Answers in Genesis’ Post

The project is based on the design of a Regional Museum. It is intended to be a space for recreation and culture for the Mexican citizen with the focus of offering a warm and dynamic tour where visitors enjoy having an experience of encounter with landscape design and regional culture through the exhibitions of the museum, the use of its green areas and distribution of buildings. Modeled in: SketchUp Rendered in: Chaos Enscape

FILM ARCHIVE MUSEUM | CONCEPTUAL DESIGN BY ME In a city where history and art converge, the Film Archival Museum stands as a stunning testament to architectural innovation. This unique museum preserves old films and art pieces, capturing the milestones and memories of the past. The design embodies a dual purpose: serving as a National Museum representing its geographical roots and as a Film Archive Museum safeguarding cinematic heritage. Inspired by the wavy shapes of film reels and the elegant gestures of the Hsinbyume Pagodas, the architects fused these elements into a harmonious design. This fusion created a structure with dual DNA, reflecting both the fluidity of time and the solidity of heritage. As a happy accident, the design also represents two timelines, blending the cinematic past with the present. The Film Archival Museum is more than a building; it is a living memory, a beautiful blend of time and place that invites visitors to celebrate and experience history and art in one breathtaking form.

FADA Gallery invites you to the exhibition titled,  IN/VISIBLE The 2024 Creative Output exhibition “In/Visible” offers a useful register with which to engage an array of current works by staff of the Faculty of Art, Design & Architecture (FADA). It’s generally taken for granted that the production, appreciation and dissemination of art – via channels such as books, galleries, museums and the internet – is primarily predicated on notions of the visible, the visual and the tangible. There’s nothing wrong with this assumption. Indeed, without multiplicities of visuality, the world of art would stand to lose a great deal. As important as the visible may be, the invisible is a critical and easily overlooked layer for the thinking and making of art and its attendant provocations.  

🏅 Did you know that architecture used to be an Olympic event? With the Olympics starting soon, we wanted to highlight this fascinating part of Olympic history. Until the middle of the 20th century, art competitions were held at the Olympics, awarding medals for achievements in architecture, music, and literature. This unique blend of athleticism and artistry showcased the diverse talents of participants and celebrated the cultural aspects of the games. Read more about this intriguing history and discover how art and architecture once stood proudly on the Olympic podium! https://lnkd.in/dekmifhi

Inside Out: Representing the Romantic Museum is a collaboration between Sophie Thomas, Rhys Juergenson, and Erin McCurdy of the Toronto Metropolitan University and York University Communication & Culture- Joint Graduate Program at Toronto Metropolitan University & York University The exhibition examines how #museum spaces were conceptualized and visually represented in two-dimensional media forms, drawing examples principally from metropolitan #London. Many of the museums of the late eighteenth and early nineteenth century no longer exist. However, prints and paintings, often reproduced in #gallery guides, #periodicals, and ephemera, are valuable sources of information about the objects that they contained: from oddities and marvels to natural history specimens and revered #artworks. Such images also document the arrangement of objects and the display strategies employed by collectors and museums, as well as the visual idioms—and aesthetic categories—they used to capture and ‘frame’ their interiors. The contents of collections, and the manner in which they were presented to the world, closely reflect predominant paradigms for the organization of knowledge, which were undergoing significant change in the #Romantic period. The exhibition explores how public institutions and independent #collectors, in both public and private exhibition spaces, represented natural history, human biology, emerging technologies, and #archaeological discoveries, and how these displays were, in turn, represented by #artists. https://lnkd.in/gDGumeFa

A beautiful application of restorative practices in the architecture space. Thinking of Designing Justice + Designing Spaces (https://lnkd.in/eDEZqTTd) as I read this.

🏛️ Heritage museum reconstruction project requirements are full of contradictions! 🔳 🔲 ⚫️ Design an appealing space - new space, new horizons ⚪️ Design a neutral space - the exhibit takes center stage ⚫️ Intervening - conteporary exhibitions demand contemporary spaces ⚪️ Not intervening - the curent structure are under strict protection! ⚫️ Expanding capacities for museum exhibits and storage ⚪️ Staying within the size limits - expansion is not possible due to heritage protection Finiding a solution means playing for "both teams". In the case of the project we are currently working on, the "circulation scheme" was one of many spacial studies that confirmed the plan is "working." ⬆➡⬇⬅ What challenges should we be prepared for? #MuseumReconstruction #DesignDilemmas #InnovativeSolutions

What better item to practice on but this icon of a calculator. The Braun calculator has become an icon of modern design, launching countless imitators over the decades and essentially establishing the design standard of a pocket calculator’s form. As a mark of its reputation, it can be found in the permanent collection of the Museum of Modern Art, New York. Spline #splinetool #spline3d #design #3ddesign #productdesign #productmodeling #websitedesign #figmsdesign #graphicdesign #duluthminnesota