King Charles and Jonathan Yeo: the making of a viral portrait

Verdicts on the royal painting have ranged from gushing to outraged. We explain how chat, lobbying and Queen Camilla all played their part in the controversial commission

Jonathan Yeo, King Charles and the picture
Jonathan Yeo, King Charles and the picture
AARON CHOWN/POOL PHOTO VIA AP
The Times

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Forget Cavaliers versus Roundheads, republicans versus monarchists or even Harry versus Wills. The question dividing royal watchers this week is: King Charles in oils, triumph or disaster? Never before has a royal portrait gone viral. Hans Holbein may have held Whitehall spellbound and Van Dyck might have set the court buzzing, but this is the first painted portrait of a king to hit social media and the nation is split down the middle. Half of us are swiping right in patriotic approval, half swiping left in iconoclastic protest.

Comments by Times readers showed a pretty even split. The detractors couldn’t get along with the background: “disembodied head and hands floating in a sea of crushed raspberries”, “suspended in a sea of blood”, “it looks