Why ‘Uncle Vanya’ Is the Play for Our Anxious Era
Despite debuting 125 years ago, Anton Chekhov’s drama of claustrophobia, resentment and despair feels perfectly suited to present day America.
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Despite debuting 125 years ago, Anton Chekhov’s drama of claustrophobia, resentment and despair feels perfectly suited to present day America.
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In film and on TV, he was a sign of cultural progress. Then he was a tired stereotype. Then he disappeared. So why do we want him back?
By Mark Harris and
At the invitation-only art world games evenings, painters, gallerists, collectors and assistants mingle and compete on a level playing field.
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In a recent crop of films and television shows, grown men are obsessed with their mothers — even if they’re not the monsters audiences expect them to be.
By Mark Harris and
In London, a Rare Space Where Musicians, Artists and Curators Work Side by Side
A look at a creative incubator where the singer Sampha rubs shoulders with the fashion designer Grace Wales Bonner.
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Why We’re Living in an Age of Twins
Mirroring, mimicking and doubling are everywhere these days. What does this say about our collective sense of identity?
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Aliens Have Never Been More Alluring
Why pop culture now flirts with extraterrestrials as much as it fears them.
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How Jewish People Built the American Theater
It’s a history “based on the necessity of opening up and looking beyond, instead of suffocating in, the small space of the self — not only to avoid being pigeonholed but also to exercise the muscle of sympathy.”
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The T Predictor: What We’ll Be Obsessing Over in 2024
We asked 46 artists, filmmakers, chefs and other creative people to forecast next year’s cultural trends. (Spoiler: We’re all going to be wearing a lot of brown.)
By Kate Guadagnino, Jameson Montgomery, Juan A. Ramírez, John Wogan and
Danielle Brooks and Sam Jay on Confidence and ‘The Color Purple’
Two creative people in two different fields in one wide-ranging conversation. This time: the actress and the comedian.
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Black Folk Musicians Are Reclaiming the Genre
In returning to a songbook that is decades — if not centuries — old, a new generation of performers is expanding the definition of what their traditional art form can be.
By Adam Bradley and
At Berlin’s Futuristic New Performance Venue, Even the Walls Make Music
The Reethaus’s spatial sound system inspires events that are immersive, experimental — and surprisingly spiritual.
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Why Can’t We Give Up the Ghosting?
How a disappearing act became the default ending to so much human interaction.
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In our 2023 Greats issue, out Oct. 22, T celebrates four talents across music, film, art and fashion whose careers are a master class in curiosity, composure and defiance.
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Plus: a vase designed by Alice Waters, sculptures made from recycled CDs and more recommendations from T Magazine.
By Roxanne Fequiere
The set and costume designer Tom Scutt has conjured a surreal, New York-inspired version of the fictional Kit Kat Club for the latest revival of the 1966 musical “Cabaret.”
By Dan Piepenbring
Boots Riley, Earl Sweatshirt, Jennifer Egan, Amaarae and more tell us about their new projects.
Interviews by Kate Guadagnino
Advice on quashing doubt and maximizing procrastination, according to Joan Baez, Kim Gordon, Bill T. Jones and Myha’la.
Interviews by Kate Guadagnino
Six people, from Lorraine O’Grady to Wallace Stevens, who found a new creative calling – or received long-overdue recognition — later in life.
By Jason Chen
Six artists on the first steps of getting into character, or making a painting.
Interviews by Laura May Todd
This season’s beginners, from Ice Spice to Tyla to Sarah Pidgeon.
Interviews by Juan A. Ramírez and Emily Lordi
Marina Abramović, David Henry Hwang and others reveal their juvenalia.
Interviews by Julia Halperin, Kate Guadagnino and Juan A. Ramírez
From Ralph Ellison to Harper Lee, those who made great work in one field — before their creative lives went in a different direction.
By John Wogan and M.H. Miller
Seven artists on the challenges and joys of starting over, sometimes in a totally new field.
Interviews by Michael Snyder, M.H. Miller and Emily Lordi
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