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The Guardian - Back to homeThe Guardian

Art & design

  • Net gains … Mike Faist, Zendaya and Josh O'Connor in Challengers.

    From Challengers to Pet Shop Boys: the complete guide to this week’s entertainment

  • LL Cool J

    Uncropped: James Hamilton on the decay of alt-journalism and street photography

    In the Wes Anderson-produced documentary Uncropped, the acclaimed culture photographer discusses his career and a changing landscape
  • Ian Cairns’ photograph of Eastbourne's Towner Gallery with geometric artwork by Lothar Götz. It was published on the Guardian’s letters page on 9 July 2022.

    Have your photos published in the Guardian’s letters section

    We’re highlighting the best reader photography in the Guardian in print and online. Share your images with us below
  • The museum on a cliff

    ‘Massive and exciting impact’: show celebrates Spain’s first abstract art museum

  • The punishment of Tityus by Michelangelo.

    Hairy paint, boozy sculpture and Michelangelo’s final years – the week in art

  • Mia Hansson with her tapestry

    Experience: I’m making a lifesize replica of the Bayeux tapestry

  • A giraffe walks through a rainbow at the Zimanga Private Game Reserve in Kwa Zulu Natal, South Africa.

    Week in wildlife – in pictures: a lazy leopard, a moonwalking elephant and hitchhiking ducklings

Reviews

  • Wassily Kandinsky, Improvisation Deluge, 1913. Stadtische Galerie im Lenbachhaus

    Art
    Expressionists review – the vivid premonitions of Europe’s wildest-eyed geniuses

  • Exterior view of the space in which to place me (Jeffrey Gibson’s exhibition for the United States Pavilion, 60th International Art Exhibition – La Biennale di Venezia), April 20 – November 24, 2024. Forecourt sculpture: the space in which to place me (2024).

    Venice Biennale 2024
    Armed guards, reparations and the lives of others: Venice Biennale 2024 – review

  • Voices from the ether come and go … John Akomfrah’s British pavilion at the Venice Biennale.

    Venice Biennale
    John Akomfrah’s British pavilion at Venice Biennale review – a magnificent and awful journey

  • Hypnotic and cinematic … The Martyrdom of Saint Ursula, 1610, with a cameo by Caravaggio who is pictured behind Ursula.

    Art and design
    The Last Caravaggio review – a gripping and murderously dark finale

Photography

  • A woman in a tutu hangs by her arm from an open shipping container stacked among other closed containers

    Hanging in there and a dichroic shopper: Photofairs Shanghai 2024 – in pictures

  • ‘Goofing around like kids’ … Mist, 2013.

    Outlaw attitude: skaters, saunas and spontaneous stripping – in pictures

    Magdalena Wosinska spent the 1990s hanging out with bands, skateboarders and whoever else crossed her path. These photos capture blissful free spirits
  • On the way to Santa Paula … the road trip from LA in an old Merc.

    The photography studio with four wheels and a sunroof: Adali Schell’s best shot

    ‘The sun trickled in just as we were coming down the mountain. When I looked back at Victoria and Keni, the wind was rustling their clothes and hair. I was screaming because it was so beautiful!’

Architecture

  • ‘A changeable system’… the Study Pavilion at the Technical University of Braunschweig, designed by Berlin based Architects Gustav Düsing & Max Hacke.

    ‘It should feel like an extension of the living room’: radical study centre is named best building in Europe

  • black and white photo of a big building with word hippodrome on sign

    Lost New York: remembering the city’s forgotten landmarks

  • Dandelions in a meadow against a clear blue sky.

    Clock this delightful paean to dandelions

  • Arwa Mahdawi

    Why are celebrities destroying multimillion dollar mansions?

    Arwa Mahdawi

Visual arts

  • Horn of plenty … a tapestry fragment from Flanders, c1500.

    Artistic unicorns, protest ceramics and queer art from Morocco – the week in art

  • Caravaggio’s The Martyrdom of Saint Ursula, 1610.

    Death-defying darkness, thought-provoking pop art and unrepentant nudes – the week in art

    Caravaggio proves haunting, Yinka Shonibare brings colonial figures down to size and Monica Sjöö photographs the goddess feminism – all in your weekly dispatch
  • Gallery assistants pose with a participatory installation entitled Add Colour (Refugee Boat) during the press preview of Yoko Ono: Music of the Mind exhibition at Tate Modern in London on 13 February 2024.

    Let’s tell the story of art without men

    Letters: Dr Suzy Tutchell champions the work of past and present female artists, while Caroline Higgitt takes Francesco Vezzoli’s challenge
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