An Unearthed Johnny Cash Recording, and 11 More New Songs
Hear tracks by Normani, Nilüfer Yanya, Thom Yorke and others.
By Jon Pareles and
Hear tracks by Normani, Nilüfer Yanya, Thom Yorke and others.
By Jon Pareles and
Terms were not disclosed. The parties had been arguing over the payment of legal fees and James P. Spears’s financial oversight as his daughter’s conservator.
By Liz Day and
Answering your questions about the sound and substance of the pop superstar’s double album, and the way fans and critics have responded to it.
Sample her seven daring and eclectic albums as her latest, “All Born Screaming,” arrives.
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Anthony Roth Costanzo, Star Countertenor, to Lead Opera Philadelphia
Costanzo will be a rare figure in classical music: an artist in his prime who is also working as an administrator.
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5 Classical Music Albums You Can Listen to Right Now
Yunchan Lim’s collection of Chopin piano études, a new recording of Terry Riley’s “In C” and works by Marc-André Hamelin are among the highlights.
Review: John Adams’s ‘El Niño’ Arrives at the Met in Lush Glory
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
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Cristian Macelaru, Decorated Maestro, to Lead Cincinnati Symphony
He will begin a four-year term as the orchestra’s music director in the 2025-26 season, succeeding Louis Langrée.
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He’s Music’s Mr. Adjacent, Connecting Minimalism to Disco
Peter Gordon, who studied with Terry Riley, has always made music that is surprising but accessible. Now he’s starting his own record label.
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This week, fans turned out for a new documentary about Jon Bon Jovi and took in a performance led by Gustavo Dudamel at the New York Philharmonic’s spring gala.
By The New York Times
Voice of Baceprot has electrified audiences and built a large following in Indonesia. Now the group is taking its music to the West.
By Sui-Lee Wee and Nyimas Laula
His expertise on the electromechanical Mellotron helped define the band’s progressive sound in the 1960s and ’70s on albums like “Days of Future Passed.”
By Richard Sandomir
Possibly the most prolific archival record producer in history, he was a founder of the Mosaic label, which became the gold standard of jazz reissues.
By Giovanni Russonello
A discussion about the singer’s new album, “The Tortured Poets Department,” her “imperial era,” rumored relationships and production choices.
The rapper, Toomaj Salehi, was initially arrested after releasing music in support of the 2022 protests over the death of a young woman in police custody.
By Cassandra Vinograd and Leily Nikounazar
The singer talks about finding a new home for her first hit.
By Alex Barron, Lynn Levy, Michael Paulson and Daniel Ramirez
SFMOMA explores the galaxy of visual and technological design that has long revolved around the music we love.
By Chris Colin
The rapper, producer, actor and vegan talks about the connections between meat and masculinity, animal welfare and the environment.
By Cara Buckley
Listen to soon-to-be inductees Cher, Foreigner, A Tribe Called Quest and more.
By Lindsay Zoladz
The superstar’s 11th album is a 31-song excavation of her recent relationships that is not universally loved. Our pop team dissects its sound, themes and reception.
By Jon Pareles, Ben Sisario, Lindsay Zoladz and Caryn Ganz
In “Rebel Girl,” the punk frontwoman reveals the story of her life — the men who tried to stop her, the women who kept her going and the boy who made her a mother.
By Amanda Hess and OK McCausland
Nine years after the release of the album that changed his life, the saxophonist is bringing new collaborators and new parts of himself into his work.
By Hank Shteamer
The new musical doesn’t take itself too seriously and has many winning moments — almost enough to eclipse the weaknesses of its story.
By Elisabeth Vincentelli
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The Atlanta rapper and producer’s “We Still Don’t Trust You” reached the top of the Billboard 200 before the expected arrival of monster numbers from Taylor Swift next week.
By Ben Sisario
“Funeral for Justice,” the musician from Niger’s album due next month, amps up the urgency in his work: “I want you to know how serious this is.”
By Ben Sisario
Swift has been inescapable over the last year. With the release of “The Tortured Poets Department,” her latest (very long) album, some seem to finally be feeling fatigued.
By Matt Stevens and Shivani Gonzalez
A groundbreaking audio engineer, he provided the large-scale systems that brought tours by the Who and the Grateful Dead to life.
By Alex Williams
The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.
By Alexis Soloski
In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.
By Joshua Barone and Lila Barth
Mary J. Blige and Ozzy Osbourne were also voted in, but Sinead O’Connor, who died last year at 56, did not make the cut.
By Ben Sisario
Olga Neuwirth’s “Keyframes for a Hippogriff,” a chaotic explosion of postmodernism, had its American premiere, conducted by Thomas Sondergard.
By Zachary Woolfe
The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.
By Elisabeth Vincentelli
The son of the former Supreme says in court papers that the man who sought to help his mother after she became incapacitated also took advantage of her financially.
By Julia Jacobs and Lauren Herstik
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The singer, songwriter and multi-instrumentalist was close to Michael Jackson and Prince. After their deaths, her world crumbled and she had to rebuild on her own.
By Melena Ryzik
In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.
By Naveen Kumar
The students taking Harvard University’s class on the singer are studying up. Their final papers are due at the end of the month.
By Madison Malone Kircher
Two dancers from the Russian company were set to perform at a benefit for a prestigious competition for young dancers, but they were sidelined after protests by pro-Ukrainian activists.
By Javier C. Hernández
Taylor Swift said she channeled them; Patti Smith, Lana Del Rey, the Smiths and others cited them.
By Lindsay Zoladz
Her Christian-themed music made her a fan favorite on ‘Idol’ and won her a Grammy Award in 2013.
By Christine Hauser
Hear tracks by Arooj Aftab, Cigarettes After Sex, Claire Rousay and others.
By Jon Pareles
Ex-boyfriends may be alluded to. Travis Kelce, too, fans believe. And some actual poets.
By Madison Malone Kircher
The Danish String Quartet returned to Carnegie Hall with its Doppelgänger project, pairing Schubert’s String Quintet and a premiere by Adès.
By Joshua Barone
Over 16 songs (and a second LP), the pop superstar litigates her recent romances. But the themes, and familiar sonic backdrops, generate diminishing returns.
By Lindsay Zoladz
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The pop superstar’s latest album was preceded by a satellite radio channel, a word game, a return to TikTok and an actual library. For her fans, more is always welcome.
By Ben Sisario
Nineteen ways the app rewired our culture.
By Ashwin Seshagiri, Mike Dang, Anemona Hartocollis, Kashmir Hill, Becky Hughes, Santul Nerkar, Jordyn Holman, Michael M. Grynbaum, Ellen Barry, Vanessa Friedman, Dana G. Smith, Amanda Hess, Natasha Singer, David E. Sanger, Ben Sisario, Tiffany Hsu, Sapna Maheshwari and Brooks Barnes
The New York Philharmonic commissioned an outside investigation into its culture after a magazine article explored how it handled an accusation of sexual assault in 2010.
By Javier C. Hernández
He traded licks with Duane Allman and proved to be a worthy sparring partner. He also wrote, and sang, the band’s biggest hit, “Ramblin’ Man.”
By Alex Williams
The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”
By Joshua Barone
For “Hyperdrama,” Gaspard Augé and Xavier de Rosnay’s first album in eight years, the duo added genre experiments and guests to its arsenal of bangers.
By Eric Ducker
Hipgnosis, which owns the rights to songs by Justin Bieber and Neil Young, helped kick-start a rush on catalog sales. But its future has been in doubt.
By Ben Sisario
Boots Riley, Earl Sweatshirt, Jennifer Egan, Amaarae and more tell us about their new projects.
Interviews by Kate Guadagnino
Advice on quashing doubt and maximizing procrastination, according to Joan Baez, Kim Gordon, Bill T. Jones and Myha’la.
Interviews by Kate Guadagnino
Seven artists on the challenges and joys of starting over, sometimes in a totally new field.
Interviews by Michael Snyder, M.H. Miller and Emily Lordi
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Shedding its conservative reputation, the Bavarian capital is finding unusual ways to balance tradition and innovation.
By A.J. Goldmann
Musicians, writers and others revisit the work that started it all for them, and what (if anything) they might have done differently.
Interviews by Lovia Gyarkye and Nicole Acheampong
We spoke to 150 artists, some planning retrospectives and others making their debut, to ask about the process of starting something.
Seven albums and 17 years into an acclaimed solo career, the musician Annie Clark said she craved “a pummeling” on her new LP: “I want something to feel dangerous.”
By Lindsay Zoladz
Digging into “Only God Was Above Us,” an LP that’s both catchy and complex.
Breaking down the convoluted recent beef between Drake and Kendrick Lamar (and Future, Metro Boomin, the Weeknd, ASAP Rocky, Rick Ross and more).
James McCartney teamed with Sean Ono Lennon for “Primrose Hill,” a ballad with echoes of the Beatles aesthetic.
By Marc Tracy
She pivoted from painting to lighting exhibitions, performance art, graphic design and minimalist music, performed with her husband, the composer La Monte Young.
By Walker Mimms
Nadia Boulanger’s “La Ville Morte” was repeatedly thwarted by death and World War I, then nearly lost. Finally, it is having its American premiere.
By Joshua Barone
The third edition of Summer for the City will feature hip-hop, comedy, classical music and more, under the motto “life, liberty and happiness.”
By Javier C. Hernández
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Artists across pop genres are finding success with colored vinyl and different variants of their releases. For Swifties, the urge to collect them all is strong.
By Ben Sisario
Hear tracks from Tyla, Chappell Roan, Young Miko and more.
By Lindsay Zoladz
Anthony Davis has written operas based on recent history. But now he is adapting, and dramatically changing, Wharton’s 1912 novel “The Reef.”
By Seth Colter Walls
Fortunato Ortombina, the general director of Teatro La Fenice, Venice’s opera house, will succeed Dominique Meyer, a respected French impresario.
By Elisabetta Povoledo
Once a young bunhead, the acclaimed musical artist is taking the stage with the Martha Graham Dance Company. For her, it’s holy grail territory.
By Gia Kourlas
Pop’s two reigning queens are often cast as rivals, but they have continually supported each other — and spaced out their album releases.
By Craig Marks
Michael Lindsay-Hogg’s unloved — or misinterpreted? — 1970 documentary, the source for Peter Jackson’s “Get Back,” will stream on Disney+.
By Alex Williams
An Algerian, he combined the music of his Sephardic roots with Arab traditions, incorporating boogie-woogie and other influences to create a singular style.
By Adam Nossiter
The New York Philharmonic said the musicians would not perform for now, after a magazine article brought new attention to allegations of misconduct. They have denied wrongdoing.
By Javier C. Hernández
The music festival had plenty of memorable fashion. Most (but not all) of it was ostentatious.
By Anthony Rotunno
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The producer helped shape and boost the sound of Atlanta rap starting in the mid-1990s. His death at 52 was announced last Saturday.
By Christopher R. Weingarten
“Cowboy Carter” tops the Billboard 200 for a second week, boosted by physical sales of her album on CD and vinyl.
By Ben Sisario
Inspired by the drummer Arthur Taylor’s “Notes and Tones” collection of interviews with fellow musicians, Pelt started his own book series, “Griot.”
By Hank Shteamer
Though the academic scene continues to imbue this coastal Connecticut city with a certain gravitas, surrounding neighborhoods are showing off their own cultural capital in the realms of art, food, music and more.
By Amy Thomas
In a program of Tchaikovsky and Rachmaninoff, a guest conductor coaxes a sumptuous sincerity from the orchestra’s musicians.
By Oussama Zahr
Carnegie’s intermittently illuminating festival “Fall of the Weimar Republic” has suffered from interjections of too much standard repertory.
By Zachary Woolfe
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