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Guernsey Press

Music entrepreneur who toured with Led Zeppelin is made an OBE

Philip Dudderidge also worked as the house engineer for the famous Implosion Club concerts at London’s Roundhouse in the 1970s.

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An entrepreneur who began his career as Led Zeppelin’s touring soundman and went on to a lead a global music technology group, has been made an OBE.

Philip Dudderidge, 75, described himself as a “a teenage rebel who went into the music industry” but found touring America in 1970 with the rock legends a physically punishing ordeal.

He is the founder and chairman of Focusrite, a global firm that supplies hardware and software used by professional and amateur musicians and the entertainment industry.

Melody Maker Pop Poll – Led Zeppelin and Sandy Denny – London
Members of Led Zeppelin John Bonham, Robert Plant and Jimmy Page, alongside singer-songwriter Sandy Denny following the Melody Maker Pop Poll in London in 1970 (PA)

“Not only doing the shows but then having to drive between cities – we did 28 cities in a month – so by the end of it I was completely exhausted. I just said ‘I can’t do any more’. We were only a crew of three, these days they’ll have 50.

“Really, what I learned in the States was the direction of travel for live sound amplification – systems needed to get a lot bigger.”

He was reunited with Led Zeppelin’s lead singer Robert Plant recently, decades after the two men worked together.

Philip Dudderidge with Led Zeppelin’s Robert Plant (Joanna Dudderidge/PA)

He said: “Elton John played and a band called America did their first gig, but so many bands, more bands then I can even remember.”

He later co-formed a number of music industry businesses before finding further success with Focusrite, and his career was honoured during a Buckingham Palace investiture ceremony hosted by the Princess Royal.

Investitures at Buckingham Palace
Philip Dudderidge is made an OBE by the Princess Royal (Aaron Chown/PA)

“My last gig was at the then Odeon Hammersmith with Ry Cooder. It was just a one-off gig and I deputised for the usual sound engineer and that was the last show I mixed.

“There’s nothing more artistically satisfying then mixing a live show, and feeling what the audience was hearing. Well, it’s down to the band but it was completely up to you how you represented the band.”

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