Arts 2024, 13(5), 143; https://doi.org/10.3390/arts13050143 (registering DOI) - 20 Sep 2024
Abstract
Although situated at the geographic margin of the early modern Atlantic World, the Pacific coast of Peru was an important region in the development of African diasporic material culture. Adopting an interdisciplinary material historical approach, we present the first systematic discussion of the
[...] Read more.
Although situated at the geographic margin of the early modern Atlantic World, the Pacific coast of Peru was an important region in the development of African diasporic material culture. Adopting an interdisciplinary material historical approach, we present the first systematic discussion of the known Afro-Atlantic-style tobacco pipes to be archaeologically recovered in Peru. Eighteen Afro-Atlantic-style tobacco pipes or pipe sherds dating to Peru’s Spanish colonial period have been identified across sites in the coastal cities of Lima and Trujillo and from a vineyard hacienda in rural Nasca. Tobacco pipes are among the most recognized and debated forms of early modern Atlantic African and diasporic expressions of material culture, as such, they present a powerful entry point to understanding the aesthetic consequences of colonial projects and diverse articulations across the Atlantic World. The material history of Afro-Atlantic smoking culture exemplifies how aesthetics moved between localities and developed diasporic entanglements. In addition to the formal analysis and visual description of the pipes, we examine historical documentation and the work of nineteenth-century Afro-Peruvian watercolorist Francisco (Pancho) Fierro to better understand the aesthetics of Afro-Andean smoking culture in Spanish colonial and early Republican Peru.
Full article
(This article belongs to the Special Issue Black Artists in the Atlantic World)
