Books & Culture
The New Yorker Interview
The Scholar of Comedy
Jerry Seinfeld on how to write jokes, the ending of “Curb Your Enthusiasm,” and the world-historical struggle to invent the Pop-Tart.
By David Remnick
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The Weekend Essay
How to Eat a Rattlesnake
In my native Oklahoma, snake meat was a masculine trophy, edible proof that you were willing to tangle with death.
By John Paul Brammer
Infinite Scroll
The Dada Era of Internet Memes
How the viral TikToks of a Chinese glycine factory elucidate our increasingly chaotic digital environment.
By Kyle Chayka
Infinite Scroll
The Internet’s New Favorite Philosopher
Byung-Chul Han, in treatises such as “The Burnout Society” and his latest, “The Crisis of Narration,” diagnoses the frenetic aimlessness of the digital age.
By Kyle Chayka
The New Yorker Interview
How to Publish a Magazine in a Maximum-Security Prison
For decades, Wilbert Rideau investigated America’s prison system—from the inside.
By John J. Lennon
Books
Books
Briefly Noted
“Knife,” “A Travel Guide to the Middle Ages,” “Neighbors and Other Stories,” and “Butter.”
Books
How Far Should We Carry the Logic of the Animal-Rights Movement?
People who think seriously about the use and abuse of nonhuman creatures often end up calling for changes that might seem indefensible—at least, at first.
By Kelefa Sanneh
Annals of Gastronomy
Mastering the Art of Making a Cookbook
Working with Julia Child and a host of author-chefs, the editor Judith Jones transformed American kitchens.
By Adam Gopnik
Under Review
The Best Books We’ve Read in 2024 So Far
Our editors and critics review notable new fiction, nonfiction, and poetry.
By The New Yorker
Movies
The Front Row
“The Feeling That the Time for Doing Something Has Passed” Is a Deceptively Plain Masterpiece
Joanna Arnow’s new film mines the comic potential of distance and framing, in an examination of degradations large and small.
By Richard Brody
The Front Row
“Civil War” Is a Tale of Bad News
Alex Garland’s grim political fantasy about secession and violence revolves around a war photographer but has little to say about the making and consumption of news images.
By Richard Brody
Director’s Commentary
Julio Torres on the Rocky Relationship That Drives “Problemista”
The director dissects a key scene that establishes the dynamic between his character, who is embroiled in the U.S.’s immigration systems, and Tilda Swinton’s “temperamental art-world lady,” down to the meanings of their hair styles.
By The New Yorker
The Front Row
The Rediscovery of a Depression-Era Masterpiece
A new restoration of Frank Borzage’s “Man’s Castle,” starring Loretta Young and Spencer Tracy, showcases the visionary Hollywood director’s lusty yet spiritual artistry.
By Richard Brody
Food
Photo Booth
When Babies Rule the Dinner Table
In the past two decades, American parents have started to ditch the purées and give babies more choice—and more power—at mealtime.
By Alexandra Schwartz
Photography by Olaf Blecker
Page-Turner
Fifteen Essential Cookbooks
The kitchen guides that New Yorker writers and editors can’t do without.
By The New Yorker
The Food Scene
The Return, Again, of the Power Lunch
Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.
By Helen Rosner
The Food Scene
Mexican-ish Fine Dining, with Detours
Corima offers attention-grabbing tortillas, Japanese flourishes, and an ambitious tasting menu that hasn’t quite found its stride.
By Helen Rosner
Listen to lively debates about the art of the moment.Follow Critics at Large wherever you get your podcasts »
Photo Booth
In Justine Kurland’s Photographs, a Mother and Son Hit the Road
Some of the portraits in “This Train” have an Edenic quality to them, as if Kurland is asking: What if my kid and I were the only two people in the world?
By Naomi Fry
Television
On Television
“The Sympathizer” Has an Identity Crisis
The HBO adaptation of Viet Thanh Nguyen’s novel is part espionage thriller, part war drama, and part Hollywood satire—wild genre shifts that come at the expense of its protagonist’s interiority.
By Inkoo Kang
On Television
“Jerrod Carmichael Reality Show” Is Exhibitionism as Art
Two years after “Rothaniel,” the comedian has committed another moving—and deeply entertaining—act of self-exposure.
By Inkoo Kang
On Television
“In the Know,” a Promising Satire of NPR That Never Quite Tunes In
The stop-motion comedy from Zach Woods, Brandon Gardner, and Mike Judge lacks the zingy acuity of its creators’ best work.
By Sarah Larson
On Television
The Dark Delights of a Millennial “Mr. and Mrs. Smith”
Donald Glover and Maya Erskine star as spies-for-hire posing as husband and wife—and embody their generation’s emotional and economic malaise.
By Inkoo Kang
The Theatre
The Theatre
“Stereophonic” and “Cabaret” Turn Up the Volume on Broadway
David Adjmi’s cult-hit play features seventies-inspired rock songs by Will Butler, while Eddie Redmayne presides over a demonic version of the Kit Kat Club.
By Helen Shaw
The Theatre
Ralph Fiennes Sidles His Way Into Power as Macbeth
A hit British production of Shakespeare’s ever-timely tragedy arrives in D.C.
By Helen Shaw
Postscript
Christopher Durang’s Stage Directions for Life
The Tony-winning playwright’s dark, antic satires were many people’s gateway to theatre. I was one of those people.
By Michael Schulman
The Theatre
The Avant-Garde Is Back on the Launchpad
The Wooster Group gives the Richard Foreman play “Symphony of Rats” its signature spins.
By Helen Shaw
Music
Pop Music
The Tortured Poetry of Taylor Swift’s New Album
“The Tortured Poets Department” has moments of tenderness. But it suffers from being too long and too familiar.
By Amanda Petrusich
Pop Music
Olivia Rodrigo’s Relatable Superstardom on the Guts Tour
The pop star appears to revel in pleasure—even when she knows that whatever it is she’s thirsting after will probably get her into trouble.
By Amanda Petrusich
Persons of Interest
The Heart of Low
Alan Sparhawk and Mimi Parker’s marriage was one of the most extraordinary collaborations in rock. Now, a year and a half after Parker’s death, Sparhawk is back on the road.
By Justin Taylor
Pop Music
Vampire Weekend Doesn’t Want Your Defeatist Grousing
The band’s new album, “Only God Was Above Us,” is a treatise on inheritance, decay, generational dissonance, and the delicate idea of choosing optimism.
By Amanda Petrusich
More in Culture
Culture Desk
An Acclaimed D.J. Who Is Ready to Sing Again
The Welsh artist Elkka made her name with buoyant dance music. Now she’s reintroducing her voice.
By Kelefa Sanneh
Cover Story
Faith Ringgold’s “Sonny’s Bridge, 1986”
The late artist’s work recalls her pioneering spirit through vivid, inventive designs.
By Françoise Mouly
Art by Faith Ringgold
A Critic at Large
Academic Freedom Under Fire
Politicians despise it. Administrators aren’t defending it. But it made our universities great—and we’ll miss it when it’s gone.
By Louis Menand
Annals of Gastronomy
Are We Living Through a Bagel Renaissance?
A new wave of shops has made its mark across the country—and shaken New York’s bagel scene out of complacency.
By Hannah Goldfield
Culture Desk
What Cartoonists Saw in Isolation: A Portrait of the Pandemic
In the spring of 2020, artists captured silliness, sexiness, despondence, and hope. What does quarantine look like when viewed from the other side?
By Gabe Fowler
Blitt’s Kvetchbook
Up in Arms at Columbia University
Demonstrations and counter-demonstrations on campus and beyond.
By Barry Blitt
On and Off the Avenue
Spoiler Alert: Leftovers for Dinner
How to host a dinner party for nine using a pre-trash haul from Too Good to Go and other food-waste apps. Carb-averse guests, beware.
By Patricia Marx
Goings On
Teresita Fernández’s Shifting Sculptural Landscapes
Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.
Annals of Gastronomy
In Search of Lost Flavors in Flushing
Rediscovering the tastes of childhood in New York’s biggest Chinatown.
By Jiayang Fan