Patrick Nebout 🇫🇷 🇸🇪 🇪🇺’s Post

The European Audiovisual Observatory analyses key trends at the #SeriesMania Forum On the occasion of a conference organised as part of the Series Mania Forum, the #EuropeanAudiovisualObservatory has unveiled its instructive and very detailed Yearbook 2023/2024 - Key trends report on the Pan-European landscape that includes television, cinema, video, and video-on-demand services. A few elements were highlighted, such as the fact that the still impressive rise in the number of series produced (873 of which feature fewer than 13 episodes in 2022, against 775 the year before) comes with a shortening of their duration. This growing interest in shorter formats takes place in an environment marked by a decrease in series production last year in the United States, and it is difficult for now to know whether that is a result of the strikes of 2023 alone, or the sign of a potential reversal in the market that could spread to Europe. https://lnkd.in/dH7uwV6J

In today's TV, Film, & Media Industry News Roundup for Thursday, 7 March 2024, the UK Government introduced a 40% indie movie tax relief to bolster local production. BBC Studios secured a substantial debt facility to amplify its investment in programming. Executive movements, including Imagine Entertainment's appointment of Jeb Brody and Ravi Ahuja's role at Sony Pictures, signal a reshuffling of creative leadership. Initiatives like Foxtel's Video Futures Collective and IAG's partnership with Covenant House emphasise collaboration and philanthropy. The closure of Rooster Teeth underlines the dynamic interplay between innovation and tradition. Amidst these changes, new projects, adaptations, and the ever-evolving strategies of streaming giants like Apple and Netflix offer a glimpse into the future of storytelling and distribution.

When we first talk to filmmakers and producers, they often wonder what it is that we really do.... Then, once we tell them (basically, we get your project distributed EVERYWHERE) the skepticism kicks in.... Then, if we cross that hurdle, they are adamant that they don't pay for distribution, despite having none, and paying every single other person that worked on the films, editors, actors, and lighting, but there is a hard line at paying for the one thing that can get them distributed and earning money. 🤷♀️ So let's talk about some "true facts" and the results of what is possible when producers become a BINGE client. Dogsville was a single-title film that became a BINGE client a few months back. Immediately, we built out their channel on our platform, giving them distribution on: Apple TV, Roku Amazon Fire, iOS and Googleplay Then our licensing team got busy running the film through the QC process and pitching to all of the big streaming networks. Within a few weeks, we got them licensed to: Tubi , Amazon Prime Video, Stash Free Documentaries on YouTube, Apple TV +, hoopla Digital, Buddi, Kanopy, Future Today, OTT Studios. We then negotiated a licensing deal for DVD distribution for both national and international markets, with Midwest Tape and Allied Vaughn. Not a bad first quarter as a client, wouldn't you say? We are so proud of Rosvita Dransfeld from IDProductsource and thrilled to continue to find placements. Curious about what may be possible for your project? Drop us a DM and we can let you know. #licensing #distribution #streaming #filmmakers

Across theatrical, broadcast and streaming, digital, audio, and social, marketers have an an opportunity to partner with world-class creators and producers to develop and produce content that entertains and inspires, and that authentically distils and shares their message, values and purpose. As the markets shifts from interruption to entertainment, and inspiration to action, we'll hopefully hear less "make the logo better" and more "make the story better". Or as Michael Sugar tells brand owners... “You put your names on stadiums, but you don’t tell the teams that play which plays to run or what uniforms to wear; you put your logo on a race car, but you don’t tell the driver which way to turn; and you put your logo on a jersey, but you don’t tell the players [how to play]. Why not put your name on another form of entertainment?”

The Film Industry Isn’t Dying—We’re in a Renaissance Just like the French New Wave, which was born from rebel filmmakers who were shut out of studios operations, we are witnessing a similar shift in the industry today. Many claim the film industry is dying, pointing to the financial struggles of streaming platforms and the decline of traditional cinema revenue. However, many see it differently. This transformation is reminiscent of the Hollywood Renaissance, eras that redefined cinema by shifting power to independent filmmakers. A recent article on the economics of streaming highlights the challenges facing major studios and platforms (https://lnkd.in/gPQDk8aQ). But rather than signaling the industry's demise, these challenges are paving the way for a new era of innovation and creativity. Independent filmmakers, who create genuine stories instead of rinse-and-repeat formulas, are now more connected to their audiences than ever before. With unprecedented access to affordable technology and distribution channels, they can tell unique stories that resonate on a global scale. This democratization of film production is fostering a vibrant ecosystem where diverse voices and fresh perspectives can thrive. The industry isn't dying; it's evolving. We're witnessing a shift that empowers creatives outside the traditional studio system, echoing the revolutionary spirit of past cinematic movements. The future of film lies in the hands of the storytellers. #FilmIndustry #IndependentFilm #CinemaRevolution #StreamingEconomics #CreativeInnovation

"EU plan to ban geoblocking will lead to dull content, warn film-makers Allowing streaming between borders will result in films ‘aiming for lowest common denominator of human experience’ Prominent filmmakers have warned against a move that could make European public broadcasters’ streaming offerings accessible from anywhere within the EU, predicting that it would unravel the industry’s business model and lead to “dull films aiming for the lowest common denominator”. In a drive to deepen the EU’s digital single market, the European parliament will on Tuesday vote on whether to ask the commission to look into banning film and TV platforms from using “unjustified” geoblocking, technology that is used to restrict access to internet content based on location". #Vote4Culture https://lnkd.in/e2Kj9KF7

Hard data from Nielsen on the evolving TV viewer patterns. #intellectualproperty #intellectualpropertyrights #intellectualpropertylaw #intellectualpropertyprotection #artificialntelligence #aicontent #aicontentcreation #streaming #streamingtv #streamingvideo #covalentmediasystems #covalent https://lnkd.in/eUebc_cu

COVID-19 has brought about significant changes in the film industry, some of which may be here to stay. According to Looper, the pandemic has accelerated the industry's shift towards streaming services, with studios releasing new films online and bypassing theaters altogether. This change has impacted how audiences consume content and how movies are monetized, affecting everything from box office receipts to actor salaries. To comply with health regulations, the industry has also seen innovations in production techniques, such as virtual production technologies, which have allowed for safer, more controlled environments. The financial strain has also led to a reevaluation of budgets, with a noticeable shift towards smaller, less risky projects. As the film world navigates these changes, the traditional cinema model is being reimagined, suggesting a future where flexibility and digital integration are key. The pandemic has heightened the call for greater flexibility in work arrangements, reshaping labor relations in the industry. What do you think about the future of cinema and the film industry? Please share your thoughts in the comments below. #FilmIndustry #CinemaEvolution #StreamingRevolution #PINCommunityAdvocate

'Little Mermaid' tops the digital charts (TVOD and EST) this week, according to Vudu. #homentertainment #Vudu #Fandango #digitalmovies #streaming #MediaPlayNews