The film’s treatment of its subject is belligerently hamfisted, disingenuous, and incurious.
‘Blink Twice’ Review: Zoë Kravitz’s Me Too Thriller Borrows from the ‘Get Out’ Playbook
The film somehow shows its hand too early and plays its cards too close to its chest.
Silver and his two stars discuss their endlessly rewarding collaborative process.
Woo’s old-school methods are in full effect, but they lose their elegance on digital.
Only the third-act showdown inside an opera house elevates this mostly uninspired remake.
Death Will Come is a conspicuously de-glamorized tale of violent characters on society’s fringes.
‘The Outrun’ Review: Saoirse Ronan Soars in Drama About Navigating the Waves of Addiction
The way Nora Fingscheidt captures two modes of life is one of the film’s greatest strengths.
This tale of spiritual and neo-colonial exploitation is unfocused and unrelentingly somber.
This cunningly devised thriller wields our assumptions against us like a sharp implement.
‘The Deliverance’ Review: Lee Daniels’s Haunted House Story Is Elevated by Human Drama
Andra Day and Glenn Close bring the film to life in a way that the literal ghosts wish they could.
Fede Álvarez maximizes what made the original movies so compelling.
The exhibition encourages a critical perspective on movie props and the world they come from.
Campillo’s oddly paradoxical film is at once lackadaisical and urgent.
In Constance Tsang’s feature-length directorial debut, silence speaks volumes.
These found-footage films further solidify Jude’s status as one of our most vital artists.
Monica Sorelle’s Mountains is a film about work that nonetheless champions leisure.
The film sees intimacy and isolation as two sides of the same coin.