Review: For ‘Molly Sweeney,’ Not Seeing Was Never the Obstacle
The Irish Rep ends its season-long Brian Friel survey with the story of a blind woman who undergoes an operation to try to restore her sight.
By Naveen Kumar
The Irish Rep ends its season-long Brian Friel survey with the story of a blind woman who undergoes an operation to try to restore her sight.
By Naveen Kumar
How do you bring an almost plotless book of elliptical fragments to the stage? The director Katie Mitchell has tried with three actors, four screens and three bottles of whiskey.
By Houman Barekat
Raja Feather Kelly makes his playwriting debut with a spellbinding story of three generations of Black men at Soho Rep.
By Brittani Samuel
In José Rivera’s latest play, a Puerto Rican family moves to Long Island in 1960, contending both with Hurricane Donna and their neighbors’ hostility.
By Juan A. Ramírez
A production at the Shakespeare’s Globe theater faced criticism because a nondisabled actor plays the scheming king. But disputes like these miss the point, our critic writes.
By Houman Barekat
T. Adamson’s new comedy, which opens Clubbed Thumb’s popular Summerworks series at the Wild Project, is about a group of worked-up Franciscan friars.
By Elisabeth Vincentelli
A hit at Edinburgh Fringe last year, Julia Masli’s show arrives at SoHo Playhouse for its New York debut.
By Elisabeth Vincentelli
Lauren Patten and Taylor Iman Jones star in an achingly romantic, softly sexy new musical by Rachel Bonds and Zoe Sarnak.
By Laura Collins-Hughes
It’s open mic at the post-pandemic cocktail bar where Dave Malloy’s hypnotic triptych of monodramas takes place.
By Jesse Green
While poking fun at her own agreeable malleability, Benanti flexes her talents in a show that will be available on Audible, without the physical dimension.
By Elisabeth Vincentelli
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