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El Barkla

@elbarkla

art human. games too much. all work tagged #elbarklaart is mine. she/her 💜🤍🐀🖤
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reblogged

everyone make sure to set out cheese & crackers for neil tonight <3

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honeyhobbs

Drew the king himself for his big day!! Banging out his tunes another year!

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Check it out everyone, 3 years of art progress! And I wrote a guide for beginners! 😊

Hi! I’m Laura, age 31. I’ve always drawn occasionally, but never really stuck with it. Frankly it stressed me out. I’d draw for a month, then cry a bunch, then quit for a couple more years. But this time I turned it into a habit somehow. I’ve been drawing near-daily since Feb ‘21 and my life is better for it. Art’s a huge part of me now; it affects how I spend my time, how I express myself, and how I see the world. I feel like a happier, more complete human being.

So here’s what worked for me. This is a guide for hobbyists (I don’t have commercial ambitions) and it may or may not work for you. But I hope you can learn something from it regardless. Without further ado, my thesis:

 ~ Laura’s Steps for Drawing A Lot and Hopefully Getting Better ~

 1 – Manage Your Health 

Know what’s bad for your art? Depression! Glad I got around to treating mine. But for real, if you lack self-confidence you might want to check your mental health. It isn’t the sole factor but it can rapidly overtake the others. Every day I see a post like “how do I improve, every time I try to draw I’m overwhelmed with thoughts I’m bad at everything and a burden to the people around me”. That’s relatable but not a healthy way to see yourself. Low self-esteem can be treated. Please consider talking to someone - you’re a wonderful, lovable person and deserve a happy life.

Also, try to get plenty of sleep and eat regular meals; it helps with everything. Exercise is worth a shot too. Going for walks is good for your mind and body. Yes it’s boring, but boredom gives you space to imagine things.

 #2 – Make It Fun

You’re taking this too seriously. Yes, you. It’s just a hobby. Take the pressure off. Have fun.

What does that mean? It means you need to make art approachable. It has to be a comfort hobby you’re naturally drawn to. That means killing all thoughts of what you SHOULD do. If it makes you want to draw, go for it. Anime characters? Pretty ladies? Fanart? Furries? Doodles from imagination? Zentangles? Pencils? Digital? Do it. If drawing the “right way” burns you out, draw things the wrong way instead. You know who draws a lot? Children. You know who doesn’t draw super well? Children. Have that mindset. Draw like a child. Don’t compare yourself to others; just enjoy the process of creating something. You had that ability once and I know you can reacquire it.

 Intimidated by an empty sketchbook? Don’t wanna ruin a white page? That’s OK; find something you don’t mind ruining. Grab a half-used notebook and a ballpoint pen. You EXPECT those to look horrendous. If you can have fun filling that notebook, you can have fun drawing regularly, and if you draw regularly you can slowly improve your art. It happened to me. I went from rarely drawing to wanting to do it every day. I still sketch in ballpoint now; it’s fun and comfortable.

Also, if drawing’s NOT fun? That’s OK too! There’s loads of ways to express creativity; go do do one of those. For me it was The Sims 3, then knitting, then drawing. Find something accessible and build your confidence up. The world needs bonsai trees and Minecraft castles just as much as drawings. <3

#3 – Seek Instruction

You’ve made drawing a habit, congratulations! You’ve probably learned heaps already; it’s natural to work out techniques as you go. But deducing art wisdom from scratch isn’t super efficient. There’s no need to reinvent the wheel when you can learn so much from others.

You can do a paid course (great way to meet people), but you don’t have to. All the information’s free on the internet! Teachers will cover the same things in different ways or from different perspectives. There’s no exclusive knowledge; the more you study, the more overlap you’ll notice. It all comes together for a more complete understanding of fundamental concepts.

Here’s some of my favourite resources (currently all available free online)(except the Winslow one which was taken down, boo):

  •   r/artfundamentals, ie. drawabox.com . A great starter course on how to hold a pen, draw lines, build forms and so on. You can follow structured lessons or just practice whatever you need to.
  • How to Draw: Drawing and Sketching Objects and Environments from Your Imagination, by Scott Robertson. This book’s the gold standard on perspective and great for technical thinkers. It gets VERY advanced but there’s basic stuff to learn from as well. If the textbook intimidates you, try this excellent video playlist by Dan Beardshaw. He walks you through the same concepts in a simple approachable manner. Vital information if you want your work to look 3D.
  • anything by Andrew Loomis. He’s an icon for a reason; the Loomis head is a standard art tool to this day. I also enjoy the anachronistic career advice (“all advertisers will pay for a well-drawn head” or whatever it was). Here’s the ones I’ve read and enjoyed:
  • Fun with a Pencil
  • Figure Drawing for All It’s Worth
  • Drawing The Head and Hands
  • Creative Illustration (my current fave, great for composition)
  • Classic Human Anatomy in Motion, by Valerie L. Winslow. Hot take – people who say “learn anatomy” to beginners are idiots. SO MANY fundamentals come before anatomy if you wanna draw good-looking characters. You’ll get better results studying proportion, form, gesture, shapes and composition first. But if/when you want to learn bones and muscles, this is the book for you! It’s probably overkill, but I loved the breakdown of facial muscles and how they create expression. Top-tier reaction image material.
  • Proko!! Fabulous Youtube channel. Not only is Stan a great teacher, he invites on other artists too. Just go to his search bar and plug in a keyword; you’ll always find something helpful. I recommend his channel if you want to draw humans (loads of gesture, forms, proportion, anatomy etc.), but there’s a video or two on everything. Some of my other favourite videos:
  • Mind-Blowing Realistic Shading Tricks. Simple effective intro to light and shadow, I still go back and learn from it.
  • How to Draw Dynamic Shapes – FORCE Series Part 3. So compelling I bought the book afterwards. Blew my mind, instantly improved all my shapes and in turn my composition and gesture.
  • Painting Skin Tones and How Light Affects Color. Marco Bucci’s a genius with colours, he explains value and saturation in such fascinating ways.
  • Digital Shape Carving with Scott Flanders – good companion to the shading video above, teaches dramatic silhouettes and cel-shading within a really interesting workflow.
  • Google. Any question. Throw it in. Someone’s made a video or reddit post about it. You’d be surprised! I swear, the number of times I’ve typed “composition tips” or “digital watercolour clip studio paint” or “how draw horse head”.

Remember, take it easy. Don’t burn yourself out. Back off if you feel the tears creeping in. Study should supplement your drawings, not replace them. If in doubt, revert to step 2 – “bad” art is better than no art.

4– Study Life

If you did step 3 you’re way ahead of me on this one. USE REFERENCES. Draw things from photos (or real life if possible). Fill your brain with visual information. Here’s a thread I made for sharing references of humans.

What if you prefer to draw from imagination? That’s fine – try a hybrid approach. Doodle whatever comes to you, then look up references and try again. For example I’ll doodle a bear, then draw from photos of bears, then doodle new bears using the things I learned. It’s fun and also a good way to test your knowledge. You may also enjoy combining different references; eg drawing animal fusions, combining poses with an outfits etc. It gets easier to do the more you practice.

Between art pieces I keep a balance between drawing from imagination, drawing from reference, following art lessons, and studying other artists. Speaking of which –

5 – Study Art

Ever heard “Don’t draw anime until you’ve learned anatomy?” or “Learn the rules before you break them?” I strongly disagree with both of those statements. Fundamentals are great but there’s never a point you stop learning them, and studying life won’t teach you how to stylise. That’s why you also need to learn from your favourite artworks. This gets easier/more efficient as you build your broader art skills, but you can learn styles at any point of your art journey (see – step 2). In fact, it makes study more enjoyable, since stylised art can look better and feel more “you”. You already know what you want to create– why not start now?

Let’s take anime as an example. That’s a huge genre with loads of variation. So, what’s your personal taste? Round and cute, or sharp and serious? Choose your favourite shows and study how they do it. Observe their lines, shapes and proportions. Then try it yourself. Make fanart. Not only is replication good art practice in general, it’ll teach you a bunch of new tricks. For original work, pull from loads of sources, the more diverse the better. Work in your love for Silver Age comics or medieval tapestries or German expressionism. The more places you learn from, the more unique and personal your style will be. Your art becomes a visual scrapbook of all the artists you love. I think that’s beautiful. <3

 6 – Find Community

Art friends! Best thing ever. You can bond over your shared obsession, commiserate over tough parts, and learn about art together. A lot of my drawings are in-jokes exchanged with my BFF. I’ve known them from childhood (lucky) but apparently adults can make friends too. Fandom spaces are great for this; many Discord channels have a dedicated artists’ zone. You can also try r/sketchdaily or challenges like Mermay/Inktober if you want a sense of community.

If you don’t have art friends (yet), that’s OK; parasocial works too! I like watching “Draw With Me” content on Youtube. It’s great to put on while you’re creating, especially when you don’t have the energy for something educational. Not only is it inspiring, you can learn tips and tricks along the way. And of course, you can never go wrong with Bob Ross.

 7 – Be Interesting

The very first step was to manage your health. In a way, we’ve looped back to the beginning.  Because no matter what you do, art begins and ends with who you are. You can practice fundamentals 12 hours a day but if you never live your life, you’ll never make interesting art. No one cares for artists whose only character trait is how hard they grind. So go be the most vibrant version of yourself. Take up weird hobbies. Make weird friends. Seek new experiences. Question the beliefs you grew up with. Read books for a while instead of drawing. Develop your principles. Embrace what makes you different. Survive the worst year of your life somehow. Learn what makes you thrive. Your art won’t be for everyone. But it WILL mean the world to some. And to me, that’s the whole point of doing this. Good luck, fellow artist. The world is your adventure yet to come. I believe in you. <3

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