Svoboda | Graniru | BBC Russia | Golosameriki | Facebook
Front cover image for Shakespeare and the traditions of comedy

Shakespeare and the traditions of comedy

Leo Salingar (Author)
This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how the Italian Renaissance revived the classical tradition, and what effect this revival had on Shakespeare the Elizabethan playwright and discusses such topics as the device of the play within a play and Shakespeare's choice of Italian short stories as plot material. This book shows how Shakespeare changed the motifs he took over from previous traditions of comedy and highlights the innovations he introduced, as an actor-dramatist writing in the first period of commercial theatre in Europe
eBook, English, 1974
Cambridge University Press, Cambridge, 1974
1 online resource (x, 356 pages) : PDF file(s).
9780511553189, 0511553188
1144341698
Part one: the unfaithful mirror
Comedy as celebration
Character and plot
Part two: medieval stage romances
Early Elizabethan romances
Medieval stage heroines
Egeon and Apollonius
Survivals of medieval staging
Part three: 'errors' and deceit in classical comedy
The trickster in classical comedy
The trickster, continued
Part four: Fortune in classical comedy
The wheel of fortune
Fortune as trickster
Part five: Shakespeare and Italian comedy
Three Italian comedies
Double plots in Shakespeare
Part six: An Elizabethan playwright
The player in the play
Marriages and magistrates
Title from publisher's bibliographic system (viewed on 05 Oct 2015)
English