart London  Color & Finishing Producer | Gemma Saunders  Trailers | Adrian DeLude + Adam Frazier + Ariane Ackerberg  Director | Rupert Sanders  DP | Steven Annis  Editors | Neil Smith, Chris Dickens, ACE Production Design | Robin Brown 

Post Magazine delves into the meticulous color grading process behind Apple TV+’s Lady in the Lake. Set in 1966 Baltimore, the series follows Natalie Portman as an investigative journalist uncovering a series of shocking murders. To bring the era to life, director Alma Har’el enlisted the expertise of Company 3 Senior Colorist Yvan Lucas. Lucas’s meticulous approach extended to fine-tuning the show’s atmosphere. He employed techniques like adding subtle grain, selective bleach bypass effects, and careful adjustments to exposure to create a sense of depth and realism. By subtly manipulating the color palette and texture, he enhanced the show’s immersive quality, transporting viewers back to 1960s Baltimore. Read the full article here 👉 https://lnkd.in/e3VNPEDX

Senior Colorist sean coleman, based at Company 3 Los Angeles, has worked with some of the world's most respected commercial directors on hundreds of spots for dozens of major national and international brands. In a recent chat with LBBonline - Little Black Book, Sean dives into his color grading process, revealing how he collaborates with directors and DPs to bring their creative visions to life while navigating both digital and film formats. Read more about Sean and his key advice for colorists here 👉 https://lnkd.in/dWp2zc9J

Company 3 Senior Colorist Greg Fisher returns with his latest collaboration with director Yorgos Lanthimos on the film 'Kinds of Kindness'. Known for his previous work on Poor Things, Greg discusses the unique color grading techniques used in the triptych fable starring Emma Stone and Willem Dafoe.   In this recent interview with Post Magazine, Greg chats about the unique challenges of grading this film and the innovative approach that sets it apart. He also explores how he navigates the dynamic collaboration between directors and cinematographers to achieve a compelling visual narrative.   Curious about the creative process behind the film’s striking look? Read the full article here 👉 https://lnkd.in/eNSgE6CB

British Airways 'A British Original Period Drama' 👑 ✈️   May we haveth one's attention please? 🔉 British Airways has released their new safety onboarding film. Inspired by Britain’s famous period literature and featuring 40 of their own attendants, this film was graded out of Company 3 London by Senior Colorist Yoomin Lee. ✨   Color | Yoomin Lee Color EP | Ellora Soret Color Producer | Kerri Aungle Director | Sharon Maguire DP | Erik Wilson                                        Agency | Uncommon Creative Studio Prod Co | Bang TV Edit | Joe Guest + Leah Burton + Final Cut

'Deadpool & Wolverine' ❤️⚔️💛 Director Shawn Levy brings us the long-awaited duo, the Merc with the Mouth and everyone's favorite mutant to safeguard the multiverse. Catch the box office record-breaking hit, graded by Senior Colorist Skip Kimball, #DeadpoolAndWolverine playing in theaters everywhere. Color | Skip Kimball Additional Color | Adam Nazarenko 3D Color | Jared Pecht, Alan Gordon Finishing Editors | John Diesso, Chris Doerr Color Production | Laura Holeman, Jessica Stone, Megan White Trailers | Carl McKay, Behnood Behjoo, Levi Hawkinson Director | Shawn Levy DP | George Richmond, BSC Editors | Dean Zimmerman ACE, Shane Reid Production Design | Ray Chan 3D Stereo VFX | SDFX Studios VFX | Framestore Main Titles | Method Studios

The August 2024 issue of American Cinematographer Magazine takes you behind the scenes of MaXXXine, Director Ti West's latest horror film. Cinematographer Eliot Rockett and West reveal their process for capturing the film's nostalgic 1980s look.   A key highlight is the contribution of Company 3 Senior Colorist Tom Poole, who played a pivotal role in achieving the film’s authentic feel. Poole explains, "I had to create different LUTs for different situations: there was a slightly cleaner print [film look], a nighttime one, and one for warmer light. We also created an effects layer with some vignetting and softness. Then, in the finishing, we added grain and halation to make it feel even more authentic."   Read more on the creative process that brought this vision to life here 👉 https://lnkd.in/gXiSc9W4