Review: In The Brothers Size, Family Is a Burden and a Blessing
Review: Ms. Holmes & Ms. Watson – Apt. 2B Is an Unremarkable Sherlock Holmes Riff
Review: I'm Almost There, Todd Almond's Big Apple Odyssey
Review: A Knock on the Roof and a Palestinian Mother's Struggle to Survive
Review: Dylan Mulvaney’s Faghag at Edinburgh Fringe
Review: Hillary and Hilarity: Soft Power Delivers Political Satire via Tuneful Fantasy
Review: Pretty Perfect Lives Trapped in the Social Media Matrix
Review: Someone Spectacular Translates the Individual Experience of Grief Into the Universal
Review: Sutton Foster and Once Upon a Mattress Hit Broadway With Its Raucous Charms Intact
Review: Women Show Their Might in a Mesmerizing Revival of Nine
Review: Kristin Chenoweth-Led The Queen of Versailles Has Curb Appeal but Not Much Else
Review: Life and Trust Aims to Be the Next Big Immersive Hit After Sleep No More
Review: Two Infamous Lawyers Go Head-to-Head in a Hilarious Cellino V. Barnes
Review: On Broadway, Downtown Hit Job Has Emperor's New Clothes Syndrome
Review: Six Characters in Search of Coherence
Review: The Substance of Fire Starring Rob Morrow Gives Off Only Half the Heat
Review: Inspired by True Events Depicts the Backstage Drama at a Community Theater
Review: The Journals of Adam and Eve, a Lackluster Tell-All of the First Couple
Review: Ain’t Done Bad Is a Gay Country Dance Fantasy
Review: Empire: The Musical Falls Way Short of Its Monumental Subject
Review: Oh, Mary! Cole Escola’s Riotous Broadway Debut
Review: A Midsummer Night's Dream That Offers a True Summer Evening Delight
Review: Odd Man Out Exemplifies Visionary Storytelling…Without Sight
Review: From Here Is a Musical About the Pulse Massacre — Sort Of