Michael Corder’s 1996 staging of Prokofiev’s fairy-tale ballet, in the late David Walker’s beautiful designs, is one of English National Ballet’s most sumptuous productions. And since Corder’s fluent, shapely and thoroughly classical choreography shows off the dancers’ strength at all ranks — corps de ballet, artists, soloists, principals — it was a suitable choice for revival this season to celebrate the company’s diamond jubilee (the anniversary fell last weekend). Opening a brief Coliseum visit, the Czech-born senior ballerina Daria Klimentova combined the sweet soulfulness of downtrodden Cinders with the full-blossomed radiance of the ballroom princess. Her Prince was the very talented 20-year-old Russian Vadim Muntagirov, with his plush leaps, elegant stage presence and exemplary partnering. Adela Ramirez and Sarah McIlroy seize both the comic and spiteful aspects of the stepsisters with relish, while Jane Haworth makes the stepmother chillingly vicious. We have luscious dancing from the season fairies and cavaliers, stars and courtiers; but an excess of zeal in one respect from Corder: to use every note of music Prokofiev wrote.