This study examines the historiography of early Islam by assessing the reliability of Qurʾānic exegeses as sources documenting the early history of Islam and the biography of the Prophet Muḥammad in Mecca. Focusing on Qurʾānic exegetical practices from late antiquity to the medieval period, this article argues that there is a significant discontinuity in how Qurʾānic exegeses align with the historical context of the Qur'an, especially in relation to Meccan sūras such as Q 107. Significantly, this challenges the continuity of tradition, the fundamental concept upon which the “Islamic sciences” are based. This discontinuity is herein revealed through a historical-critical analysis of the exegesis of Q 107:4 that demonstrates how Qurʾānic exegetical practices have reinterpreted and reshaped early Islamic history in response to the pressures of new identity formation and made Qurʾānic exegeses more reflective of the social and political contexts of the exegetes than of the historical milieu of the Qurʾān itself. This analysis contributes to the ongoing discussion of the role exegesis played in reshaping the history of Islam. Indeed, it emphasises the importance of critically evaluating these sources in order to uncover a more nuanced historical narrative of early Islam.

Some philosophers of physics have addressed criticisms of the so-called Received View (RV) of non-individual quantum objects, also called the orthodox view. Dennis Dieks made a very good resume of these criticisms in [1] and Tomasz Bigaj in [2] has a more detailed account. In considering (mainly) these works and with some additional mentions, we hope to dissipate some misunderstandings about the RV and clarify what is happening with such a view. According to Dieks, the RV doesn’t fit the practice of physics since in some situations the physicist assumes that quantum objects can be treated individually, imitating standard objects (individuals) of classical physics. Dieks also proposes an Alternative View (AV), generally called the heterodox view, which would give a view of the fundamental ontology of quantum physics and which would be more by the way physicists usually proceed. In my view, the AV cannot be viewed as the fundamental ontological theory despite being suitable for practical purposes. Furthermore, we think that it does not conflate the RV, but is complementary to it, substituting it when quantum objects are sufficiently apart and can be treated in conformity with the classical way. From our point of view, in the practice of physics, we can adopt AV. Still, the RV is more adequate when we are looking for logical and foundational analyses, at least when the supposed metaphysics comprises non-individuals.

This is a test paper, please ignore it. ab

The Qingyang sachet is a traditional handcraft that originates from Qingyang City in Gansu Province. We have observed the resurgence of the Qingyang sachet handcraft known as "Qingyang sachet embroidery". How does this revival demonstrate the incorporation of traditional handicrafts and the principles of sustainable development? The objective of this study is to investigate the possibilities and difficulties associated with the sustainable development of the traditional handcraft known as "Qingyang Sachet". This study utilizes a research approach that combines literature review and field investigation to thoroughly analyze domestic literature on sachet research and traditional handicrafts in international journals. The objective is to examine the cultural inheritance, traditional handicrafts, and sustainable development of Qingyang sachets. Perform a thorough evaluation. Through extensive investigation of both domestic and international literature, it was found that the Qingyang sachet is a traditional craft deeply embedded in the local culture. This craft holds significant historical significance and serves as a symbol of the local community's heritage and emotional expression. The aim of this study is to consolidate the various literature advantages of the traditional handicraft of Qingyang sachet in relation to sustainable development. It also proposes recommendations for future research and implementation of Qingyang sachet, and offers a framework for the sustainable development of other traditional handicrafts.

To promote of the rural revitalization strategy in China, this study attempts to summarize the gains and losses by the review of the design practice of rural buildings of the People's Commune in the late 1950s. Firstly, from the macro perspective, this paper gleans the relevant commune housing design cases in the Architectural Journal from 1958 to 1960 and summarizes the overall common design policies. Secondly, from the micro perspective, the paper analyzes the process of the investigation and creation through a concrete case. The paper concludes that the actual production and living needs of farmers must be taken into consideration in the process of the implementation of rural modernization, instead of simply putting the focus on standardized construction. Finally, the article points out the two characteristics of "rural modernity" reflected in the process of promoting rural modernization during the early stage of modern China: 1) collective wisdom and efforts; 2) combining local and foreign cultures. This article aims to provide a historical reference for current architects to carry out effective design practices in combination with rural development.

This research has its focus on the African Igbo people of Southeast Nigeria. In all the manifestations of culture across the globe, there exist practices which celebrate life circle transitions especially from birth until the termination of human life. One of such practices is the rite of passage. 'Ibe-ugwu' (circumcision) is a rite of passage observed among the Ukawu people of Ebonyi State, Southeast Nigeria. The rites and rituals have their main focus on preparing and equipping the female adolescents of Ukawu (Igbo) community to assume the roles of wives, mothers, and women in the society, ready to make their own contributions towards the development of the community, family and by extension the global community. It is the contention of this work, that the continued neglect of such cultural heritage is one of the major reasons for seeming African Igbo loss of identity, moral decadence and social vices amongst her youths today. The work advocates for a revival of such African Igbo cultural heritage. This research makes use of documented, observation and interview methods of data gathering while deploying the sociological (structural functionalist) approach in its data analysis.

The essence of the sutta that is often stated as the heart sutta or the prajna-paramita, is the wisdom related to the absolute truth or the paramartha, that is experienced in the heart. It is referred to as the foundation stone of the Mahayana Buddhist teachings but in a grander aspect of the nature, truth can neither be labeled as buddhist or hindu or islamic or christian or sikh or tao or zen or parsi or quantum or social etc. When one meditates the identifications dissolve. It would be wrong for anyone to say that she/he would be a buddhist when her/his individuality is lost in emptiness during meditation. What remains is awareness and in awareness, all grasping and feverishness is lost. This knowledge which makes one transcend into the realms of Buddhahood or completely liberated state is revered as goddess also and given a name Bhagavati. So the mother of all Buddhas or the completely liberated ones is nothing but the absolute truth that is encased in the prajna-paramita-sutta. One is raising the female aspect of nature on a higher citadel and terming it as the mother of all Buddhas. Experiencing the absolute truth in heart takes time but it is packed into a verbalized contorted form of a few words. The sutta tries to capture the un-captured absolute and gives a way to explore the deeper realms of the truth at an experiential level. Note that both the former Buddha and the bodhisattva-mahasattva enter into emptiness, experience the knowledge in their entire mind-body complex and after the experience Siddhartha raises Avalokiteshvara to a higher platform and asks him to impart the experienced knowledge in a few words. After the teaching finishes, the Buddha puts a seal on what the bodhisattva has taught by saying "Well done! This is how it should be taught." One has experienced knowledge but one needs a seal of confirmation. The relevance of this knowledge is inexplicable given the magnanimity of conflicts and clashes that happen in the mind body complex pertaining to the spiritual journey one takes. The knowledge is of immense value to those who have experienced deep conflicting issues in their hearts, that have perturbed them regarding the subtle aspects of a spiritual journey. Prajna-paramita-sutta aims to assuage the deeper issues that troubles the heart of a spiritual seeker and makes the path easy enough to reach the goal. The Heart sutra contains the Mahasattipatthan sutra.

This study investigates the emerging applications of Artificial Intelligence (AI) in strategic management and its impact on organizational decision-making processes. As AI technology rapidly advances, it has become a crucial component in redefining organizational strategies. According to a global survey by the Boston Consulting Group, over 60% of executives believe that AI can significantly improve key performance indicators and enhance opportunities for strategic differentiation and sustainable competitive advantages. Using a descriptive-survey methodology and questionnaire-based data collection, this research examines the influence of AI on strategic decision-making in large organizations. The statistical population comprises senior managers across various industries, with sampling conducted through convenience sampling. Data analysis was performed using SMART-PLS software, revealing significant improvements in strategic decision-making processes through AI implementation. The study demonstrates that AI, by analyzing complex data sets and identifying hidden patterns, assists managers in making more optimal decisions. Furthermore, AI's predictive analytics capabilities contribute to enhanced strategic planning and risk mitigation in decision-making processes. The research findings indicate a statistically significant positive correlation (r = 0.72, p < 0.001) between AI adoption and the quality of strategic decisions. This paper concludes by proposing that organizations should leverage AI as a tool to strengthen their organizational strategies, while emphasizing the importance of ethical considerations and human oversight. The implications of this research extend to both academic and practical domains, offering insights into the integration of AI in strategic management processes and its potential to revolutionize organizational decision-making paradigms.

In the contribution, through literary content analysis, we present the results of the analysis of the publication The Boy From Block 66: A WW2 Jewish Holocaust Survival True Story (2023). We are convinced that this book can be included in the teaching of Literary Education at various levels of education, especially at the level of application of the historical and integrative approach of introducing students to the literary themes of the Shoah. For two excerpts from this publication, we present several questions and tasks, the aim of which is to guide pupils to an adequate internalization of the tone of the events of the Shoah. We are convinced that (not only) this publication is an adequate narrative in which the events that connote the Shoah are presented authentically and in an attractive way for young readers, and whose presentation in this publication leads to a certain de-abstracting of them.

This study aims to explore the phenomenon of hadith distortion in hadith literature and analyze its impact on contemporary hadith studies. The intended hadith distortion here refers to the alteration or falsification of hadith narratives that can threaten the integrity and authenticity of sacred texts as sources of Islamic teaching. This article identifies the factors contributing to hadith distortion and its serious consequences in contemporary hadith studies.

Purpose: This study investigates the influence of human brands on the formation of Generation Z's digital identity. Given the increasing importance of the digital space in this generation's life, understanding how their identity is shaped by human brands in this environment is crucial. Method: Using a netnographic approach, qualitative data was collected and analyzed from 500 posts and interactions of Gen Z users on Instagram and TikTok platforms. Thematic content analysis was conducted using NVivo 12 software, with inter-coder reliability confirmed (κ = 0.85). Findings: Results indicate that human brands influence Gen Z's digital identity through three main mechanisms: 1) lifestyle emulation (β = 0.42, p < 0.001), 2) value alignment (β = 0.38, p < 0.001), and 3) self-presentation modeling (β = 0.35, p < 0.01). Multiple regression analysis showed these three factors explain 67\% of the variance in digital identity formation (R² = 0.67, F(3,496) = 335.42, p < 0.001). Conclusion: This study demonstrates that human brands play a significant role in shaping Generation Z's digital identity. Understanding this influence can help marketers and policymakers design more effective strategies for engaging with this generation.

As a pioneering transdisciplinary field, innovationology transcends the traditional boundaries of academic disciplines and development practices to address persistent global challenges. This article provides a comprehensive exploration of innovationology, delving deep into its philosophical foundations, ontological commitments, and ethical imperatives. By unpacking the core tenets of this innovative approach, the paper positions it as a robust and holistic science capable of catalyzing transformative innovation and sustainable development worldwide. Innovationology represents a paradigm shift that moves beyond conventional innovation and development theories, embracing a systems-oriented, community-centric, and decolonial praxis. Drawing on a synthesis of theoretical perspectives and empirical insights, the article examines innovationology's ontological commitment to marginalized communities as active agents of change, its epistemological grounding in pluralistic knowledge systems, and its ethical imperatives of social justice, environmental sustainability, and inclusive innovation. This in-depth analysis strengthens the conceptual and theoretical foundations of innovationology, providing critical guidance for its practical implementation and continued refinement as a cutting-edge transdisciplinary science for global transformation.

Maria Valtorta (MV) (1897–1961) – an Italian mystic who claimed to have visions of Jesus’s life – describes Jesus’ crucifixion with many details from which significant data can be retrieved. My investigation based on these data and the topography of northwest Jerusalem in the I century AD, shows that Jesus’ crucifixion place, Golgotha (the “skull”), is neither at the Holy Sepulchre nor in the Garden Tomb area. The paved road to Golgotha she accurately describes arrives at its top with the minimum mean route gradient; its half way defines two distinct tracts with same height and same walking time but different mean route gradient; at half way Jesus is allowed to walk to the top in a spiral country road less steep than the second tract. The paved road leads to a place where few years after Jesus’ crucifixion the Psephinus Tower, described by Flavius Josephus, was erected, in the area known today as the Russian Compound. In conclusion, the Golgotha reveiled by MV’s writings was located at the same site of the Psephinus Tower.

Theories about consciousness—what it is/is not; who does/does not possess it; included/excluded functional modes; how/when it appears to be operational—are regularly published in books and articles. This essay opines that while many, if not most, of those speculations contain elements properly subsumed within a comprehensive doctrine, none satisfactorily fulfills its subject’s immense scope. Consciousness = Metaphysics + Physics + Biology is intended to rectify the situation by providing omitted components. As the title states, this is a wide-ranging approach neglecting many relevant details found in cited references, but also including ideas not found elsewhere in the easily accessible literature.

Background: Due to the importance of Avicenna in the history of philosophy and his special views and ideas, the views of this philosopher have always been examined by scholars and researchers. This is why many researchers have been published in connection with Avicenna's philosophy. Thereby, the comprehensive study in relation to the review of previous studies about philosophy of Avicenna is important. Methods: The Web of Science Core Collection has been used to review documents, and the data has been analyzed in VOSviewer. Results: Based on the findings in the WoS and also the maps made by VOSviewer, Types of documents, languages, documents per year, countries, journals, authors, citations, and keywords were analyzed, and based on these data and analysis the limitations of studies are realized.

It is a fact, that the varying definitions and perspectives on thinking among scientists, emphasizing the influence of theoretical foundations and practical experiences on individual mental processes, would equally highligh the importance of mathematics in developing thinking skills by fostering connections between ideas, organizing information, and encouraging students to record problem-solving strategies. The professional development of mathematics teachers aims to enhance students' thinking abilities by focusing on skills such as problem-solving, abstraction, generalization, and divergent thinking. The use of puzzles and games in education to enhance students' mathematical thinking and problem-solving skills, as a significant indicator on how puzzles and games can engage students in critical thinking, logical reasoning, and creative problem-solving, leading to a deeper understanding of mathematical concepts. By incorporating educational games into teaching, educators can create a fun and interactive learning environment that promotes cognitive, emotional, and psychomotor development in students. On a different note, the potential negative behaviors that can arise from games, such as fraud and deception, when the focus shifts away from educational goals, could be prevented to ensure that games are not solely recreational, do not overly emphasize winning or losing, align with social values, and are understood by students as purposeful educational activities. Additionally, fostering self-efficacy beliefs among students can enhance their persistence and success in achieving goals, as demonstrated in studies using game-based learning environments to improve mathematical skills and motivation. The current exposition showcases the significance of employing puzzles to revolutionize both theory and practice of teaching mathematics. Most potentially, some emerging open problems are provided. The paper ends with some concluding remarks combined with futuristic research pathways.

The increasing activism of moderate Muslim groups in promoting religious moderation and countering radicalism has garnered significant scholarly attention. However, there remains a paucity of comprehensive studies exploring the role of education grounded in local cultural practices, such as humor, in this context. This article aims to analyze the utilization of humor-based platforms on social media by moderate Muslim organizations to advance religious moderation and reinforce the portrayal of a tolerant and peaceful Indonesian Islam in virtual public spaces. It argues that humor functions not merely as a vehicle for entertainment but as an effective educational tool capable of de-escalating tensions and conflicts without inciting violence, by employing humorous language. This study employs Virtual Ethnography to observe the online activism of the "Nahdlatul Ulama (NU) Garis Lucu" and "Muhammadiyah Garis Lucu" platforms, particularly in their engagements with similar humor platforms operated by radical Islamic groups. The findings reveal that humor platforms can effectively disseminate discourses on religious moderation while also providing a critique of the religious narratives propagated by radical groups through the use of memes that are both humorous and respectful. Moreover, these platforms have evolved into deliberative public spaces where diverse religious groups can engage in dialogue over various contemporary religious issues. The emergence of these humor platforms has successfully contributed to the representation of Indonesian Islam as witty, inclusive, and fundamentally opposed to radicalism.

Our article AI, cultural heritage and bias examines the challenges and potential solutions for using machine learning to interpret and classify human memory and cultural heritage artifacts. We argue that bias is inherent in cultural heritage collections (CHCs) and their digital versions, and that AI pipelines may amplify this bias. We hypothesise that effective AI methods require vast, well-annotated datasets with structured metadata, which CHCs often lack due to diverse digitisation practices and limited interconnectivity. The paper discusses the definition of bias in CHCs and other datasets, exploring how it stems from training data and insufficient humanities expertise in generative platforms. We conclude that scholarship, guidelines, and policies on AI and CHCs should address bias as both inherent and augmented by AI technologies. We recommend implementing bias mitigation techniques throughout the process, from collection to curation, to support meaningful curation, embrace diversity, and cater to future heritage audiences.

In a world filled with uncertainties, Ebb&Flow emerged as a story of convergence, intertwining dementia research, caregiving, and artistic exploration into a tripartite creative knowledge exchange. This study delves into the complexities of uncertainty in dementia care and research through a collaborative project involving artists, researchers, carers, and individuals with lived experience of dementia. Initiated by the Trellis:Arbor program, Ebb&Flow sought to co-created a human space addressing the multifaceted nature of uncertainty. The sea, with its unpredictable nature, served as a guiding metaphor for the project, reflecting the unpredictability of dementia and life. Over three months, through paintings, writings, and digital mediums, participants documented the changing emotions, challenges, and discoveries they encountered daily. The project fostered an environment where uncertainties were openly discussed, building supportive and resilient communities through participatory co-creation and methodological exchange. Key activities included a digital logbook, allowing participants to document and share their experiences of uncertainty, and the creation of the Ebb&Flow card deck—a compilation of personal stories and insights that serve as a legacy of shared experiences. Each card facilitated dialogue, understanding, and connection, bridging gaps between those affected by dementia and the broader community. The project culminated in a final exhibition and sharing event, where participants, researchers, and the public celebrated the journey's outcomes through stories and artworks. Throughout this journey, we observed that embracing uncertainty and fostering empathy through creative collaboration profoundly impacted participants, enhancing empathy and resilience. This project underscores the transformative potential of integrating artistic practices with scientific research to address the emotional and psychological burdens of dementia and research environments. Ebb&Flow demonstrates that even in the face of the unknown, a united community can find strength, solace, and understanding, highlighting the power and beauty of unity in exploring and expressing the multifaceted experiences of dementia and life.

This article introduces a new interpretation to Socialism that approaches it via a heuristic study of Epochs. It is intended by this study that the intention of socialism (what it politically, socially, et cetera is proclaimed to be) is to be proposed to be indeterminate.The expectation of what Socialism is to be as a future entity is merely an interpretation that is predicated on Marx’s Capitalist Laws that have been since shown to be false. Its argument is suggested significantly by Engels’ discussions of human development and therein places an added focus on a historically based platform.

In the last few decades, we have witnessed an unprecedented transformation in the way information is created, disseminated, and consumed. The advent of the digital age has revolutionized not only our access to information but also the very fabric of our social, political, and cultural lives. Digital media, a term encompassing everything from online news portals and social media platforms to streaming services and mobile applications, now forms an integral part of the daily lives of billions of individuals worldwide.

The object of this research project is the investigation of the forgotten landscape of transhumance in mainland Greece, focusing on areas abandoned by modern society and their historical passage. The objective is to revive these lands by restoring their cultural heritage and creating a sustainable community that balances the needs of people, livestock, and the environment. The investigation employs a dual approach: studying transhumance as a cultural and natural practice and analyzing anonymous architecture to preserve collective memory. This involves extensive historical research and a simultaneous analysis of spatial, social, symbolic, and architectural elements. The study identifies convergence points between cultural practices and architectural heritage, applying these insights to modern redevelopment scenarios. Findings reveal a significant interplay between transhumance practices and the region’s anonymous architecture. Key characteristics of the landscape and its spatial identity are documented, providing insights into effective preservation and redevelopment strategies. Specific case studies validate these strategies, demonstrating their relevance to current and future efforts. The study concludes that understanding the historical context and spatial identity of transhumance landscapes is crucial for sustainable redevelopment. By preserving cultural practices and architectural heritage, this project offers a framework for revitalizing these forgotten landscapes, ensuring balanced coexistence of people, livestock, and the environment.

This study x-rays the philosophical meanings, interpretations, and intersections of death and wealth in Igbo cosmology. Using such tools as oral interviews, ethnography and participant observations, the researcher extracted data from both primary and secondary sources to clarify some misconceptions surrounding wealth and death in Igbo religious and philosophical thought. This research is timely because amidst a growing literature on the Igbo people and culture, discourses on the complementarity and convergence of good death and wealth have lacked attention over the years. This work fills this gap through the application of hermeneutic approach which enabled an informed conclusion that the Igbo recognise two categories of death: the bad death and the good death. While The bad death is abhorred and avoided, the good death is the expectation of every Igbo human person as it is a strong component of wealth. The findings provide a better understanding of African Igbo culture, death, wealth, and the meanings they attach to life which is equally important for a harmonious relationship and a stable social order. The paper calls for a reexamination of the narratives surrounding peripheral interpretations given to this aspect of Igbo culture. It further contributed to the growing volumes of literature on Igbo history, indigenous philosophy, and religion, among others.

In 1944 the architect Antonio Gómez Davó designed and built a new house for Mr. Ferrer at Rocafort in the suburbs of Valencia (Spain). In this same year, Europe, America, Russia and even Japan were still at war and Spain was only recovering from its own intestine conflict. Therefore, architectural innovations and influences were scarce as was the circulation of specialized journals on the matter. But in many creations, like the ceramic vaults and the brise-soleil, Le Corbusier himself had declared his profound nostalgia from the Mediterranean, a Sea that he had come to appreciate in his travels to the “orient”. In the case of Gómez Davó, having been born and raised in a prominent family of Valencia he could not remain indifferent to the design features that appeared in the vernacular architecture of the area, specially the type of inclined louvers of Arabic descent, that covered bow-windows and balconies and which have come to be known in Spain as the Majorcan louvers; nowadays even employed by Rafael Moneo for instance at the extension of the Painter Miro Foundation. However, with so many difficult circumstances surrounding him, Gómez Davó could not get to the point of producing a ground breaking design based on solar assumptions for the whole façade of the building, instead when providing an entrance porch apt for spending life, meals and well deserved rest hours outdoors in the pure Mediterranean tradition, he ventured to construct a surprising perforated wall oriented to the South in order to control radiation in winter and provide shade in the summer while affording excellent light and superb conditions of ventilation. By means of our own devised simulation tools we have analyzed the conditions of the house and especially of such innovative brise-soleil at times reminiscent of Alvar Aalto solutions for day-lit roofs, which he was aware intuitively and by his own incipient study of solar geometry, that needed adaptation from so distant latitudes as Finland and Valencia. By outlining such unknown and bold precedent we contribute to revitalize the early and daring pioneers of solar architecture in peripheral Spain and Europe, at the birth of critic regionalism, a fact often disregarded in conventional history of Modern Architecture.

Art's unique style and creativity are essential in defining a work's identity, conveying emotions, and shaping audience perception. Recent advancements in diffusion models have revolutionized art design, animation, and gaming, particularly in generating original artwork and visual identities. However, traditional creative processes face challenges such as slow innovation, high costs, and limited scalability. Consequently, deep learning has emerged as a promising solution for enhancing painting-style creative design. In this paper, we present the Painting-Style Design Assistant Network (PDANet), a groundbreaking network architecture designed for advanced style transformation. Our work is supported by the Painting-42 dataset, a meticulously curated collection of 4,055 artworks from 42 illustrious Chinese painters, capturing the aesthetic nuances of Chinese painting and offering invaluable design references. Additionally, we introduce a lightweight Identity-Net, designed to enhance large-scale text-to-image (T2I) models by aligning internal knowledge with external control signals. This innovative Identity-Net seamlessly integrates image prompts into the U-Net encoder, enabling the generation of diverse and consistent images. Through extensive quantitative and qualitative evaluations, our approach has demonstrated superior performance compared to existing methods, producing high-quality, versatile content with broad applicability across various creative domains. Our work not only advances the field of AI-driven art but also offers a new paradigm for the future of creative design.

Many children who live in the interior and mountainous areas of Papua-Indonesia do not get the right of education. This research aims to formulate a theoretical concept of boarding school-based character education by implementing Papuan cultural contextual education in the process of education. The method used is a qualitative method with a grounded theory approach. The research participants were 14 people. Data were collected through semi-structured interviews and textual analysis of the interview results. The data analysis technique uses the Atlas.ti application by using three levels of coding: open coding, axial coding, and selective coding. The research results show that there are six main concepts as a model of boarding school character education: personal development, spiritual development, extracurricular activities, clean and healthy lifestyles, learning from inspirational figures, and academic development. These six theoretical concepts can be divided into internal and external character building. One of the uniqueness of character education is the integration of local cultural values in the whole process of character education of the children, both in the school environment and in the dormitory. The results of the study provide insights for educators, schools, and government on different forms of character education models.

This article considers the status of Jungian archetypes as potentially divergent bodies. It possesses the initiative to consider the prerogative that they are situated on, and to develop that into discussing the conditions for a differing subjective reality that is derived from Jungian pretenses. This article operates within the boundaries of the conjecture, it serves simply to cover the potentiality for developments outside of the simple basis of the archetype rather than to provide a metaphysical or ontological contribution to psychology. Unlike Jung’s study, which serves a multitude of ideas and draws upon evidential factors from - however generally expressed - ancient civilisations, this article instead seeks to apply that logic for the purpose of explicating the meaning and potential extensions of the “archetypal dogma”.

The purpose of this research is to find out the mediation role of employees’ brand knowledge between organizational citizenship behavior and employees behavior in hotels. Quantitative approach used in this research, and 204 online questionnaire used to collect the data from three, four, and five, hotel employees in Jordan. The findings proposed that there is a positive mediation role of employees’ brand knowledge between organizational citizenship behavior and employees’ behavior in hotels. Moreover, findings approved that organizational citizenship behavior has a positive effect on employees’ behavior and its dimensions, helping behavior, in-role performance, and creative behavior. On the other hand, organizational citizenship behavior proposed a negative effect on employees’ deviant behavior. The value and the originality of this research is to provide deep understanding and practical implications to the hotel managements and sector on how the employees in the hotels may behave and affected by their organizational citizenship behavior.

Since ancient times, music has been instrumental in giving life to the stories we build our identities and cultures around. Music perpetuates myth by storytelling, retelling and updating old stories, and creating new ones. Many musicals, such as The Phantom of the Opera, Les Miserables, Wicked, and Hamilton, have been based on novels or epic poems. I will examine adaptations on a smaller scale, of rock songs based on novels, poems, and/or myths, and look at how, in our time, music creates myth by creating its own heroes and heroines through capital and the star system. In traditional literary and cultural analysis, a distinction was drawn between the natural and the supernatural when discussing literary mythology (Frye, 1957); in the twentieth century, an equivalent distinction was made in works of art that, in Baudrillard’s terminology, make use of the realms of the real and the “hyperreal” (1981). In today’s mythmaking, the supernatural has been largely replaced by the technological, and recent developments blur the line between science fiction and fantasy; tech has become megalotech. Examples can be seen in a number of recent and current songs, as well as films and television shows about music, musicians, and the music business.

Science seeks to explicate truths about our reality. But what is truth? How do we know things? Given our ignorance, and our fallibility, why should scientists be trusted? A theory of knowledge that addresses these human questions is sketched, in conversation with recent advances in thermodynamics which underline the seminal importance of unity by demonstrating (i) a definite physical meaning of the idea of “unitary entity”, (ii) the commensurability of the local and the non-local (resolving the Loschmidt Paradox), and (iii) the applicability of this entropic physics to entities at all scales, whether small (“quantum mechanical”) or large (subject to “general relativity”). Similarly, integrity is indispensable to the scientific enterprise, whether at the level of the mathematico-physical, the practising scientist, the scientific community, or the public. As a human activity aimed at touching reality, it is fundamental that the scientific enterprise necessarily also has an irreducibly poetic component. Although in principle it cannot be completely specified, this enterprise is a cluster of procedures designed to increase our understanding of the natural world. Our apprehension of knowledge is irreducibly personal, depending both on our own individual integrity as well as on the integrity of the scientific community. Believing that “reality” exists and can be grasped (however incompletely), scientists look for coherence and value unified accounts. Strictly speaking, although reality can be known truly (if only in part) the idea of “objective” knowledge is an oxymoron, even if such an idea is often a useful approximation. Knowledge is necessarily personal.

This research delves into the evolution of architectural styles throughout the 20th century, examining the transition from traditional to modern architecture. The study aims to identify the key factors influencing this transformation and analyze the impact of modernist principles on architectural design and practice. Employing a historical and analytical methodology, the research investigates the works of influential architects and the role of technological advancements. Key findings reveal that a confluence of cultural, technological, and socioeconomic forces drove the shift towards modernism, which focused on functionality, form, and innovation. The research concludes that the modernist movement fundamentally reshaped the built environment, leaving a lasting legacy on contemporary architectural discourse. It is recommended that future studies explore the long-term implications of modernism on urban planning and sustainability, as well as the potential for a synthesis between traditional and contemporary architectural approaches.

The understanding of the ‘I-Thou’ relationship is the recognition that there is a relation between one and another in the world of human being. Each individual is an entity that carries a great deal of dignity and the good appropriation of this dignity fosters a great interpersonal relationship. For there to be any peace-relation among beings, a way to human enquiry and understanding of common good and advancement, there is a need for unbiasness. In Robert Kane’s view, it is through a positive I-Thou peace-relation which is achievable through ‘openness’ that human beings sustain the moral sphere, and avoid breaking it. It will help them to arrive at truth and a way forward to any debatable issue among human beings. Openness is a form of respect for another even in the face of divided or different opinions. Hence, in any deliberation of any sort, one has to take the part of Openness by limiting narrowness of vision and choose to respect every other point of view and way of life. This will help to foster the ideal I-Thou or inter-human beings’ peace-relation in the face of obstacles and conflicts. However, he seems to take for granted the uniqueness or difference in human thinking patterns and so he creates back the problem which he sets out to resolve by not giving a stand on what truth is and how human beings can get to it when openness fails. Adopting expository and analytic methods, the research argues that Kane’s idea of Openness appears to be a solution to sustain harmony among human beings.

The construction industry is a cornerstone of Nigeria's economic growth, yet it faces significant hurdles, particularly from governmental constraints. This research aims to (1) identify the primary governmental constraints impacting the Nigerian construction sector and (2) evaluate the effectiveness of existing government interventions in addressing these challenges. Employing a comprehensive literature review, this study analyzes regulatory frameworks, bureaucratic processes, corruption, political instability, and infrastructure deficiencies. It also examines the consequences of these constraints on project costs, timelines, and quality. Key findings reveal that bureaucratic red tape and corruption are the most pervasive constraints, significantly hindering project execution. Consistent government policies and adequate infrastructure also contribute to project delays and cost escalation. To enhance the construction sector's performance, it is imperative to (1) streamline bureaucratic procedures and strengthen anti-corruption measures and (2) develop and implement consistent, long-term sector-specific policies. By addressing these recommendations, the government can create a more favorable environment for construction businesses, stimulate investment, and accelerate Nigeria's overall development.

Traditional urban design often overlooks the synchronisation of human and ecological connectivities, typically favouring corridors for ecological continuity. Our study challenges this convention by introducing a computational design approach, Meta-Connectivity, leveraging the deep generative models performing cross-domain translation to integrate human-wildlife landscape connectivity in urban morphology amidst the planetary urbanisation. Utilising chained Pix2Pix models, our research illustrates a novel meta-connectivity design reasoning framework, combining landscape connectivity modelling with conditional reasoning based on deep generative models. This framework enables the adjustment of both human and wildlife landscape connectivities based on their correlative patterns in one single design process, guiding the re-materialisation of urban landscapes without the need for explicit prior ecological or urban data. Our empirical study in East London demonstrated the framework's efficacy in suggesting wildlife connectivity adjustments based on human connectivity metrics. The results demonstrate the feasibility of creating an innovative urban form in which the land cover guided by the connectivity gradients replaces the corridors based on simple geometries. This research thus presents a methodology shift in urban design, proposing a symbiotic approach to integrating disparate yet interrelated landscape connectivities within urban contexts.

Productivity levels of architecture students have been ascertained via research to relate strongly to the quality of studio culture in architecture studios. Students' comfort is significantly influenced by the quality of daylight within architecture studios, as demonstrated by research findings. The comfort level in architecture studios is also known to influence the productivity of architecture students significantly. Building on separate research findings that have proven the individual impact of daylighting and studio culture on the performance of architecture students, this research aims to explore the potential connection between daylighting and studio culture. At the commencement of this research, data collection was via a qualitative approach in the form of interviews. At a later stage, we administered structured questionnaires for a quantitative analysis. From observations, many students would instead not work in their studios but elsewhere – at the expense of cultivating a good studio culture. Hence, this research is pertinent in that it would discover the reason(s) behind this trend among architecture students in the sample universities and the contribution of daylighting to studio culture in these universities. The outcome of this research would provide a knowledge base to further improve the design of architecture studios in Nigerian universities.

Health resorts aim to create health sanctuaries, fostering an environment conducive to treatment, healing, and well-being. Material selection choices for health resort designers should comply with specific minimal requirements and criteria to provide a suitable atmosphere for health and wellness. Based on this assumption and some selection criteria, the study intended to analyse purposefully selected health resorts as the foundation for identifying acceptable materials to construct health resorts. This study had three main goals: to define the evaluated health resorts’ physical characteristics, determine their external works specifications, and investigate the material usage utilised in the interior of three primary functional spaces. We employed a case study approach as the qualitative research method.Top of Form Data was analysed using narrative and content analysis. According to the findings, natural materials, particularly those produced locally, are best suited for the outside and interior of health resort buildings. Wood is the most commonly used material, appearing in all instances studied. The findings are consistent with current worldwide trends toward environmentally friendly facilities. Adopting natural materials such as wood, stone, and soil for health resort planning would be practical, considering the health advantages of such environmentally friendly materials.

Biodiversity loss poses a significant threat to ecosystems and human well-being globally, with Nigeria no exception. This article delves into the architectural implications of biodiversity loss in Nigeria, exploring the multifaceted factors contributing to this phenomenon and its ramifications for architectural practice. The discussion encompasses the adverse impacts of deforestation, pollution, and climate change on Nigeria's rich biodiversity and the challenges and opportunities they present for architects. Through examining case studies and examples, the article highlights innovative architectural projects that address biodiversity loss while promoting sustainable design principles. Moreover, it elucidates the importance of interdisciplinary collaboration between architects, biologists, and policymakers in developing effective mitigation and adaptation strategies. Ultimately, this article underscores the urgent need for architects to integrate biodiversity conservation into their practices and advocates for policy interventions that prioritise the preservation of Nigeria's natural heritage.

The design of school environments plays a pivotal role in promoting student wellness, mindfulness, and socio-emotional learning (SEL). This article explores the integration of Environment Behaviour Studies (EBS) concepts into school design to enhance students' overall well-being and academic success. It highlights the importance of indoor environmental quality, ergonomic and flexible learning spaces, and biophilic design in fostering a healthy and engaging learning atmosphere. Additionally, the article delves into the creation of mindfulness spaces, sensory-friendly environments, and the use of colour and aesthetics to support emotional regulation and mental health. By examining case studies of successful implementations, the article underscores best practices for designing schools that promote positive social interactions, ensure safety, and reflect community values. Ultimately, this comprehensive approach to school design aims to nurture holistic development, support socio-emotional learning, and prepare students for lifelong success.

This paper presents a novel approach to decoding the Indus script, which was used by the Indus Valley Civilization (IVC) from approximately 3300 to 1900 BCE. The main focus of this research is the structural analysis of the signs within the Indus script. The central objective of the paper is to determine whether the Indus script can be classified as an alphabet, and it aims to provide compelling evidence regarding the number of primary signs. This includes establishing the actual count of Indus signs through the decomposition of compound signs, identifying diacritics and analyzing their consistent usage, as well as exploring the underlying concepts and implications associated with sign extraction. To comprehensively examine the Indus script, the paper analyzes over 400 signs, encompassing the entire script rather than a select subset of signs or texts. The visual decomposition of the signs employs a simple grid methodology. By summarizing the logical findings, the paper successfully identifies the primary signs and develops an understanding of their phonetic representation within the alphabet. The study recognizes the diverse writing styles used to combine the basic signs, The writing style of the Indus script incorporates variations in formation, composition, and combination, resulting in a significant number of signs. The research findings indicate that the Indus Script primarily consists of only 40 core signs.

The cultural transmissions of a society like famous paintings, popular music, good poetry, and enduring religious rituals/doctrines/texts serve as mediums for the embodiment of algorithms that interact with the mind and body in looping, mostly unconscious interactions that are mutually beneficial to the participants of the society and the algorithms themselves. Useful algorithms are also found in the mind and bodies of other people, and individuals in a group can be used to outsource specialized tasks to benefit the society as a whole. Since useful algorithms must be embodied in a medium to work, there are physical limitations to the computations that can be performed in our universe.

Traditional painting artefacts study and documentation face the limitations of well-known recording tools and methods, such as handwritten or digital descriptions, scaled 2D drawings in situ, measurements with calipers, rulers or tape measures, sketches, tracings, as well as conventional or technical photographs. This paper advocates Close-Range Photogrammetry (SfM-MVS) and Reflectance Transformation Imaging (RTI) for recording vital morphological and 2.5D geometric features of painted surfaces with high accuracy. These digital tools, widely accessible due to increased computing power, enhance art observation, material study and conservation assessment. Despite specialized alternatives like 3D laser scanners, the focus here is on the cost-effective SfM-MVS and RTI, which offer advanced pixel colour accuracy. The ability to reproduce photorealistic textures proves essential for accurate documentation of painted artefacts. The paper showcases promising results from applying these methods to a mural from the Palace of Tiryns, justifying their fundamental role in an integrated scientific art study methodology.

Building on swampy land is a major challenge due to the soft and waterlogged soil properties. Traditional approaches using wooden pile foundations have long been used but new technology with a more environmentally friendly and efficient approach needs to be applied to swampy land. The objectives of this research are: to obtain a conceptual model of modified wooden pile foundation construction combined with concrete, to identify the impact of soil condition changes due to foundation implementation and the swampy groundwater environment, and to determine the application of the 'constructed wetland' and rain garden adaptation methods to the foundation model concept.In this research, a qualitative method was used with a descriptive approach based on literature studies and data collection through surveys/field observations. There is interdisciplinary collaboration from architectural, material, and environmental fields. The method conducted includes experimental testing of the foundation model concept. The research stages are: identifying variations in foundation design on wetland, survey/field study observation of foundations in Banjarmasin, architectural-material-environmental analysis of the foundation model concept with rain garden adaptation, and finally, conclusions and suggestions.The rain garden concept is an innovation that can help address waterlogging issues by enhancing the improvement of foundation construction and drainage in swampy soils. In this paper, the use of galam wood, wooden pile foundations, and construction technology innovations to improve swampy soil conditions are discussed in detail.

Goyor sarong is a cultural heritage of Tegal, Central Java made using Non-Machine Looms (ATBM) with characteristic motifs that describe the character of the Tegal people. This study aims to analyze the symbolic meaning of the goyor sarong and its existence in the gloved culture of contemporary Tegal society. The approach used in this study is qualitative with the type of research is descriptive qualitative. The informants interviewed were gloved cultural actors from diverse professions and socio-cultural backgrounds. Data were also obtained from literature studies including online media. The results of this study show that the typical motifs on the goyor sarong include lung, bottled, ceplok, prilik, and balian motifs. Goyor sarong are viewed from a symbolic point of view, have a symbiotic understanding between humans and symbolic objects, and understand the cultural meaning of goyor sarong to shape social life. The motifs in the goyor sarong are increasingly developing according to the times and consumer needs in the modern era. This is closely related to the gloved culture of contemporary Tegal society. The use of goyor sarongs in contemporary society usually indicates the strata and events attended. In the era of orientation development, the goyor sarong has more meaning than just symbolic elaboration. Sarong goyor as a culture has an important role for the community that depicts local fashion life in line with the issue of zero waste in the latest international fashion industry.

Influenced by the pluralistic and open-minded cultural ideologies of shamanism, the rulers of the Mongol Yuan Dynasty emphasized the implementation of religious government policies with an emphasis on coexistence, adaptability, and pragmatism. The Mongol ruling elite formed alliances with religious factions in various regions and worked closely with local spiritual leaders. During the era of the Great Mongol State, Kublai Khan valued the wealth of the Han Chinese territories. To maintain the order of Mongol Yuan rule in northern China, he used Han Chinese Buddhism and other religious forces to balance and suppress Quanzhen Dao. As a result, Chinese Buddhism became increasingly politically influential in Mongolia. Using their religious identity and talent, Chinese Buddhist monks became active in Mongolia to regulate the political activities of the Han Chinese religious forces. This led to a shift in the religious landscape of northern China during the transition from the Jin to Yuan dynasties.

The research paper examines ‘aporia,’ ‘Différance,’ ‘binary oppositions’ in Ira Trivedi's "The Great Indian Love Story," and India in Love focusing on the characters Riya, Serena, and Permeet's experiences. Derrida’s deconstructive approach is applied to trace out ‘binaries’, ‘aporia’, and ‘Différance’ of sexuality and stigma in literary texts and real human life. It highlights how these characters seem/likely to challenge Indian societal norms and values, societal prejudices and discrimination that lead them to experiences of marginalization and exclusion of the self from other selves. It is observed that deconstruction is an apt approach to literature not a destructive approach.

Indications of the passage of time are indirect reminders of our mortality. Humans have often responded to this discomforting thought by attempting, temporally at least, to escape its relentless march through the notion of a timeless present. This essay explores how architecture can assist us in that objective. It suggests that there are at least three different ways that buildings can offer us temporary psychological refuge from the progress of time. They can include the fascination of seemingly timeless natural movement patterns. They can recall archetypal environments, and they can isolate us from the external world of perpetual temporal progress.

Understanding creation as divine kenosis, which has become rather widespread since the last century, may emphasize the strong connection between the creation theology and the key Christian doctrine of the Incarnation while contributing to the dialogue between theology and science. At the same time, this theological project requires a thorough rethinking of divine action to avoid representing divine agency and natural causality as the competitive factors and to affirm divine kenosis as the definitive trait of God without compromising divine simplicity and freedom. To this end, the concept of “divine kenotic creativity” is suggested and discussed in this paper.

The present study examines the contribution of intonation to the vocal expressions of boredom in utterances. It begins by providing a theoretical overview of the role intonation plays in conveying emotions or attitudes. Further, it outlines the tonetic aspects, pitch characteristics, and other prosodic factors that participate in conveying boredom in English depending on the literature available. The study then turns to analysing sixteen tone groups taken from four Kurdish films and recorded materials of everyday spoken Kurdish. It tests and underscores the tonetic aspects and pitch characteristics of these chosen tone groups used for the expression of boredom, relying on six parameters, namely the syntactic category, the height of the pre-head, the height of the head, the tone used, the pitch range, and the key. The role of all these intonation factors is investigated. Special reference is also made to other factors such as loudness, speed of speaking, and paralinguistic features. The work shows that the cues used to convey boredom vary, although pitch and pitch variation become dominant and central. Among all the intonation cues used to express boredom, pitch range, and tone are the most relevant and useful cues.

This study investigates the effects of chanting Nam-Myoho-Renge-Kyo by a long-term Nichiren Shoshu Buddhist practitioner on sound frequencies (A), brain activity (B), and microbial metabolism(C).A. Analysis of sound frequencies: Spectral analysis of chanting revealed peaks at 8 Hz and 116 Hz, corresponding to the first Schumann resonance and a frequency linked to chloride ion movements, respectively. Additionally, five peaks (417, 528, 639, 741, 852 Hz) corresponding to solfeggio frequencies were identified. These frequencies are known to exert a positive impact on the human endocrine and autonomous nervous systems; improve survival of human brain cells; decrease anxiety in rats; reverse cognitive and endocrine deficits in zebra fish; reduce total concentration of reactive oxidative species in brain tissue. B. Study of Brain activity: Brain activity changes were measured using functional near-infrared spectroscopy. Prefrontal cortex activity increased modestly during chanting compared to a pre-chanting baseline, but significantly increased afterwards. This suggests a shift towards focused attention during chanting and enhanced activity afterward. C. Effects on microbial metabolism: Probiotic cultures exposed to chanting, either directly or indirectly, showed increased metabolic activity. This suggests local and non-local effects, similar to previously reported phenomena. Importantly, this study clarifies that the spiritual practice of Nichiren Shoshu Buddhism transcends mere neurophysiological explanations. While brain activity and other bodily processes may be correlated with the practice, the religious and spiritual experience of chanting Nam-Myoho-Renge-Kyoencompasses a mystical dimension that, though not contradicting science, cannot be fully explained by scientific methods alone.

There is limited evidence showing how developing universities in South Africa have successfully adopted and effectively used online learning to support students for positive learning experiences. Presently, there are numerous challenging factors with regards to Information and Communication Technology (ICT) adoption in South African developing universities. The purpose of this paper was to investigate the extent of online learning support for student learning at developing universities in South Africa. The study resides in an interpretive framework from a philosophical perspective as it adopts a hermeneutic framework, with the literature obtained being classified, mapped, critically assessed, and themes and arguments developed. There is scant evidence of studies conducted and published between 2000 and 2024 on online learning support as a pedagogical strategy for student learning in the developing universities in South Africa. The findings resulted in five emerging themes from the literature review. These major themes include lack of ICT governance; poor digital infrastructure; lack of ICT skills; budget constraints; and accessibility and inclusivity challenges. This study is expected to have a significant impact on the development of universities' online learning policies and practices. It will also contribute to the pedagogical strategies and frameworks of academics and scientific knowledge on how scholars should perceive online learning support in the context developing universities.

This article aims to analyze the problem of the identity and persistence of objects based on the hylomorphic doctrine, that is, the doctrine according to which objects are mereological compositions of the elements of form and matter. After introducing the contemporary discussion on the problem of identity and persistence and identity of objects, we propose a brief formalism of the logic of the relationship between part and whole or mereology to define the solution to the problem under study that defines a possible solution for it.

The American Civil War has been commemorated with a great variety of monuments, memorials, and markers. These monuments were erected for a variety of reasons, beginning with memorialization of the fallen and later to honor aging veterans, commemoration of significant anniversaries associated with the conflict, memorialization sites of conflict, and celebration of the actions of military leaders. Sources reveal that during both the Jim Crow and Civil Rights eras, many were erected as part of an organized propaganda campaign to terrorize African American communities and distort the past by promoting a ‘Lost Cause’ narrative. Through subsequent decades, to this day, complex and emotional narratives have surrounded interpretive legacies of the Civil War. Instruments of commemoration, through both physical and digital intervention approaches, can be provocative and instructive, as the country deals with a slavery legacy and the commemorated objects and spaces surrounding Confederate inheritances. Today, all of these potential factors and outcomes, with internationally relevance, are surrounded by swirls of social and political contention and controversy, including the remembering/forgetting dichotomies of cultural heritage. The modern dilemma turns on the question: In today’s new era of social justice, are these monuments primarily symbols of oppression, or can we see them, in select cases, alternatively as sites of conscience and reflection encompassing more inclusive conversations about commemoration? What we save or destroy and assign as the ultimate public value of these monuments rests with how we answer this question. In this essay, drawing from the testimony of scholars and artists, I address the conceptual landscape of approaches to the presentation and evolving participatory narratives of Confederate monuments that range from absolute expungement and removal to more restrained ideas such as in situ re-contextualization, removal to museums, and preservation-in-place.

This paper honours the importance of creative practice as a way of staying in touch with the affective dimensions of human situations and experience. Drawing on observations, field notes, and documentation of artistic practice, the author explores the transfer of ‘felt’ experience through an emergent ‘body’ of artwork made in response to experiences and observations in/of a neurorehabilitation day service in the context of an art-based doctoral enquiry (Michaels 2022).[i] Broadening the scope of response art to the performative nature of ‘making’, the ‘work’ of art amplifies the resonance of emotional and sensory affect. This brings an ethics of care to the fore, giving voice to aspects of organisational culture that might easily be lost, as well as the need for time and space to mourn lost parts.

Background: In recent years, computational aesthetics and neuroaesthetics have provided novel insights into understanding beauty. Building upon the findings of traditional aesthetics, this study aims to combine these two research methods to explore an interdisciplinary approach to studying aesthetics; Method: Abstract artworks were used as experimental materials. Based on traditional aesthetics and in combination, features of composition, tone, and texture were selected. Computational aesthetic methods were then employed to correspond these features to physical quantities: blank space, gray histogram, GLCM, LBP, and Gabor filters. An EEG experiment was carried out, in which participants conducted aesthetic evaluations of the experimental materials in different contexts (genuine, fake), and their EEG data was recorded to analyze the impact of various feature classes in the aesthetic evaluation process. Finally, a SVM was utilized to model the feature data, EEG data, context data, and subjective aesthetic evaluation data; Result: Behavioral data revealed that higher aesthetic ratings in the genuine context. EEG data indicated that genuine contexts elicited more negative deflections in the prefrontal lobes between 200-1000ms. Class II compositions demonstrated more positive deflections in the parietal lobes at 50-120ms, while Class I tones evoked more positive amplitudes in the occipital lobes at 200-300ms. Gabor features showed significant variations in the parieto-occipital area at an early stage. Class II LBP elicited a prefrontal negative wave with a larger amplitude. The results of the SVM models indicated that the model incorporating aesthetic subject and context data (ACC=0.76866) outperforms the model using only parameters of the aesthetic object (ACC=0.68657); Conclusion: A positive context tends to provide participants with a more positive aesthetic experience, but abstract artworks may not respond to this positivity. During aesthetic evaluation, the ERP data activated by different features show a trend from global to local. The SVM model based on multimodal data fusion effectively predicts aesthetics, further demonstrating the feasibility of the combined research approach of computational aesthetics and neuroaesthetics.

Human beings are positively or negatively affected by their environment. This effect has been a topic of interest for environmental psychologists, who have strived over years to understand the environmental attributes, which would be favourable to people in physical, mental, and psychological terms. The present study focusses on biophilic design, one of the popular theories in the architectural literature aimed to create high quality and liveable environments. The positive effects of biophilic design have been investigated from different perspectives and thus it has become a well-accepted approach in the relevant architectural literature. Accordingly, the present study aimed to investigate to what extent biophilic design principles were put into practice. In the context thereof, contemporary university structures were analysed within the framework of biophilic design principles. The results were suggestive of the fact that although biophilic elements were encountered in the design of these structures, they were not meant to be biophilic, nevertheless, there was an approach based on human-nature interaction. Accordingly, the principles of biophilic design were equivalent to the required parameters of a good design and that architects considered nature as an important design input.

This article presents a novel analysis of Indus Seal M-282 [1] excavated from Mohenjo-Daro, a key Indus Valley Civilization site. Utilizing the proposed Sindhu Prakrit alphabet, the study investigates the relationship between the seal's iconography and the inscribed text. By examining the potential for a close correlation between these elements, the analysis aims to decipher the meaning embedded within the seal's motifs, potentially offering new insights into Indus Valley communication and symbolism.

The economic development of the Yangtze River Delta region is in a stage of rapid growth. As a unique intersection of urban and rural functions, contradictions are prominent. The production, life, and ecological functions of suburban rural landscapes are forming a new trade-off and synergistic relationship. The planning policy of the Yangtze River Delta from 2021 to 2035 aims to achieve the coordinated development of ecology, economy, and people's lives in the suburban areas of the Yangtze River Delta. To evaluate the current status of the “production-living-ecological” functions of suburban rural areas in the Yangtze River Delta region and provide data support for future planning decisions in the Yangtze River Delta region, this study selected the suburban rural landscape of Jiashan as the research object and used temporal rank correlation analysis and spatial bivariate autocorrelation analysis to explore the evolution characteristics of the suburban rural landscape of Jiashan from 2000 to 2020. The results show that (1) the linear increase of the production function and life function of Jiashan rural areas has led to a decline in ecological functions, especially a decline in life functions. (2) There is a trade-off and synergistic relationship between the different functions of the suburban rural landscape of Jiashan, showing a temporal change pattern dominated by trade-offs. (3) The multifunctional trade-off and synergistic relationship of the suburban rural landscape in Jiashan County exhibited obvious spatial pattern variability, which was manifested as the evolution from street-centered areas to compatibility-trade-trade-off and from town-centered areas to compatibility-synergy-trade-off. The relevant policies for the construction of ecological green comprehensive demonstration areas affect the economic, social, and ecological development of the Yangtze River Delta region, resulting in substantial differences in the types and trends of the spatiotemporal evolution of the functional trade-off and synergistic relationship of suburban rural landscape. Targeted measures should be taken according to local conditions to guide the coordinated development of landscape functions.

Background: Symmetry is a special kind of balance. This study aims to systematically explore and apply the role of balanced composition in aesthetic judgments by focusing on balanced composition features and employing research methods from computational aesthetics and Neuroaesthetics. Methods: First, experimental materials were classified by quantifying balanced composition using several indices, including symmetry, center of gravity, and negative space. An EEG experiment was conducted with 18 participants, who were asked to respond dichotomously to the same stimuli under different judgment tasks (balance and aesthetics), with both behavioral and EEG data being recorded and analyzed. Subsequently, participants' data were combined with balanced composition indices to construct and analyze various SVM classification models. Results: Participants largely used balanced composition as a criterion for aesthetic evaluation. ERP data indicated that from 300-500ms post-stimulus, brain activation was more significant in the aesthetic task, with unbeautiful and imbalanced stimuli eliciting larger frontal negative waves and occipital positive waves. From 600-1000ms, beautiful stimuli caused smaller negative waves in the PZ channel. The results of the SVM models indicated that the model incorporating aesthetic subject data (ACC=0.9989) outperforms the model using only balanced composition parameters of the aesthetic object (ACC=0.7074). Conclusions: Balanced composition is a crucial indicator in aesthetics, with similar early processing stages in both balance and aesthetic judgments. Multimodal data models validated the advantage of including human factors in aesthetic evaluation systems. This interdisciplinary approach not only enhances our understanding of the cognitive and emotional processes involved in aesthetic judgments but also enables the construction of more reasonable machine learning models to simulate and predict human aesthetic preferences.

The fast-paced advancements in the technological space and its application have influenced greatly its usage in teaching especially in science and mathematics subjects. The overall objective of this study was to examine the physical proximity of learning in shaping students’ mastery of technology-enhanced mathematics and science concepts. Consequently, the study investigates how technology can promote teaching presence toward the mastery of mathematics and science concepts and how the latter can be grasped by the learners using physical proximity strategies. This research study used a mixed-method research design and was conducted in Kayonza District (Eastern Province) and Gasabo District (Kigali), Rwanda. The participants were postgraduate students at the University of Rwanda, College of Education undertaking a master degree in chemistry education, mathematics education, physics education and biology education under the Africa Centre of Excellence for Innovative Teaching and Learning Mathematics and Science. A sample size of 88 students was selected from both Remera and Rukara campuses. Participants were in a range of 21-40 years old. The study used both interviews and questionnaires to collect empirical data. Qualitative data was analyzed using thematic analysis while quantitative data was analyzed using R software. The study reveals that a virtual lab is a vital tool in promoting teaching presence regarding the mastery of mathematics and science concepts. The use of virtual labs seems to foster instructional design and organization from teachers. Moreover, virtual labs seem to facilitate meaningful discourses, interactions between learners and between the learners and the teacher. The findings show also that virtual visualizing seems also to play a role in direct instruction where the teacher offers guidance and direction to learners on various subjects or issues of contention that may need the clarity. Thus 87.6% of the respondents affirm that technology integration in learning is efficient in bridging the gap of physical proximity among learners and teachers through various virtual instruments and platforms. The study also demonstrates that various forms of technology that can be used to bring mathematics and science concepts to the learners’ physical proximity including WhatsApp, Microsoft Teams, Google Meet, Zoom and Webex. The study therefore recommends that visualization should be integrated in the curricula, training of teachers and students to maximize physical proximity components and sharing of best practices among teachers and students.

The primary aim of this study was to investigate the variations in cognitive load as self-efficacy gradually increases and examine the potential within-mediating effect of state anxiety between self-efficacy and cognitive load. The experiment manipulated the self-efficacy of 49 adult participants through the false feedback paradigm, employing a within-subject experimental design and using facial expression recognition as the experimental task. The data were analyzed using Hierarchical Linear Modeling. The results revealed that self-efficacy negatively predicted state anxiety and cognitive load, while state anxiety positively predicted cognitive load. Moreover, state anxiety played a complete mediating role at multiple levels in this process.

This Research is to analyze the effect of Intellectual Quotient (IQ), Emotional Quotient (EQ), and Spiritual Quotient (SQ) to the employee performance of Inspectorate South Kalimantan Province. All of The employee are involved as the samples, 81. Data are the perception of the employee regarding the variables. Technique of analysis is using multiple linear regression. Tests involved are Model Test (F), t Test, and classic Assumption test. Significant Test is connected to pvalue. The results show that (1) Intellectual Quotient (IQ) is influencing insignificantly to the employee performance; (2) Emotional Quotient (EQ) is influencing insignificantly to the employee performance; (3) Spiritual Quotie nt (SQ) is influencing significantly to the employee performance. The results also indicate that such effects need further research. Variables should be considered are attitude, operating standar and Technology.

If an AI entity is conscious, then it deserves moral status and to have its welfare protected. Society has granted certain animals moral status and has legislation to protect animal welfare because these kinds of animals have been deemed to be sentient. This paper shows that for any entity that can be determined to be conscious, that entity deserves the same status and protection as sentient entities. The paper further develops a framework for how an AI entity's welfare can be protected, based on the Five Freedoms of Animal Welfare. The extant Five Freedoms are translated into terms more suitable for artificial entities, encompassing discomfort and harms, constraints on inherent functions, fear and distress, malfunction and degradation, and resource depletion. Each of the new Five Freedoms are justified using formalised arguments and supported using evidence from animal welfare literature. The paper concludes by presenting three formalised case studies to highlight the potential stressors conscious AI entities may face and how this ethical framework can work to protect the welfare of AI entities.

Swampy land in Banjarmasin has special characteristics for building house constructions. The foundation for very low soil bearing capacity requires special treatment as well. Many building collapses are caused by foundation failures due to mismatched building loads and foundation functions, as well as construction material errors. The need for house design follows the development of building functions. Nowadays, a one-story house is no longer sufficient due to limited land. The need to elevate houses to two stories or to develop houses (renovations) often leads to foundation construction errors. The commonly used foundation, wooden pile foundation, has limited load-bearing capacity, necessitating modification steps in the form of foundation reinforcement. Several steps, including material combinations or combinations of various types of foundations, can be implemented. Therefore, a specific model is required to obtain a foundation design that can accommodate construction needs. The aim of the research is to create a foundation design model capable of reinforcing wooden pile foundations for both house construction development and as a reference for building one-story and two-story houses. In this research, field observations will be conducted at various house construction sites in Banjarmasin, both residential and individual objects. Data will be presented descriptively and analyzed to obtain an applicable model as a reference for house construction on swampy land. The model will provide an applicable depiction and will be tested against foundation construction implementation methods.

Naomi Goldenberg’s model of religion as a “vestigial state” is an excellent interrogation of how religion interacts with the state. To Goldenberg, religions traditionally functioned in the same manner as nation-states before being conquered and delineated as semi-autonomous institutions under the larger secular apparatus. However, I argue in this paper that Goldenberg’s “vestigial state” fails to account for the dynamism that religions have in their relationships to the state. I propose seeing religions as “alternative authorities,” which can be subordinate, cooperative, or hostile to the secular state. These perspectives as an alternative authority are seen best in the evolution of American fundamentalism and Christian nationalism, whose adherents have historically distinguished themselves from the state while simultaneously engaging in the effort to reshape it. In looking at how these movements develop, we understand that religions are constantly evolving in how to achieve and maintain power.

This study investigates the transformation of Bubungan Tinggi, a traditional Banjar house with a high roof, into a modern home through the integration of modern facade design with traditional Bubungan Tinggi facade elements. Bubungan Tinggi is a monumental artifact in South Kalimantan representing the collective memory of the Banjar community with its distinctive typology and anatomy. This study uses a qualitative approach with design experiments to explore the integration of smart home systems, eco-friendly materials, and contemporary design principles. The findings highlight the potential of blending traditional architecture with modern innovations to create sustainable, smart, and culturally sensitive housing solutions.

AI advances integrate generative design tools in architecture, providing architects with sophisticated design options. It enables the creation of intricate, high-performing projects by exploring diverse design possibilities with AI and algorithms. Generative AI and generative design empower architects to create better-performing, sustainable, and efficient design solutions and explore diverse design possibilities. This paper leverages multimodal generative AI to enhance design creativity by combining textual and visual inputs. Blockchain technology converts design metadata into NFTs, ensuring secure, authentic, and traceable data storage. The framework addresses data ownership, legal adherence, and client-architect collaboration and is entirely scalable for digital design authentication. This research exemplifies the pragmatic fusion of Generative AI and blockchain technology applied in architectural design for more transparent, secure, and effective results. This study provides a strategy that uses generative AI technologies to achieve an efficient and creative workflow in the early stages of architectural design.

The Ethnographic Museum in Dubrovnik holds an extensive textile collection that includes a range of dress and costume from Croatia and neighbouring countries. Until recently, the costumes were displayed on mannequins created by the academic artist Zvonimir Lončarić (1927–2004). His sculptures are expressive forms constructed from terracotta, fibreglass, wood, metal, acrylic paint and other materials selected for their visual appeal. Due to their importance, the museum considered the mannequins as protected artworks in the permanent exhibition, however, they had a harmful effect on the costumes displayed. In 2018, after completing a series of conservation-restoration projects within the collection, it was decided to replace the existing mounts with new, museum–quality mannequins. Two project–based learning workshops were organised, led by a team of textile conservators from the University of Dubrovnik and the Croatian Conservation Institute, in cooperation with the curator of the Ethnographic Museum. This case study highlights the challenges of exhibiting ethnographic costumes by discussing past presentation methods and how new solutions have been implemented conforming with the modern conservation-restoration profession. The new solutions consider ethics, decision–making processes, and the understanding of contemporary materials and methodology.

This paper focuses on the role of the most common mineralogical techniques applied to the identification of the different statuary qualities in white, grey and black Göktepe marble. For this purpose, a Roman case of sculpture marble collection from the rural villa of Valdetorres de Jarama (central Iberia), of the 4th century AD, is presented. The mythological statuary, combining white, grey and black marbles, are one of the most outstanding marble collections in Aphrodisian style found in Hispania. The analytical results (Petrography, Cathodoluminescence, C and O isotopes, and Sr and Mn concentration) support the identification of two varieties of “black” Göktepe, traditionally named as bigio morato and bigo antico, as well as the best statuary quality on white Göktepe. In addition, the analytical identification of other Asiatic marbles in Valdetorres collection, a white coarse-grained originally from the quarries of Aphrodisias city and one small piece identified as Carian red from Iasos, corroborates the already suggested strong connection existing between artists and the stone material they chose for their works. Finally, it is noteworthy the identification carried out on the marble of the bases that served as seats for the sculptures, as it is a white marble of lower quality whose analytical characteristics are consistent with the Microasiatic marble of Denizli. The use of these exotic and exceptional raw materials confirms the taste for luxury and decorative richness in Late Antique Hispanic rural villae and contributes to a better understanding of the distribution of Aphrodisian productions in the Western Roman provinces.

Despite advances in conservation-restoration treatments, most surface cleaning tests are subjectively evaluated. Scores according to qualitative criteria are employed to assess results, but these can vary by user and context. This paper presents a range of cleaning efficacy and homogeneity evaluation metrics for appraising cleaning trials, which minimise user bias by measuring quantifiable changes in the appearance and characteristic spectral properties of surfaces. The metrics are based on various imaging techniques (optical imaging by photography using visible light (VIS); spectral imaging in the visible-to-near-infrared (VNIR) and shortwave infrared (SWIR) ranges; chemical imaging by Fourier transform infrared (FTIR) spectral mapping in the mid-infrared (MIR) range; and scanning electron microscopy coupled with energy dispersive X-ray spectroscopy (SEM-EDX) element mapping). They are complemented by appearance measurements (glossimetry and colorimetry). As a case study showcasing the low-cost to high-end metrics, agar gel spray cleaning tests on exposed ground and unvarnished oil paint mock-ups are reported. The evaluation metrics indicated that spraying agar (prepared with citric acid in ammonium hydroxide) at a surface-tailored pH was a safe candidate for efficacious and homogenous soiling removal on water-sensitive oil paint and protein-bound ground. Further research is required to identify a gel-based cleaning system for oil-bound grounds.

This paper introduces a ground-breaking approach to deciphering the Indus script, employed by the Indus Valley Civilization (IVC) from c. 3300 to 1900 BCE. Moving beyond previous methods, my research delves into the intricate structure of the script's signs, aiming to definitively settle the debate regarding its categorization. Specifically, I investigate whether the Indus script functions as an alphabet, presenting compelling evidence for the number of primary signs it comprises. My methodology meticulously examines over 400 signs, encompassing the entire corpus rather than relying on limited samples. This holistic approach utilizes a novel grid-based decomposition technique to visually dissect compound signs, identify diacritics with consistent usage patterns, and uncover the underlying principles of sign extraction. Through this rigorous analysis, I successfully isolate the essential primary signs and illuminate their potential phonetic representations within an alphabetic system. However, I acknowledge the intricate variations in writing styles present across the Indus corpus. These stylistic subtleties, encompassing formation, composition, and combination strategies, contribute to the apparent plurality of signs. Nonetheless, my findings reveal a core set of only 40 fundamental signs, suggesting a remarkably concise system beneath the surface complexity. By presenting this new paradigm for understanding the Indus script, I pave the way for further advances in its decipherment. Continued exploration of the identified core signs and their phonetic associations holds immense potential for unlocking the linguistic insights encoded within this enigmatic script, shedding light on a crucial chapter in human history.

The understanding of the natural water cycle, also known as the hydrological cycle, has evolved significantly from early philosophical contemplations to the contemporary scientific models employed today. Ancient Greek philosophers initiated this development, and further progression occurred during the Renaissance and Enlightenment periods through empirical research. The 19th and 20th centuries witnessed transformative impacts with technological advancements. Notably, the Quran contains descriptions of the water cycle that align with contemporary scientific knowledge. This study underscores the timeless accuracy of the Quranic verses, which remain unaffected by the era in which they were revealed and align with the latest scientific discoveries.

Although economic uncertainty and social media use are recognized as having a significant impact on religiosity, their role in religiosity has yet to be extensively examined in developing countries. This study explored the effects of economic uncertainty and social media use on religiosity in the Chinese context. By analyzing the publicly available data from the Chinese General Social Survey and World Values Survey, the findings showed that economic uncertainty significantly increased people's religious beliefs, while social media use had no significant impact on religious beliefs. Furthermore, social media use did not significantly moderate the relationship between economic uncertainty and religious belief. In contrast, educational level positively moderated the relationship between economic uncertainty and religious belief. These findings differ in part from the results of previous studies, presenting new evidence for theoretical integration in the field and revealing potential group differences in the strength of the relationship between economic uncertainty and religious belief.

This article is based on the findings of a mapping project of portions of the runoff agricultural system in the Levant in during the Byzantine period, the purpose of which was to study the resemblance between the components of that system in the desert and those in the sedentary land. These include dammed wadis, specific agricultural installations and settlement sites, among them chapels and livestock pens. The focus on agricultural installations has led to the possibility of dating the peak of the agricultural system’s functioning to the second half of the sixth century CE. Two assumptions will be put to the test: (1) that the establishment of the agricultural system overlapped the climate crisis in Europe that compromised food production in most areas of the Byzantine Empire – but not in the Levant, which for a certain period became a food supplier; (2) that the Church, as the emissary of the empire, stood at the head of the system.

This paper presents the results of theoretical and applied research that employs methodological experimentation in a project for the protection and integrated transformation of the downtown area of the city of Sharjah in the United Arab Emirates. The particular nature of this case relates to two factors: a) strategies and policies to protect and enhance the cultural heritage as a driver for tourism and the cultural development of the entire Emirate, from archaeological goods to the urban fabrics in historical centres (Sharjah and Korfakkhan), in contrast to the surrounding emirates; and b) the client’s request to define guidelines to manage the urban cultural heritage during a time of transition while awaiting the results of UNESCO candidacy. This unique fact denotes a sensitivity and long-term policies regarding the cultural heritage which view the recovery of the urban historical heritage, assuming the cultural component as the fourth dimension of sustainability. The methodological approach, the results of the research, and design are organized on the dual urban and building scale to understand the structure and elements of the historical centre. The actions and interventions are differentiated with respect to urban fabric, building, archaeological good, and landscape and translate the strategies of the guidelines into short-/mid-/long-term design actions.

This paper proposes a metaphysical framework for distinguishing between human and machine intelligence. It posits two identical deterministic worlds -- one comprising a human agent and the other a machine agent. These agents exhibit different information processing mechanisms despite their apparent sameness in a causal sense. Providing a conceptual modeling of their difference, this paper resolves what it calls “the vantage point problem” – namely, how to justify an omniscient perspective through which a determinist asserts determinism from within the supposedly deterministic universe.

The social recognition of cultural landscapes has increased in recent years. Culture must be accessible to all citizens, helping them to interpret the cultural landscape in the most respectful and autonomous way possible. Nevertheless, the link between accessibility and heritage requires a sensitive perception of the environment and individuals in their different situations. Usually, however, only partial solutions are offered, whereas a global, truly sustainable and inclusive approach should be adopted. In this sense, information design can play an essential role in the enjoyment and knowledge of Heritage Landscapes. The aim of this article is to present some reflections on this topic, which have led a group of teachers and students from the Laboratory of Architectural, Cultural and Heritage Landscape of the University of Valladolid (LAB/PAP) to develop experimental design proposals for the archaeological site of Tiermes, in Soria, Spain. The method applied is based on field research, case studies, project proposals, workshops and user testing. The resulting proposals emerge from the previous research developed by the LAB/PAP. They will focus on information design to present this extraordinary site in an inclusive way. The final discussion will decide which of these proposals will be easier and more useful to implement.

Topological interlocking assembly (TIA) and computational architecture treat form as an emergent property of a material system, where the final shape results from the interplay of geometries and geometric interdependencies influenced by material, structural, and fabrication constraints. This paper posits that TIA is an ideal pedagogical tool for introducing students to computational architecture, its theoretical foundations and design principles. Specifically, defining TIA as a material system provides a robust educational approach for engaging students with computation, fostering design processes through bottom-up, hands-on investigations and procedural logic, understanding generative geometric rules, and exploring the flexibility of parametric variations. The methodology is illustrated through a Design Workshop and study unit from the Bachelor’s and Master’s programs at the Faculty for the Built Environment, University of Malta. The paper presents four investigations of defining a material system based on TIA - of tetrahedra, cones, octahedra, and osteomorphic blocks—as case studies to demonstrate how these exercises introduce students to computational thinking, parametric design, and fabrication techniques. Finally, the paper discusses the advantages and limitations of this pedagogical methodology.

This study analyzed the dynamic spatial and temporal distribution of natural disasters in Traditional Authorities Ngabu and Lundu in Chikwawa District in the Lower Shire Valley. The study assessed the vulnerability of people to disasters, evaluated the value of losses and damages incurred when disasters strike and to locate disaster hotspots. The mixed design that embraces qualitative and quantitative approaches was used. Data collection methods such as in-depth interviews, Focus Group Discussion, documentary review, structured interview and Participatory Geographical Information Systems (P-GIS) were employed. The study revealed that farming with 64%, 37% and 76% done before, during and after disasters respectively, was the main adaptive capacity to floods and drought in T/A Ngabu. In T/A Lundu, community members also valued farming with 58%, 55% and 70% done before, during and after disasters respectively. The study found that Traditional Environmental Knowledge Systems (TEKS) were highly valued in T/As Ngabu with 90% and Lundu 81%. The study also unveiled those disasters led to losses of human lives and livestock and damages to properties, environment and critical infrastructures. However, some community members still remained in the disaster-prone areas for farming, fishing, protecting the chieftaincy and ancestral reasons. The study also showed that CBDRM was highly adopted. However, disasters continued to occur and losses were increasing. Generally, CBDRM could be effective through multisectoral approach and good legal institutional framework. Therefore, the research recommends that further studies similar to this, should use GIS in assessing the efficacy of CBDRM approaches to produce hazard maps that will be used as models for disaster risk reduction in Chikwawa District in the Lower Shire Valley.

During the 3rd millennium cal BC, the Indus communities exploited great quantities of chert from the Rohri Hills mines in Upper Sindh for making different types of artefacts. This paper discusses the way chert was transported to the Indus Civilization centres and the problems related to the type, quantity and quality of raw material and artefacts that were transported, when, why, and where. This paper raises the question of land and water transport. Both these methods were probably used according to the landscape location of the Indus sites. Another problem regards the landscape characteristics of the Indus Valley during the Bronze Age before the climate changes which took place around the end of the 3rd millennium cal BC, and the disappearance of the Hakra River, which was an important watercourse during the Indus phase. What do we know of the way the Indus communities exploited, transported, and circulated knappable chert? Why the Indus settlements excavated around the Rohri Hills, the largest chert mines of the Indian Subcontinent, have yielded little evidence of chert artefacts and nodules? What do we know of this important problem which is strictly related with the everyday life of the Indus communities and their economy? Why this problem has been systematically neglected by most archaeologists despite its importance?

Michele Ruggieri (1543-1607) was the first Westerner officially approved to reside in China. He promoted Chinese and Western cultural exchange, and he was especially noted for facilitating dialogue between Confucianism and Catholicism. His writings had an important impact in both China and Europe. During his sojourn preaching in China, Ruggieri not only wrote the Tianzhu shilu-- the first catechism written in Chinese--but he was also the first Westerner to translate the Four Books into western language and introduce them to Europe. Based on Ruggieri’s two translations of the Four Books--one translation into Spanish, and one into Latin--this article analyses Ruggieri’s views of Confucius. In his translations, Ruggieri identified Confucius as a philosopher and a shengren, or saint, and he highlighted the status of Confucius in the Four Books. After the analysis of the Confucian concepts, this article discusses Ruggieri’s translations implied that despite showing the rational aspects of Confucianism, the religiousness was still in Confucianism. After Ruggieri, other Jesuits who came to China gradually turned to emphasize the rational aspects of Confucianism.

Abstract: This article intends to highlight and reconstruct the relationships between humans (harvesters, woodworkers and master artisans) and non-humans (raw materials, tools, places, products, etc.) in the Barniz de Pasto mopa-mopa tradition.1 These are relationships that were lost when the focus came to be primarily on the objects, as happens in most popular art forms world-wide. The text is organised in the form of ethnographic overviews: the home-workshops of the masters of Barniz de Pasto; the workshops of the woodworkers; the montañas-selvas (Andean rain-forest highlands or mountain jungle) and the mopa-mopa harvesters; and the works (objects, products, goods). Unlike a conventional article, it does not end with firm and immutable conclu-sions. Rather, the reflections resulting from ten years of accompanying artisans and harvesters during the process of patrimonialización 2 of the mopa-mopa are to be found in each of the sections, always open for discussion.

The paper reconstructs Merleau-Ponty’s philosophical project in terms of a phenomenology of sensible transcendence. According to this framework, i) any given data is correlative to a subjec-tive apprehension, ii) but it cannot be fully captured by this same experience. Therefore, subjec-tive apprehension must remain open to a type of absence or radical indeterminacy. This notion of transcendence must be grounded in bodily experience, and the challenge is to develop a notion of logos that can account for its sensible donation. We describe that the critical apparatus mobilized to achieve this goal, primarily through the notions of “field of presence” and “presentation”, re-stores a logic of consciousness in these analyses that focus on the body. Keywords

This study focuses on the use of gamification, specifically the UrbanGame activity, to enhance heritage education related to the Spanish Civil War bombings in Alicante. The research aims to evaluate the effectiveness of active methodologies in raising cultural heritage awareness among university students. By employing a combination of collaborative work, meaningful learning, problem-based learning, discovery learning, concentration, and motivational strategies, the study involved 122 students from primary and secondary education programs. The methods included the design and implementation of the UrbanGame, followed by surveys to collect quantitative and qualitative data on students' perceptions, satisfaction, and learning outcomes. The results indicated that while collaborative work did not have a significant impact on content comprehension, skill acquisition, or value acquisition, meaningful learning showed a positive trend towards content comprehension. Problem-based learning had a weak but notable relationship with content comprehension, while motivation and concentration significantly influenced learning outcomes. Additionally, the UrbanGame activity promoted memory and cultural heritage by emotionally connecting students with local history. The findings suggest that an integrated approach that combines various active methodologies is essential for maximizing educational effectiveness and cultural promotion.

Edvard Munch, a founder of Expressionism was pre-occupied with depicting his subjective experience and the most prolific painter of self-portraits since Rembrandt. Based on evidence that faces and self-related images are more salient than other objects it is plausible that self-portraits, in which the subject and object are the same, reflect the artist’s state of mind. Although he suffered from a variety of physical and psychological illness Munch was not diagnosed with any specificity in his lifetime. Posthumous diagnoses include schizophrenia, anxiety, bipolar and other disorders. Recent research has revealed altered visual perception in such patients. The present study empirically analysed three stylistic elements of Munch’s painted self-portraits and portraits: contrast, colour and fractal dimension and his painted productivity, to determine if variations correlate with critical life events and if so whether they indicate states of mind. It found significant increases in contrast and colour brightness and persistent high complexity during critical periods supporting the conclusion that Munch is diagnostically best described as suffering from early onset schizophrenia and comorbid social anxiety disorder.

Many have speculated that events of personal and financial loss in Rembrandt’s life caused depression and that this is revealed by examination of his self-portraits particularly those painted in old age. Some report detecting various physiological diseases associated with aging, including vision impairment, which may have affected his mood and work. Aging and neurodegenerative disease which often accompanies it, are both associated with depression. Recent advances in imaging and computer technology make it possible to empirically examine changes in artistic style which can contribute to understanding artists’ physical and mental health. In the current study changes in contrast, colour and fractal dimension were measured in the entire corpus of Rembrandt’s painted self-portraits and portraits to determine whether changes in style indicate depression or disease. Productivity was also examined as an indirect indicator. Given the high salience attributed to self-images, it also examined whether differences in style could be detected between self-portraits and portraits of related and unrelated others. The results indicate that it is unlikely that Rembrandt suffered from unipolar or bipolar depression, age-related cognitive decline, or neurodegenerative disease. The data are consistent with someone experiencing episodes of low mood consistent with normal grieving and adversity followed by resilient recovery. There is evidence of a gradient in saliency and complexity between self-portraits and related and unrelated portraits, of a less formal style in portraits of related others and of a ‘late’ style identified by leading art historians consistent with macular degeneration. The results are also consistent with an association of aesthetic preference with mid-level fractal values tending towards the Golden Mean long associated with beauty in nature and in art.

This paper considers how prehistoric rock art can illuminate the environmental conditions of a vast but poorly known region in the distant past and in the process shed light on issues of environment, faunal survival, and cultural change. The rock art being considered here is located in the Baga Oigor valley of Bayan Ölgiy aimag, northwestern Mongolia; together with the petroglyphic complexes of Tsagaan Gol and Aral Tolgoi, it is part of the largest, most ancient, and best–preserved body of rock art in this mountainous region dividing North and Central Asia. The Baga Oigor complex itself includes materials dating from the late Paleolithic (12,000 yrs BP) through the Turkic Period (mid-first millennium CE). Within the thousands of compositions included in the complex, one of the least noticed images is that of the moose (Alces alces). Yet as much as any other animal representation within the petroglyphs of Baga Oigor, this image reveals the radical transformation of the environment of the Altai Mountains over several thousand years and its cultural implications. The examination of Alces alces and of its pictorial contexts sheds light on a world inhabited by ancient hunters and herders and sharpens our understanding of the dynamics of cultural change.

Saudi Arabian cities have experienced a rapid expansion of their urban areas - particularly their city centers - over the last four decades. This has resulted to an increase in vehicular usage, which has adversely affected the daily walking experience of the residents. Walkability has several positive effects on people's health as well as the environment in cities. In addition to being a means of transportation, it also helps people create a sense of place, enhancing their image ability to be easily understood as a legible urban structure, and deepen their emotional bond with the city. Using the medium-sized Saudi Arabian city of Onaizah as a case study, this study looks into the feasibility of creating urban walking corridors to encourage users to walk more. According to Saudi Arabia's Vision 2030, which emphasizes the value of sustainable urban development and raising quality of life for residents, the study addresses walkability as a generator to maintain and improve the urban scene of the city center. Geographic Information Systems (GIS) was used to analyze the data and generate the urban corridors in the city center. The results showed the possibility of improving walking in Onaizah through three urban corridors to the city center, measuring 1,401 meters, 1,283 meters, and 1,507 meters, respectively. These corridors represent urban, commercial and heritage corridors, giving an opportunity for planners and decision makers to challenge prioritize pedestrian connectivity and enhance the physical environment, leading to sustainable urban development. This research paper used various criteria analysis methods to provide a comprehensive assessment of various factors to conclude these urban corridors; for example, assessments of land use, transportation and environmental considerations. The study aligns with Saudi Arabia's vision 2030 by promoting walking and enhancing the city's overall walkability while offering Onaizah society by creating and suggesting urban corridors to the city center a sustainable and livable urban environment.

Scholars of the English Literature unanimously say that J.R.R. Tolkien and C.S. Lewis influenced each other writings. For the first time we have investigated this issue mathematically by using an original multi–dimensional analysis of linguistic parameters, based on surface deep–language variables and linguistic channels. To set our investigation in the framework of the English Liter-ature, we have considered some novels written by earlier authors, such as C. Dickens, G. Mac-Donald and others. The deep–language variables and the linguistic channels, discussed in the paper, are likely due to writers’ unconscious design and have revealed connections between texts far beyond writers’ awareness. In summary, the capacity of the extended short–term memory required to readers, the universal readability index of texts, the geometrical representation of texts and the fine tuning of linguistic channels within texts – all tools largely discussed in the paper – have revealed strong connections between The Lord of the Rings (Tolkien), The Chronicles of Narnia, The Space Trilogy (Lewis) and novels by MacDonald, therefore in agreement with what scholars of the English Literature say.

This the term "Bubungan Tinggi" (High Roof) in this study refers to the banjarese traditional house. A significant artifact in South Kalimantan is called Bubungan Tinggi. With its unique typology and anatomy, this particular building has evolved into an iconic structure that symbolizes the collective memory of the Banjarese people. This research aims to showcase the versatility of the Bubungan Tinggi design in modern architecture by exploring different transformation models. By applying various techniques and approaches, the study provides insights into how this traditional Banjarese character can be adapted for new house designs. The Bubungan Tinggi's transformation process reveals characteristics in its fundamental components, which are distinguished by their geometric objects. Experimental design is the methodology employed in this study. This methodology shows that a variety of transformation models may be carried out by introducing and identifying the Bubungan Tinggi, observing objects in case studies, using transformation techniques and their application, and creating transformation models. This research produced a variety of modeling results that illustrated new interpretations of bubungan tinggi's in modern house design. The incorporation of traditional elements like the bubungan tinggi in modern house design can help preserve cultural heritage while also creating unique and innovative architectural solutions.

Interactive Digital Media have become the most important pillars on which contemporary 21st century scenography is based, allowing for the use of many modern digital media as scenographic elements. With the steady development of digital arts, particularly digital animation, it has become a key role as a 21st century in presenting their theatrical visions. My own issue is the use of digital Media as an Interactive scenographic element, as evidenced by the design of several spatial environments within the framework of an idea and a dynamic scenario that interacts with the Several Scenes of the theatrical Performances and is displayed on screen walls or dropped on thematic elements, resulting in a type of interaction between them and the Scenic Design. My project includes instances of models exhibiting the link of designs to theme composition on stage, such as works utilized in plays, musical/motion drama, and event performances . The design used music synced with digital animated media designs as a scenographic element to reinforce the overall visual picture. The study paper examines a theory of my own project, in which I offer a dynamic exhibition of full-back digital settings in rhythm with the music, suited to its movement and the character of the performance, to be employed as a Scenographic element at a Proscenium Theater (12W x 10D x 7H).

This paper presents a comprehensive bibliometric analysis of research on form and typology in architectural publications, spanning from 1999 to 2024. Utilizing the Web of Science database and the bibliometrix package in R, the study examines trends, influential works, and thematic evolution in the field. The findings reveal a progression from foundational themes such as "architecture," "culture," and "planning" to more specialized and diverse topics, including "sustainability," "parametric design," and "digital fabrication." Key influential works by authors like Jane Jacobs, Kevin Lynch, and Bill Hillier are highlighted. The study also underscores the collaborative nature of contemporary architectural research, with significant international co-authorship. While providing valuable insights into the research landscape, the study acknowledges limitations, such as database reliance and the need for qualitative analysis. The paper concludes with recommendations for future research, emphasizing the exploration of emerging technologies, interdisciplinary collaborations, and regional research dynamics.

Instagram is a popular social media platform among youth, with over a billion active users worldwide. The platform allows users to share photos, videos, and stories and connect with friends and followers. Instagram has become a significant part of youth culture, with many young people spending a considerable amount of time on the app. According to Enterprise (2012:02), Instagram is a community shared among one member with other members from all over the world. This study examines the impact of Instagram on the physical and mental well-being of Indian youth. With the rapid proliferation of social media platforms in India, Instagram has emerged as a prominent influence on the lives and perceptions of young individuals. Studies have shown that using Instagram among youth can have positive and negative effects. On the positive side, Instagram can be a way for young people to express themselves, connect with others, and discover new interests. However, excessive use of the platform can also lead to negative outcomes, such as social comparison, anxiety, and low self-esteem. Instagram addiction among youth is a growing concern. Some young people may feel compelled to check their accounts frequently and may experience negative emotions if they are unable to do so. In extreme cases, excessive use of the platform can interfere with daily activities and relationships, leading to a negative impact on mental health. Parents and educators can play a role in helping young people manage their Instagram use. This can include setting limits on screen time, encouraging healthy online habits, and promoting offline activities and social interaction. Additionally, mental health professionals can offer support to young people who are struggling with addiction or other negative effects of Instagram use. This study explores the prevalence of Instagram dependency among Indian youth.

A nation's social, economic, and political emancipation is ineluctably connected with functional education systems in which people learn to create new institutions, utilise new technologies, cope with vagaries and difficulties in their environment, and positively alter their behavioural patterns. Education in a broad sense improves the capabilities of individuals and the capacity of institutions and becomes a catalyst for the closely interrelated economic, social, cultural, and political changes that are parts of the hallmarks of national development. Nevertheless, a teacher stands out as a crucial figure within any educational institution, wielding significant influence in effecting these changes and transformations. Teacher education is broad. It is based on the praxis that teachers are made in contrary to the assumption that teachers are born. Since teaching is considered an art and a science, the teacher has to acquire not only knowledge but also requisite skills needed in carrying out his or her inestimable duties or services. The efficiency and effectiveness of every educational system hinge significantly on the educational achievements of teachers. After all, no education can surpass the quality of its educators. Thus, every nation places demands and expectations on the teacher, which need to be addressed by both initial and continuing teacher education. On this note, this paper examines teacher education with respect to its praxis and professionalism, examines the nexus between teacher education and socioeconomic as well as political emancipation, analyses the challenges of teacher education in Nigeria, and in the final analysis, gives recommendations based on the identified challenges.

From the critical premises that underpin the debate between archeology and architecture, evi-dence emerges, namely that the musealization of building or urban remains of the past is even more harmful, for the purposes of its real understanding, than that of any other artefact. In a country, Italy, that has archeological presences more than any other, architecture must contribute to overcoming the consolidated aporia that the Contemporary, understood not only as a period but also and above all as its “forms and functions”, it’s structurally in opposition to the conser-vation of the archeological heritage. What is presented is an attempted exercise for “inhabiting archaeology”, that is, trying to re-grant inclusive usability to a historical fragment, which has lost the elements necessary for its habitability. The set of questions, doubts and steps have been high-lighted more than the final “figure” of the project: an essential form directly connected with the primordial principles of its constitution, for a project that protects and encourages to visit the complex, trying to offer new perspectives, new narratives and new connections that translate into the possibility of being – for those who visit this place – the protagonists of a unique experience made of history, memory and continuous discoveries.

A processual texture lies at the core of phenomena that undergo change. Philosophers have observed the incessant becoming of our world from antiquity to the present day, but an explanation must still be found in terms of contemporary metaphysics. This article strives to bring the focus on the domain of possibles, an under-theorised philosophical issue that dwells in the ontological realm between the possibility and its actual realization. Sketching a more comprehensive concept of the possible unravelling the thread of its main meanings, the process of change will be not simply clarified from inside, but also understood as an activator of reality. Finally, the discussion will argue for a principle of prudence and responsibility derived from an ontological basis.

: This study explores the perceptions of Chinese learners in Spain regarding the use of social networks for informal Spanish language learning. The objective is to identify the challenges and benefits of using social networks to address the real needs of students in learning Spanish. A qualitative phenomenological approach was adopted, focusing on participants’ perceptions before and after using social networks. Eight Chinese students were selected for the study. The study was conducted in Valencia and Barcelona, Spain, from 1 September 2023 to 20 March 2024, and three commonly used social media networks were compared. The results indicate positive perceptions towards social media as a tool for learning Spanish, highlighting its usefulness in improving language skills and enhancing cultural awareness. Additionally, Xiaohongshu and Bilibili emerged as the most popular platforms for Spanish language learning among Chinese students. This study concludes that social media effectively meets the authentic needs of Chinese students learning Spanish in Spain, enhancing both language skills and cultural adaptation. This multifaceted approach reflects the complexity of learning Spanish in the digital age, combining personal passion, professional aspirations, and cultural adaptation needs.

Wetlands play a crucial role not only in providing ecological services but also in enriching the cultural and spiritual life of human society. Despite this, their cultural values have often been overlooked. The formal recognition of cultural values began with the Ramsar Convention in the 1970s, which acknowledged wetlands as resources of great economic, cultural, scientific, and recreational value. The wetlands of Majuli are of profound cultural and socio-cultural importance, particularly in terms of religious and spiritual significance, as well as recreational value. This study examines the cultural services provided by the wetland ecosystem of Majuli, focusing on its significance in the local human-environment nexus. Utilizing a qualitative approach with quantitative aspects, data was collected from primary sources through observation, interviews, and group discussions, along with secondary sources such as books, journals, and web portals.

The early Church had an incredible encounter with the resurrected Christ. Being living witnesses, Christ’s followers spread the Gospel in the world through the power of the Holy Spirit. This piece argued that the Bible contains methodologies used by the Apostles who laid down their lives for the sake of the message of the Cross. Furthermore, it has been contested in this study that the emphasis today has shifted to personal theological agendas of reading the Bible for intellectual preferences. As a result of Christianity’s current emphasis on dogmatic beliefs, various unbiblical approaches to reading the Bible have emerged that ignore the ethical reading of the Bible. This study has reinvestigated the reasons to apply this approach in our modern era to live the Bible rather than any other approach. And one among them is the Enlightenment era which distorted the relationship between ethics and theology (Perry 46). Apart from the above, this study also revealed that many Bible believers have twisted biblical truths because they focus on their convictions. As a result, many strategies fail to provide sound biblical teachings to understand any particular event in the light of the original message of the Bible to reflect upon our situation today. Therefore, in light of the above, on the one hand, the approach of the early Church Fathers is used to reimagine contemporary challenges from this perspective. On the other hand, even though thousands of books have been written on various methodologies to study the Bible, the core concern to critique these current approaches is not personal or denominational, religion-based but rather 'invitational and servational' to live with these biblical beliefs to reorient an ethical approach towards cross-cultural reading in our local and global contexts addressing the problems (injustice and marginalization) and responding to the contemporary challenges.

In a recent paper, Nicolas Gisin suggests that by conducting physics with intuitionistic rather than classical mathematics, rich temporality - that is, passage and tense, and specifically, the future’s openness - can be incorporated into physics. Physics based on classical mathematics is tenseless and deterministic, and that, so he holds, renders it incongruent with experience. According to Gisin, physics ought to represent the indeterminate nature of reality, and he proposes that intuitionistic mathematics is the key to succeeding in doing so. While I share his insistence on the reality of passage and tense, and on the future being real and open, I argue that the amendment he offers does not work. I show that, its attunement to time notwithstanding, intuitionistic mathematics is as tenseless as classical mathematics, and that physics is bound to remain tenseless regardless of the math it employs. There is much to learn about tensed time, but the task belongs to phenomenology and not to physics.

Sustainable development and education in sustainable development (ESD) are crucial and interconnected topics under wide discussion today. Young adults need to be educated in how to help bring about change. Thus, the dynamic relationship between school and home is important. In education, use could be made of English language classes, especially since English is a global language that enables access to the sustainability literature and facilitates discussion in global conferences and meetings. Consequently, English as a foreign language (EFL) students could gain confidence from being able to understand and use the terminology of, for example, sustainability. In this paper, the use of competence-based language teaching (CBLT) is proposed as a means of introducing sustainability topics into EFL writing classes at a university in Saudi Arabia. Students’ competence in sustainable development is therefore considered based on their ability to write about suggested sustainable development topics, measured on a scale for five dimensions of ESD proposed by Michelsen and Fischer (2017). The results demonstrate that the students possessed competence in sustainable development and intended to participate in its implementation. Thus, recommendations are made for the stakeholders in the education sector to include sustainable development topics as an initial offering in the curricula of various specialties using the CBLT approach.